Home is Where (a ghost nest #1)
november 7th, 4:47 am pst.
in all sincerity;
this interview was birthed from the innate fear of death. for what it is to ‘be a ghost’, beyond having the ability to slam doors after your passing, isn’t truly defined. a trait consistent throughout the many interpretations of angels, spirits, paranormal and such is the presence felt being an essence lost in time. ‘who’ a person is stops at their death. all human aspects stripped, ghosts work as an echo of a fading past; something more akin to a message in a bottle than an entity still living.
so, in our lives, do we strive to create essences that continue to build after our deaths? or do we attempt to capture our essences well enough at the moment to make our ghosts stronger? the latter has been adopted for ‘a ghost nest’. i hope, for everybody’s sake, that it isn't explained again. context felt necessary to clear up why these interviews are in a hybrid, ‘Dear Sally’-esque format. what this should be considered, at most, is an exercise in essence on a minuscule scale.
and on november 7th, at approximately 5:10 am pst, brandon macdonald expressed a similar sentiment. ‘tantrum provider’ for Palm Coast-based emo band Home is Where, they noted the name’s function as a subliminal advertisement; so that whenever the proverb it takes from is used, listeners at any moment in time will harken back to sound bleeding with vibrancy. ‘the scientific classification of stingrays’ (topical cover art) carries an urgency somehow familiar, symptomatic of the band stretching their foundations into their own monument. for ninety minutes, unknowingly breaths away from a new president-elect, we had a conversation.
this is Home is Where’s ghost nest.
So, how long is too long for us not to have a presidential assassination?
Brandon: Um, that’s a good question. I was on a local podcast recently and, funny enough, I didn’t know going into it that they’re sponsored by a financial magazine? I lost my shit finding that out. I was laughing my ass off. I was like, “your financial magazine, right now, is supporting an artist who is a dedicated Marxist. A communist who sees these people on the street and knows that I represent exactly what they’re against”. The song isn’t meant to be about an actual assassination or about Orange Man himself. I wanted it to be a comment on the structure itself, you know, how long living within it does it take before everything builds up and we eventually bite the hand that feeds us?
Protest music that names specific presidents does not age well. Look at 80s punk, besides Dead Kennedys, mentioning Reagan. You know, what was the name of that compilation against Bush? The intention was to write a protest song that lasts longer than a presidency. Also, it was easier from a lyric-writing perspective, although there are plenty of words that rhyme with Trump. I don’t know about McConnell [laughs].
Videos of ‘stingrays’ live date back to January. Was all the material off the next record written pre-quarantine?
All of it. We were sitting on this material for a while, and we went into the studio in early April. We wanted to pump something out before, you know, the end of the world happened. So we got those done, it was mastered around May, and now we are waiting for a few more parts to be sent in. That’s no worries, it’s been a difficult time for all of us. The original plan wasn’t even to drop a single for ‘i became birds’. 2021 was coming up and we hadn’t released anything this year, so ‘stingrays’ felt like the most direct and obvious choice.
In the world, how do you see both your personal presence & Home is Where’s presence?
You know, I don’t leave the house much. If I do, I wear a mask. I go to work. I spend time with my cat. I hang out with my girlfriend when I can, as we’re pretty much on opposite schedules. The band hasn’t been up to much. We haven’t met since May and we’ve all faced changes in our individual lives, but at some point, when or if the chaos comes to an end, we’ll be playing together again. In terms of Home is Where? We’re an emo band from Florida. There’s plenty of those. This might be a pretty trash take, but a lot of the bands in the scene comment on liberalism, and you can only gain so much by listening to it. You should spend your time reading theory, doing something actually important, so you’d be able to make a change in the world. So, in the grand scheme of things, Home is Where is not important. However, it is something I love and am fortunate enough to do.
Dear Brandon, of Home is Where. I’m having trouble finding my own space when stuck home with my family. What should I do?
Charley, in Pennsylvania.
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Brandon: Is this referring to COVID?
I’m pretty sure it is.
. Okay, I think I have an answer for this.
In terms of finding your own space, just find something you’re passionate about and, fucking, dive headfirst into it. A few years back, around the time we started to get serious with the band, I was in a position where I didn’t have a job but I had enough saved up so that it was a few months until I had to worry about rent. With all the time I had, I wanted to buckle down and get really into something I wanted to learn everything about emo. You know, I knew Rites of Spring were the ones who started the genre and some of the stuff about the 90s, but I wanted to know all of it. There were 2000 emo albums that I downloaded and I listened through all of them. Everyone inspired me. Not all of them were good, no. Some were bad, but by listening to them, I knew exactly what I didn’t want to do. It helped clarify what I wanted Home is Where to sound like.
