omg wait I just realized that when I post in communities that I can only post from this account. IM NOT A BOT MY MAIN IS ACTUALLY MY SIDEBLOG @sireforest
In this sonification of Perseus. the sound waves astronomers previously identified were extracted and made audible for the first time. The sound waves were extracted outward from the center. (source)
I KNOW this is a really long post but my intention was to just note down everything that I think is important for beginners and that’s A LOT. It took me forever to learn some of these things but they’re so important, so buckle in. I hope this helps some people.
If I’ve missed anything, please feel free to let me know what you’d like me to add. I’ve been working on this for two days, so if there are typos, I’m so sorry.
The sections I cover here are key terms, mythic literalism, deity work vs deity worship, FAQs and General Advice.
Some Key Terms
Hellenic Polytheism: Hellenic means Greek, and Polytheism means worshipping multiple gods. So, Hellenic Polytheism is the worship of the Greek Pantheon which is also referred to as the Theoi. The people who practice could be referred to as Hellenic Polytheists. Some also call themselves Hellenic Pagans, but not all people who practice Hellenic Polytheism consider themselves pagan.
Hellenistic: you may see the term ‘Hellenistic Polytheism’, but this is my PSA to ask people not to use that, as it’s incorrect. Hellenistic refers to a specific period of Andient Greece, from 323-32 BC, and your worship is almost definitely not specifically focused on that period. Additionally, here is a post by a Greek person on why ‘Hellenism’ and ‘hellenismos’ are disrespectful.
Ouranic: this is the term for the heavenly gods. Be aware that there is some overlap between Ouranic and Chthonic deities. Whether a deity is Ouranic or Chthonic will effect things like prayer position (palms up for Ouranic) and whether offerings can be eaten or drank (yes for Ouranic)
Chthonic: this is the term for the underworld gods. Be aware that there is some overlap between Ouranic and Chthonic deities. Whether a deity is Ouranic or Chthonic will effect things like prayer position (palms down for Chthonic) and whether offerings can be eaten or drank (no for Chthonic) side note - when it comes to hero worship, I personally treat them as if they’re chthonic.
Kharis: this means reciprocity, and also refers to the relationship formed between us and the gods. Arguably the most important aspect of Hellenic Polytheism is that when you ask something of a deity, you must give an offering in return. Size of what you’re asking for should correspond to size of the offering, or if you’ve given many little offerings without asking for anything you can use that as why you should be given the Big Thing.
Xenia: guest-friendship, hospitality. The idea that any stranger could be a God in disguise, so treat everyone respectfully. It’s an Ancient Greek social custom that a lot of Hellenic Polytheists see as important today. Simply put, in modern times this most often just means being kind to strangers. There’s a lot more to it than that though, so look here. Know that Xenia is a two-way thing, so you have to be generous to your guests but they must also respect your home.
Eusebeia: basically, piety. Respecting the Gods. This is really the only ‘rule’ of Hellenic polytheism. There’ll be different ideas of what is considered respectful, but as long as you have good intentions and don’t do anything you KNOW would be offensive, you’re okay. Don’t insult the gods (any of them), don’t ask for anything without offering something else, and don’t treat yourself as equal to or higher than the theoi.
Hubris: excessive pride or dangerous overconfidence, often the fatal flaw of a lot of Greek heroes in mythology. Specifically, this is when you act better than or equal to the gods. You are not.
Libations: a type of offering, in the form of a liquid. Usually poured on the ground but can be drank (unless it’s to a chthonic deity) if you’re a closeted Hellenic polytheist who can’t just pour some liquid on the floor every time you want to offer it. My advice for food offerings/libations to chthonic deities if you’re not openly a hellenist is to offer leftovers, rotting food, or something you otherwise know will go to waste.
Altar: traditionally a place used to put physical offerings and food offerings for deities. Some people have an altar to each deity, some people have one altar for all their deities. These can be as big or as small as you want. People may use shelves, drawers, boxes, windowsills, etc, and I don’t even use mine for food offerings, only for physical ones because I usually eat the food offering (I don’t like the idea of wasting food). My altars also just serve as a dedicated space for that deity in my life.
