sometimes the best writing advice is "just let it be bad." revolutionary. terrifying. but it works.

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@typewritersounds
sometimes the best writing advice is "just let it be bad." revolutionary. terrifying. but it works.
Best Writing Advice I’ve Ever Received
1. “You can’t edit a blank page.”
This advice hit me like a ton of bricks when I first heard it. It’s so simple, yet so powerful. Writing something—even if it’s not perfect—is better than writing nothing at all. The idea is to get the words out, even if they’re messy, and then fix them later. There’s always room to improve, but the hardest part is starting. So, don’t wait for perfection. Just write.
2. “Show, don’t tell—except when you should tell.”
It’s one of the classic writing rules, and yet, I found this piece of advice to be both a game-changer and a huge relief. So often, we get stuck on the idea that “showing” is the ultimate goal. But sometimes, telling is just as effective. It’s about knowing when to lean into subtlety and when to give the reader exactly what they need upfront.
3. “Write the book you want to read.”
This was one of the most liberating pieces of advice I’ve ever received. So many times, we get caught up in writing what we think people will want to read, or what we think is “marketable.” But when you focus on writing a story you genuinely want to read—one that excites and moves you—everything else falls into place.
4. “Don’t compare your first draft to someone else’s final draft.”
This one is a tough one to swallow, especially in the age of social media where we’re constantly exposed to the polished, perfect versions of other people’s work. It’s easy to feel like you’re falling behind when you compare your rough drafts to someone else’s masterpiece. But every writer starts somewhere, and your first draft is just that—a draft.
5. “Make your characters want something, even if it’s just a glass of water.”
This advice came from a workshop, and it’s one that I’ve come back to time and time again. It’s a reminder that characters need motivation—whether it’s a big goal like saving the world, or something small and personal, like finding a glass of water in the desert. A character without desire is a character that feels flat and uninteresting.
6. “The best way to improve your writing is to read more than you write.”
This advice took me a while to fully understand, but it makes perfect sense. Reading other authors’ work, especially those whose writing you admire, teaches you things that can’t be learned through theory or workshops alone. You’ll pick up on pacing, voice, structure, and what makes a story truly captivating—all while expanding your understanding of storytelling.
7. “Your first draft is just you telling yourself the story.”
This was another gem of wisdom that I didn’t fully grasp at first. It’s easy to fall into the trap of wanting your first draft to be perfect, but it’s not meant to be. The first draft is for you—to explore the plot, the characters, the world. It’s your chance to get everything down and see where it leads, without worrying about perfection.
8. “Write with the door closed, rewrite with the door open.”
This is one of Stephen King’s rules of writing, and it’s a brilliant one. When you’re drafting, don’t worry about anyone else reading your work. It’s your time to be raw and experimental. But when it comes to revising, open that door—let others in for feedback, because the revision process is where the magic happens.
Every single time a trivia show has a question that I know the answer to but none of the contestants do I’m like God if only I was there…I would win that whole game…ignoring the fact that I cannot answer the other 19 out of 20 questions
I love that writing feeling where a story starts going in a very different direction than the one you initially intended, but somehow this new direction actually achieves your desired goals way better than the original plan would have done.
#'ah yes i've cultivated the ecosystem well enough that it can sustain itself' via @theamiableanachronism
i think this is the best tag anyone has left on this post so far.
loudly going "YOU'RE GOOD YOU'RE GOOD" to myself to ward off the memory of every embarrassing thing i've ever done
~ Amy & Roger's Epic Detour, Morgan Matson
PERIOD!
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I always am about to go to sleep at a beautiful 11pm and then something happens to me
i'm such a "goes home" girl. every time i go somewhere, i just can't wait to "go home" afterward!
My problem is that I like collecting things and putting them on a little shelf
show, don't tell:
anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking
frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping
sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps
happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking
boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails
fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands
disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm
tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile
confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions
The first draft is for the writer. The second draft is for the editor. The last draft is for the reader.
– Scott Moyers
you ever try to read a book and it's like. damn they really just let anybody write these.
i am aware of the problems. however. i would rather be comfy in my bed. good night.