Happy New Year!
time for the annual
Finally, the 2020 Meredith ♥️♥️😊
HAPPY NEW YEAR 😊😊😊😊
will byers stan first human second
he wasn't even looking at me and he found me
wallacepolsom

❣ Chile in a Photography ❣

Origami Around

⁂

if i look back, i am lost

izzy's playlists!
I'd rather be in outer space 🛸
"I'm Dorothy Gale from Kansas"
Jules of Nature
Monterey Bay Aquarium

★
trying on a metaphor
taylor price

pixel skylines
noise dept.
h
macklin celebrini has autism

#extradirty
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@typhoon-56
Happy New Year!
time for the annual
Finally, the 2020 Meredith ♥️♥️😊
HAPPY NEW YEAR 😊😊😊😊
Hey um…
VIBE CHECK
Paul: I will never be in a fucking musical
Paul:
So I found this photo of Lauren and Mere and it might be my new favourite meme format
This is weirdly one of my favorite parts of this dance
Keeri: roses are red, violets are blue... sunflowers are yellow... tulips come in all kinds of colors... daffodils are also yellow
Zazzalil: was that supposed to be a poem?
Keeri: no, i just like flowers
I'm funny sometimes
honestly for the next starkid show, can we give robert’s natural australian accent some Rights please? langs, please pull a 10 things i hate about you and make his character australian for no reason
okay yeah it’s a bit unfair that starkid has a very large following compared to some of the other shows nominated, and I’m sure the other productions were wonderful and designed beautifully
but like literally why are you criticizing the sk designers? as an up-and-coming scenic designer I REALLY enjoyed corey’s design for tgwdlm. okay yeah it’s a single set but it was used so well in collaboration with sarah’s lighting design (which I also loved!!! also I could go on and on about the isolation on the wall and the color choices but now is not the time)! I continue to find things I love about it. you don’t have to like it, but having a great design doesn’t mean it has to be complex and full of spectacle and ridiculously and minutely detailed
the same goes for june’s costume design which.... if it doesn’t look wrong, if it looks real, means she did her job VERY WELL. that’s like.. the whole goal in costume design for a modern show. And I for one wouldn’t even stop there with that description of the costumes because I VERY much am obsessed with them. again I could go on and on and maybe I will in a separate post but I just love her work on this show. costume design is SO interesting and june did SO WELL on tgwdlm imo
once again, good =/= spectacle (not that spectacle isn’t good, but it’s not NECESSARY for a good design/show)
I am so passionate about theatrical design please do not get me started
again, stinks that starkid has so much support compared to some of the other productions on the list when it comes to those involved, and I would love to support the other productions had I seen them and knew what they looked/sounded like (because again I love theatrical design and people deserve credit for their hard work on creating beautiful shows!!!), but the way to express that sentiment is not by bashing the design work produced by starkid
the exact same idea could be placed on the performers, but I don’t see anyone doing that because it would be rude, so why disrespect the designers like that?
We really gotta stop overlooking the chaotic undertones of Jon Matteson
lil background moments of Emma during “Join us and Die”
real talk though, the best scene is theatre history is when emma is running across the stage in horror, screaming and on the verge of tears, trying to escape the hivemind only to run through back stage and back and being slammed with the realization that she is not in fact in a hospital as the scene described but in a theatre on stage about to be killed in front of a live audience who will not help her but are in fact laughing at her
Starkid in 2009: haha Harry Potter also what if dicks could talk
Starkid in 2019: America has conditioned us to believe that our traumas can be healed by consumerism & we’re all helpless before ww3
Now that the decade is almost over, can we talk about how Starkid redefined musical theatre in the 2010's? Like, yeah sure, shows like Hamilton and Dear Even Hansen made broadway musicals mainstream, but Starkid consistently gave us free recordings of their top quality shows, shows which also changed the game (Twisted when it comes to parodies, Black Friday horror musicals, audience interactions and acknowledgement in almost every show, the way they function based on funds from the fans, etc.) I just want to say, from the bottom of me heart, thank you Team Starkid
I think the best thing about Starkid is all of their characters could totally have their own show and it’d be amazing
i still love ‘what do you want, paul?’ a lot because the entire song is just walking a very fine line between jon bursting into laughter and paul bursting into tears
Actual serious question
How. Has Joey Richter plays not one, not two, but THREE sexy assholes in three separate shows. (Owen carvour, McDoon, and Ted respectively)
Follow up!
How are they three different kinds of sexy that I cannot label properly.
Owen is suave sort of sexy
McDoon is chaotic sort of sexy
Ted is not sexy
Suave sexy
Chaotic sexy
Asshole sexy
WE HAVE A WINNER
Can this be a new alignment chart? Suave, chaotic, and asshole. Then cute, pretty, and sexy??
I was about to sleep but then I saw this and slapped it together
Someone remind me to fill this in with Joey roles tomorrow
Here’s a rough draft (who the fuck is pretty suave)
Bug from Starship?
YOURE RIGHT
finally,,, this is it. My magnum opus.
It's beautiful. An absolute masterpiece
@artichokesss
hnsjsjsjsj how is this so on point omg
Black Friday changes eVRYTHING if we’re talking asshole chaotic sexy Joey.
Yeah, about that-
No I will not be accepting constructive criticism in fact you can all go home now.