Hero worship: this is the worship of ‘heroes’ in Greek mythology, which includes literally any mortal. For example, I worship Odysseus of Ithaca, Penelope of Ithaca, Helen of Sparta, and Tiresias of Thebes. I’ve been asked a lot about how hero worship differs from deity worship, and you can find that answer here.
Devotee: there is a lot of disagreement on what the difference between a devotee and worshipper is, but for me, I’m devoted to Athena as I feel I have the closest bond with Her of all my deities and I honour Her the most. This partly comes from my feeling that She has been with me for much longer than I’ve been aware of Her presence, and that also so much of who I am and what I value comes under Her domains.
Patron: this basically means that if part of your identity comes under the domain of a deity, then that deity is your patron. There can be occupational patrons (like Hermes is the patron of merchants) or to do with things like gender (Hera is a patron for women. Yes this includes trans women, transphobes are not welcome here.) You can have more than one patron, and you don’t need to worship all of the deities who would be considered your patron.
Epithets: these are titles given to deities. There are two types - cult epithets, which describe the aspect of a deity you’re focusing on (like Athena Ageleia, meaning ‘Protector of the People’) since they have a lot of domains and it’s important in prayers to specify what you want. Then there’s poetic epithets, which are adjectives, often used to compliment a deity. I like using these to make my prayers seem more sophisticated to be honest (example: white-armed Hera)
Unverified Personal Gnosis: gnosis is spiritual knowledge. If it’s unverified, that means that it has no basis in historical sources as far as the person is aware, and they don’t know anybody else who has the same experience. You will often see this abbreviated as UPG. Personally, I think UPG is really valid, considering a lot of things are unknown to us due to the loss of sources overtime.
Shared Personal Gnosis: gnosis is spiritual knowledge. Like UPG, Shared Personal Gnosis (often abbreviated as SPG) doesn’t have any historical backing as far as the people who believe it are aware, but it is shared by multiple different people and therefore seen by some as more valid than UPG (though I’d argue that all SPG is UPG before you know that other people agree)
Verified Personal Gnosis: gnosis is spiritual knowledge. It being verified means that there are historical sources to back up the belief, and this is commonly abbreviated to VPG. You are more likely to come across the terms UPG than SPG or VPG, and most of what Helpol people on tumblr discuss is UPG, even if they don’t state that directly.
Reconstructionist: these are people who try to ‘reconstruct’ the ancient religion, recreating ancient rituals as best they can and doing things as close as they can get to how the ancient Greeks did based on our historical sources. An important note here is that we will never be able to do this perfectly and that’s okay. When it comes to things like animal sacrifices, most of us outside of agricultural areas almost definitely don’t have the means to be doing that properly, but you can use symbolism in place of a real animal, an example an anon gave me is cutting bread into animal shapes
Revivalist: these are people who try to recreate the ‘spirit’ of the religion, though not with the exact practices that the Ancient Greeks used. Revivalists are more concerned with the values and beliefs of the ancient religion than they necessarily are with how it was practiced. I personally feel like I fall somewhere between the two, but I also think both are really valid!
Mythic Literalism
Mythic Literalism is the debate in modern Hellenic Polytheism about whether or not the myths should be taken literally — and it’s common in Helpol spades online to say that the answer is ‘no, they’re metaphorical’. But I’d actually argue that they are.
Think of the Epics like the Iliad and the Odyssey — these begin with invoking the muses, goddess of inspiration said to have perfect memory. These goddesses know every event that has ever happened and are believed to guide and speak through the poets as they recite the myths, which means that they would be reciting history. That suggests the myths happened.
This isn’t ignoring the fact there are cultural reasons behind the myths and that parts of exist to them fulfil specific functions of that god or have parts of the world that they’re trying to explain.
For example, the myth of Hades kidnapping Persephone fulfils an aspect of Hades and has a cultural aspect about marriage in Ancient Greek society. First, it’s one of the myths we have of a youth being taken too soon by death (think Apollo and Hyacinthus, Zeus and Ganymedes, Thetis and Achilles, maybe even Castor and Pollux) and the grief that causes, Hades role being of the underworld. But also in terms of Greek society it was reflective of mothers losing their daughters to marriage, too. Both these things coexist in the ‘meaning’ of the myth; but just because it has metaphors, doesn’t mean it wasn’t believed to have happened. The Greeks did view their myths as having happened.