Find something you’re passionate about. You know, reading theory, making art, do something that makes at home in your home. You can do so many great things.
Do you have any song recommendations for this situation?
I have two! The first is, well, you can never go wrong with Cap’n Jazz. Pioneers, truly some of the greats. Tim Kinsella is a genius; I do my best to take what I can from him. It’s him and Bob Dylan. The song is We Are Scientists! (by Cap’n Jazz). I believe some of the lyrics do touch upon that feeling of being stuck around other people. Like, “starchy product scripted people I never asked to care about”? “you can’t look at the sky without looking right through it”? Those lines are, mwah, chef’s kiss!
The second is H.S. by Plunger. Let me pull up the lyrics to this. It’s another one that comments directly on feeling isolated from those around you. Here it is; “All these old faces/Smiling and laughing/But you’ll never leave fourteen”. Yeah, that seems to sum up the emotion this person expressed.
Dear Brandon, of Home is Where. Things recently ended with a person I had been seeing. I hurt them, didn’t communicate my feelings properly, and I feel like garbage for it. I leave the continent for 5 months in a few weeks, and I want to reach out before I leave, but also I want to give her space? Should I wait and see if she reaches out? I’m a dumb stupid idiot. Dumb stupid idiot, in Maine.
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‘Dumb stupid idiot’ [laughs]. That truly is an emo question. I am sorry to hear that you’re going through that. That sucks, man. Heartbreak sucks. I wish you the best in leaving the country during COVID times, seeing as that might be difficult, and hopefully, it opens your eyes to new things.
My one piece of advice is to give it time. I know a few years seems like a lot of time, but it really isn’t. There are moments where I, too, indulge in being derogatory towards myself. Home is Where has lyrics about feeling alienated, being hard on yourself. A few years ago, I moved back to the town I grew up in, and even though it was considered ‘home’, I didn’t feel that. It was tough. Eventually, over time, everything came together. You just gotta wait and look back when you’re in a better headspace,
You’re going overseas, you have so many new experiences ahead of you. Who knows, maybe you two will end up working out, we’ll see. You got this. I’m rooting for ya.
Do you have any song recommendations?
I came up with three, actually. One isn’t emo or anything close to adjacent, so I added another to compensate.
I Love You Too by Rainer Maria is the first one. It’s hard to find emo that deals straight up with a break-up, there isn’t much out there, but Rainer Maria stuck out. This song is killer. That entire EP is killer. One of the best emo bands ever.
Idiot Wind by Bob Dylan is my second recommendation. Which is not emo, but in terms of break-up songs, it doesn’t get much better than this. Blood on the Tracks is fucking brutal; Dylan puts blame on pretty much everything.
The other emo song is from, I want to say, around 2000 or 2001? Near the end of that 90s, ‘second wave’ emo, whatever it is considered. The song is For Meg by On the Might of Princes. It’s about Meg Griffin from Family Guy. No, it’s not. Actually, I am not sure, but this track has just about everything; it’s lo-fi, has some screams, and the lyrics seem to discuss a heartbreak;
”This is for you. to hold you close, to keep you Close to my heart. I'll scream it til your ears bleed You'll always have a friend in me”
Great, great emo that gets heavy. They’re the only emo band that Brave Little Abacus cited as an influence on their sound. You should definitely check them out.
Home is Where’s visual ghost nest (collages & mixtape visualizer) consists of: Modern Times//Halloween: Resurrection (”Busta Rhymes beating the shit out of Michael Myers is a 10/10 for me”)//Blood Diner//Simpsons: Hit & Run//City Lights//Woody Guthrie: Hard Travelin’//The Horror of Party Beach//Peanuts//Zippy the Pinhead//Fritz the Cat//The Enfield Haunting//Twin Peaks//Wayne’s World 2//Synecdoche, New York//Japanese Woodblock Prints
Home is Where can be found on twitter, facebook, and bandcamp. ‘i became birds’ out 2021 on Knifepunch Records.
their ghost nest is on spotify. questions for future ‘episodes’ can be asked under the advice tab.
this now exists. bless to brandon, Home is Where, and you all.










