shoutout nice people who actually give a genuine fuck ur so cool and i adore u
art blog(derogatory)
Stranger Things
RMH
đȘŒ
"I'm Dorothy Gale from Kansas"
ojovivo
Sade Olutola

#extradirty

JVL
macklin celebrini has autism
cherry valley forever
No title available

No title available
tumblr dot com

Origami Around
Monterey Bay Aquarium
untitled
trying on a metaphor

bliss lane

tannertan36

seen from Australia

seen from United Kingdom
seen from Austria

seen from Sweden

seen from Mexico
seen from TĂŒrkiye
seen from Philippines
seen from United Kingdom
seen from Russia

seen from United States

seen from Finland
seen from United States
seen from Germany

seen from T1
seen from Germany
seen from United Kingdom
seen from United States

seen from United States
seen from United States
seen from Argentina
@trickymxtape
shoutout nice people who actually give a genuine fuck ur so cool and i adore u
"Sys how is your decent into fiber arts hell going"
Glad you asked. I have arrived at 'modern flax is Bullshit compared to what we had in historical textiles, the flax widely available for handspinning is basically the tow that would be discarded from textile creation and used with tar to caulk ships back in the day'
This naturally led me down a hole of 'why is the staple length of this stuff a bullshit 6 inches' and the answer is 'we have bred modern flax more for the oil than the fiber because cotton usurped the place of everyday textile thanks to slavery and the cotton gin'
Anyway, THIS led me to a rabbit hole that culminated in me finding flax seed bred for proper 30 inch tall plants for fiber, sold by some fellow minded nerds on a website that has not been updated since 1998 and you have to email them to buy anything.
Anyway how are all of you doing.
I FAILED YOU ALL here is the site. You can also buy flax fiber from them. The PROPER shit, not the hot garbage ass tow fiber sold as flax top for handspinners.
@trickymxtape I feel you - I've worked with harakeke before and I also take a moment to remember that it's a very different fiber to linen-flax.
I'd love to see more muka in our everyday textiles because that shit is STRONG!
I...may have accidentally torn a fingernail clean off with a single strand of it. Muka is truly OP
@questionablemotivations I definitely want to learn more about muka. And comparing it to spinning other fibre
janicemascarenhass via IG
[ID: Janice, a brazilian artist, drifting in the street with their wheelchair, with sparks flying out behind them and a whole rig of speakers modded onto the chair. The back of the chair says "Chillwave cripple punk". They're in a brown halterneck and ripped jeans, with braids and metal pieces attached like arm braces. /end ID]
we've got a life to love living.
advice that has literally saved and improved my life
Albert Square, Manchester (1910) by Adolphe Valette | Contemporary Art (2015) by Emily Allchurch
the top is an original, from 1910, the bottom is a new version painted in 2015
THE BOTTOM IS A PAINTING????
also does a really good job reminding the view just how much air quality has improved since we stopped burning coal in every building lol
That fucking chair probably chocolate too
If I keep practicing I might even be a person soon
So if yâall have been here for more than a minute or two, you know that I love a good can of worms. I see a can of worms, I pop the top off that baby and check her out.
In a recent trip to a used bookstore, I found this, which looks like a wormy can indeed:
But I figure, if someone wrote this book theyâre either going to be extremely wrong or have some really interesting things to say.
Much to my amusement and amazement, the introduction of the book is talking a lot about queer theory, abuse, harm (all things that are my areas of expertise), and Palestine. Couldnât have timed this one better, I guess. Worth noting that itâs from 2016, so a lot has changed as far as the global perception of that conflict (understatement).
It is worth noting here that the author does not deny the reality of abuse or the harm of abuse, but clarifies that she's talking about a different thing. A different thing that is when stuff that is not abuse is treated like abuse and that rhetoric and mindset is used to justify subsequent actions.
This caught me cold:
HUH.
For screen-reading compatibility and ease, the text is as follows:
In this book, I bring fifty-seven years of living and thirty-five years of writing to a critical conclusion: that from the most potent potential for intimacy between strangers, to intimate domestic moments between lovers, to the claims of the state on its citizens, to the geopolitical phenomena of mass murder, we witness a continuum. Namely, false accusations of harm are used to avoid acknowledgment of complicity in creating conflict and instead escalate normative conflict to the level of crisis. This choice to punish rather than resolve is a product of distorted thinking, and relies on reinforcement of negative group relationships, when instead these ideologies should be actively challenged. Through this overstatement of harm, false accusations are used to justify cruelty, while shunning keeps information from entering into the process. Resistance to shunning, exclusion, and unilateral control, while necessary, are mischaracterized as harm and used to re-justify more escalation towards bullying, state intervention, and violence. Emphasizing communication and repair, instead of shunning and separation, is the key to transforming those paradigms.
Fuckign. Yes. (Emphasis added is mine.) Her particular example here is the resistance to the silence imposed from above regarding the AIDS epidemic, and how those protests were treated as active harm by the government and punished as such.
This is exactly the shit I've been thinking about for the last few days to an uncanny degree.
She goes on to talk about how Part One of the book is about distinguishing between conflict and abuse, starting within households and relationships and expanding to the realm of the state, then going on to "trying to understand how the police became the arbiters of our relationships" (YES!!!!! HOW???), and exploring these concepts in historical context.
Then on to summarize what she's doing in part 2, and this hit me like a water balloon on a hot day:
First paragraph:
Once this relationship between overstating harm and the Abuse by the state is established, I start to unravel some of the reasons why people are compelled to escalate. The centerpiece of this dynamic is the role of "bad" groups in encouraging bullying and shunning instead of peacemaking. Escalation is the key consequence of refusing to problem-solve or negotiate, and it demands our attention as a central obstacle to peace and justice.
But then I really want to linger on this last paragraph here. The rest is putting into words insights that I think I've already had. This last one is bringing up something that I have literally never thought of before.
In Chapter Five, I examine how Traumatized behavior and Supremacy ideology resemble each other, how both produce distorted thinking that seeks unreasonable levels of control over other people and does not tolerate self-criticism or difference. I propose a release of the stigma around recognizing mental illness, distorted thinking, and anxiety, and suggest that they be publicly and commonly recognized as contributing sources of this intolerance and control. And I try to look at cultural denial of these manifestations of distorted thinking as a strategy for the enforcement of dominance.
This. This feels like it might be cooking with fire. This is an extremely interesting thought and I think it bears a lot of exploration. It feels true, which means I'm going to be extremely critical of it going forward as I read and see how well it passes stress tests.
I've literally only read the introduction so I can't recommend this book or anything, but I can tell y'all I am Paying Attention. Listening, Learning, Etc.
can we all agree that pressing foreheads together is an underrated act of affection??
I spent the afternoon arranging our books by size and color (and itâs so satisfying and looks amazing) and my partner came home and stared in shock at the bookcase and then said âiâm a librarian, you canât do this.â
him: you split up all the song of ice and fire books
me: yeah i know, theyâre all primary colors, itâs perfect
him: [self-destructs]
Youâre a monster
As a former bookstore employee, this hurts my soul. I mean, sure it looks nice, but how do you find anything?
it has occurred me during this process that apparently not everyone thinks about books by what color they are? like, literally when iâm looking for a book, i picture it in my mind. i have a veryâŠtactile experience with the books i read and idk! i thought everyone did that lol.
my partner was like âhow will i find [this book] for instanceâ and i replied âeasy, itâs purpleâ and he looked at me like i was a witch.
OP your brain is neat and I love you for it you funky little color-coded cupcake. But youâre still a monster.
This actually is interesting in terms of information-seeking behavior, which is a thing librarians think about a lot and often actually study (some library jobs require you to publish, and academic librarians, for instance, will often use the students at the college they work at to study how they search for information in order to figure out how to best provide them services).
When you go for an MLS (Masterâs of Library Science, which is a thing, and which is usually required for âprofessional-levelâ library work [which is also a weird and contentious concept that I wonât go into here]), one of the things you study is the organization of information. This deals with how to determine what a book or other material is âabout"âa concept we tongue-in-cheek call âaboutness"âand how to convey that to a potential user of the item and make it easy for them to find. Things like keywords and subject headings, do I put this book about how often wild birds attack aerial drones in with books about birds or with books about technology, if its a fictional novel do I put fantasy in itâs own section or mix it in with all of the other fiction, so on and so on.
OP is organizing books by how they would look for them. OPâs partner is thinking in terms of aboutness. This is a system that works for OP because itâs their personal library: they know basically what books they own and they only own books that are relevant to them, and if they know what the book looks like, that can be a quick way to find it.
In a library that assumes the public (or people who do not own that particular collection of books) are using the collection, that doesnât work. Books are often re-issued in multiple covers, or re-bound in new covers when they get worn out, and if the user doesnât know what the book looks like or is expecting a different cover, theyâre lost. Thatâs why non-personal libraries used standardized cataloging systems like the Dewey Decimal System or Library of Congress System to organize a book by what itâs âaboutâ, and then put books about the same or similar topics together, marked with labels and signage so a person unfamiliar with the book or collection can find their way to it.
Basically, OPâs system works for their own personal library, because itâs best suited to how the primary userâOP themselvesâlooks for books. OPâs librarian partner is coming from a background of thinking in terms of a public-facing collection, where aboutness is the key criteria and communicating it to a user unfamiliar with the collection is the priority.
And also, OP is a monster.
drew those gay medical malpractice doctors
masks as a signifier of deceit or attempting to hide something is Out. masks being used to represent stepping into one's own identity and not one foisted upon them is the new hit craze
masked character removing their mask in front of someone as a sign of trust: boring, overdone, reinforces the idea of the mask as the "fake" identity and the "real" face as the "true" identity
masked character's mask accidentally comes off in front of someone but they look away to avoid seeing their face as a sign of trust and respect: now we're cooking with gas
Do people know about public libraries. Do people know how much stuff is there
Eric Bogosian and Assad Zaman at New York Comic Con (2025)
Queen of the Damned - Part 1, Chapter 4: "The Story of Daniel, the Devil's Minion, or the Boy from Interview with the Vampire" - Anne Rice (1988)
doesnt like it