Zeus has so many children and so many affairs and rape myths, not because it’s just a metaphor and he didn’t actually do any of that, but because he’s a male fertility god, and he’s the god of kinds, and kings do abuse their power.
The Greek gods exist as how the world is, not how we want it to be or how it should be. Take Hera, for example — she doesn’t align with the passive and idealised wives described in things like Xenophon’s Economics, but is instead how women are. Real women get angry when their husbands are awful to them, so Hera, Goddess of Women, can be angry.
It’s good to learn the ways in which these deities were understood and what their domains can represent. Myths also help us to feel more familiar with our deities. Additionally the myths tell us not to be hubristic, and things like the Iliad tell us about Oaths and Offerings and Xenia. These are important parts of helpol.
I understand the want to disregard some of the more distasteful myths that depict things not only distasteful now but that would’ve even been viewed as wrong IN antiquity. But the Greek gods are not supposed to be perfect by human standards of morals. They have good and bad aspects based on their domains.
Deity Work vs Deity Worship
I’m going to preface this section by saying that I worship deities, I don’t work with them, so even though I’m doing research on this please take everything I say about deity work with a grain of salt and note that the rest of this post might apply more to worship, because that’s what I’m familiar with. Lastly, my intention here is not to place a value judgement on either type, I just want to try and make a full explanation for anyone out there looking for one, since I’ve found it to be kind of difficult to find.
From my understanding, deity work is common among witches, and usually involves asking a deity to help with your spells or other forms of magick. When you work with a deity, you are asking them to mentor you in a sense, and there’s often a specific goal in mind that they’re hoping to achieve with help of the deity. Additionally, because of that goal-oriented relationship, deity work has deadlines(?). Like, once you’ve achieved the goal you had, the deity will stop working with you
There are similarities, as both seem to involve reciprocity and offerings, and both involve cultivating a relationship with deities, even if the nature of that relationship and the reason for offering is different.
Deity worship doesn’t have a set end-goal. You CAN stop actively worshipping a deity, but this doesn’t usually come after a specific goal is achieved because there isn’t a goal in mind. Worship is more about honouring the deity. Khakis is built out of admiration, respect and love for the deity. This is why we pray, make offerings, etc. it’s all to honour the gods. We do ask for things in deity worship, but that’s not the entire point like it is for deity work.
FAQs
Do I need to be called to worship/work with a deity?
Nope! You are 100% allowed to reach out first. You can do that by praying or making an offering. Remember to research the deity first, so you know what epithets to use, know what symbols they’re associated with, have ideas for offerings, etc. Also, if a deity calls to you, you are not obligated to worship them. Acknowledge them and move on if you don’t have time, energy, or interest in worshipping them at that time.
Where can I find information on deities?
The main site that I think everyone uses is theoi.com, which has really in-depth pages on a lot of deities, with their myths, lists of epithets, family trees, etc. it’s a really useful resource!
Do I need an altar?
No. They’re nice to have but you don’t need one straight away. It took me two years of worshipping to get any altars, and even now I don’t really use them how you’re ‘supposed’ to.
Are there any sins in Hellenic Polytheism?
No, just don’t disrespect a god (don’t disrespect any of them, even the ones you don’t worship should be respected). Also don’t show hubris.
Deity X and Deity Y don’t get along, but I want to worship both, what do I do?
Disregard mythic literalism and remember this is a polytheistic religion. The gods know they are not the only god you will be worshipping, and they are chill with that. If you really want, you can separate their altars if you have an altar per deity, but it’s up to you completely.
Other General Advices
This post is a starting point, nothing here is very in-depth. Do more research if anything on here is still confusing to you. Feel free to ask people here on tumblr, I’m sure most of us would be happy to help.
Don’t believe everything you see on tiktok/tumblr. We’re all still learning, a lot of us are wrong about stuff. Do other research and let yourself form your own beliefs. As I’ve said, even parts of this post should be taken with a grain of salt. I’m no expert, I just want to try to help.
If you’re going to make your own posts about helpol stuff, advice I’ve seen before that really stuck with me is ‘keep some things scared’. You don’t have to post everything. I, at the moment, don’t post my prayers or photos of my altars. Those things are what I keep scared, you should have your own things. They don’t have to be the same as mine.
You have nothing to be afraid of. The gods can be intimidating when you’re starting out, but they know we don’t have as much readily available information about this stuff as the ancient greeks did. They also know you’re new, and they will be patient with you. Don’t be scared.
You can offer anything. Digital offerings are as valid as physical offerings. Devotional acts are valid too.
Know that you will never be done learning. Accept this and commit to trying to learn anyway.
Know how to tell signs from the gods apart from just General Happenings of the world. Here is a good post on that. I have a series on my blog tagged #signs from deities, to show the kinds of things I personally recognise to be signs and to show how frequently/infrequently those can occur. I would suggest keeping your own record of those, whether or not you share it is up to you. The reason is to reflect on your journey and, if you ever doubt your gods, you can look at those lists to remind yourself of how they’ve been there for you previously.
Doubt is healthy, it’s okay to doubt things. Don’t feel bad for this, the gods understand. Let yourself question everything you feel the need to question.
Similarly, anger is healthy. It’s okay to be angry at the gods, but don’t disrespect them because you’re upset. Handle your anger well. You won’t get punished for being upset.
The Hellenic Gods aren’t generally believed to be all-knowing, however it is believed that they can hear us when we call their names, which is why prayers start with invocation of a deity’s name and an epithet.
being obsessed with your god’s domain before you started worshipping is so reassuring…
like what do you mean you’ve been here the whole time? that you’ve always been a part of me lying in wait? that you, the divine, has innervated & enriched my life long before i acknowledged you were divine? SICK!!!
gentle reminder you can rise up from everything. you can recreate yourself. nothing is permanent. you are not stuck. you have choices. you can think new thoughts. you can learn something new. you can create new habits. all that matters is that you decide today and never look back.
Research is essential, but academic literacy is hard.
Listen to me, people will tell you to do your own research, to fact-check things, to know the context of every author you encounter. But that shit is hard. So here is a step-by-step guide on how to go into (online) research.
(ps: All of these are things I learnt from my 5 years in university. Still, I am a PSYCHOLOGY student, not a historian, nor do I have any degree in classical studies. This is general information. If you can add beginner-friendly tips, please do in the reblogs/comments.
1. Find your ground:
What do you want to know? What is it you are looking for? This will help you find keywords.
Let's say you are interested in Greek Myths. And you are curious on how some myths came to be. So here we have "Greek Mythology" and "Origins" (for example).
2. Find your domain:
Several blogs and sites will have the specific information you need (probably), but if you don't know them, you can look into many search engines.
Google Scholar or Wikipedia are good places to start.
SOME TIPS TO GOOGLE STUFF:
SOME TIPS TO SEARCH IN WIKIPEDIA:
there are two ways wikipedia can be useful.
a) the rabbit hole.
The hyperlinks will help you deep dive into many related information you may need.
b) references are a girl's best friend
Some references will have links to where the citation comes from. If you are interested in a certain topic, you can go to the source and read it from the author itself (friendly reminder that wikipedia and many other wikis have information sumarized and paraphrased, so there might be misinformation. here is where fact-checking comes to play.)
3. Know your authors
This is a pain in the ass, I know. But as we know, some people write in contexts that make information heavily biased with problematic stuff. Does this mean every information that was written through, lets say, patriarchal lenses, are unreliable? no. It means that if the author only talks about the importance of masculine deities, there might be a chance that they are leaving to the side the actual relevance of other deities in the stories. Here is where critical thinking will help you out. Check the source, consider the motif. The reality is that the more you read about a topic, the more complex your perspective gets.
But let's go to an example.
If we are talking about primary sources (sources that generated new information), you need to study the context and history of said author.
For example, When it comes to myths, we could say primary sources are Herodotus and Ovid. But if we look closely, we will see that they not only differ in time but also in place, being Herodotus a greek poet and Ovid a roman one. This matters because not only did they write for different civilisations, but also about different deities. The same could be said about philosophers of different eras within greek tradition.
If we are talking about secondary sources (where authors compile and analyse information), you need to add a layer of information about the authors themselves. Why are they making this analysis? What is the purpose of what they are writing?
It is hard to do a background check on every single author you read, so a good measure of how they stand with the research community is: how many citations the work has, when and where the paper was posted, and how many primary sources does it have in its references. If either of these is ringing some alarms in your head, read the other research they mention in their bibliography.
4. Don't rush yourself.
This one is more of an advice than an actual step.
Some primary sources, even though they are reliable, are hard to understand. I approached the Iliad through The Song of Achilles. I'm not embarrassed by that. What I am ashamed of is that I truly thought that I could read the whole Iliad just from what I have seen in TSOA. Yeah, it was a punch in the gut. Suddenly, I had this man mentioning people i didnt know from places that didn't existed anymore and praying to gods that i didn't know what they were known for.
After that, I took a step back, and I started reading about these things from secondary, down-to-earth resources.
Many books will come with explanations at the bottom of the page; these are very helpful when approaching heavy literature but if you don't have these editions, don't be afraid to Google about every little thing. Yes, it will take you way longer, but that's why you don't need to rush. Patient research is good research.
Anyway, I hope this is a good starting point for anyone.
amazing points - additional tips for someone with a degree in classics!
email lecturers - they don't have to be your lecturers! this also includes book authors. anyone with years of research in a specific field usually loves to talk about it, or at least signpost you to more sources, and sometimes even will send you their journal articles for free! obviously be polite, but you can talk to those people and they're usually happy to respond!
google scholar is your best friend for secondary sources! it'll sort through academic articles, and often give you a PDF link (so free).
if you're really nerdy, read different translations (perseus hopper and the loeb are good for this, although you need an access key for the second).
also, and this is something i feel people sometimes overlook, you can research outside this specific field and into adjacent areas. understanding the philosophy and psychology of religion, the way it was practiced in antiquity, and how to read myths are all important skills that you're going to get from reading papers in other subjects (like psychology, philosophy, theology, english language and linguistics). you don't have to get too bogged down on the ancient greek words and translations if that isn't your cup of tea (it isn't mine) and it's fine to move on from an article that's too linguistics heavy!
and if you have any questions you can always ask other people on tumblr who can point you in interesting directions!
So you know how humans almost universally like to pet animals no matter the size. (Yes I might want to pet a lion and I am not going to apologize for that. Well what if that is a trait that is unique to us/our planet?
Bounty hunting alien group with their new human crew mate lands on a planet to secure their target. After a brief search, the group encounters a guard dog... of sorts. A beast taller than a moose and built better than a bear snarls and growls, bearing its fangs. All members of the group back away slowly and ready their weapons. All, except the human who suddenly gets excited.
"Oh you're so vicious aren't you? Who's a vicious beast? Whose a vicious beast? Yes you are." The human says.
The rest of the group stares in disbelief at the human, who must have lost his mind. Wondering if they should intervene, but also kind of terrified of both the beast, and now, the human.
The beast leans in, inches away from the humans face, letting out a deep growl. The Human reaches up to pet the it, who quickly leans away, wondering what the furless bipedal is up to. Determined to pet the new animal, the human continues. His hand catching up to its head, he starts to scratch behind his ear.
The beast relaxes, experiencing a joy it never thought it wanted. A few minutes go by, and the beast lays down, relenting to the humans pets. Before long, it shows its stomach, not knowing why just reacting to a primal instinct it did not know existed.
"You want some belly rubs!" The human exclaims, rubbing the beasts belly.
Leg kicking away, the beast gets lost in the bliss for a few minutes, until the alien captain finally speaks up.
"Human, What are you doing. That beast is dangerous!" The captain barks.
"Are you a dangerous beast? Whose a dangerous beast?" The human exclaims, continuing to pet the beast.
"Human!" The captain shouts.
"It's fine! See he likes it." The human defends.
Not believing what they are seeing, the rest of the party continue on to find the target, leaving the human to bond with his new pet.
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol)
Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3)
The other factors that have improved my writing are thus:
1. Writing nonlinearly.
I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that.
It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it.
Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this.
And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate.
Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long.
But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it.
If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!!
Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work.
I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!)
Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing.
So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol)
(Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.)
When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them.
As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong.
3. Marinating in the headspace of the story.
For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it!
Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
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