Misplaced Lens Cap

Andulka

#extradirty
No title available
d e v o n
Aqua Utopia|海の底で記憶を紡ぐ

gracie abrams

bliss lane

No title available
EXPECTATIONS

shark vs the universe
"I'm Dorothy Gale from Kansas"
No title available
🪼

❣ Chile in a Photography ❣
Cosmic Funnies

oozey mess
YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open
NASA

seen from Bangladesh

seen from United States

seen from Malaysia

seen from Kenya

seen from United States
seen from United States
seen from Germany
seen from Mexico
seen from Brazil
seen from Mexico
seen from United States
seen from United States
seen from Colombia
seen from United States
seen from Thailand

seen from United States
seen from Russia
seen from Netherlands

seen from Netherlands
seen from Netherlands
@umbramira
Erika Toliusis (b.1969) - Pacific Angel. 2022. Oil with palette knife on canvas.
I don't like it when people say "if you say you can't cook what you really can't do is read instructions" because that really does not apply to something like cooking where most recipes are filled with instructions like "add a pinch" "boil until done" "cook at medium heat", which are things that require experience to understand correctly
"Unmake Me"
Dropping the first papercraft of the year, and the first full papercraft I've personally done in 4 years (if you exclude commissions and standees). I was grateful to catch one of the limited theatrical screenings of Guillermo del Toro's Frankenstein (2025) at the end of last year and I think we can all agree this scene was the stand-out moment in the film. But there were also several themes that hit me with such a powerful resonation, I felt like my soul was sucked into the film and split between the mind of Victor and the heart of the Creature.
Firstly, how could I have not captured this scene in papercraft? Assembling the Creature from scraps of paper, moments before he's meant to become scraps himself. It allowed me to step into Victor's shoes, and relive the obsessive pursuit he describes in the film, only to suddenly meet his goal and aimlessly fumble with what he's created, chaining it in the dungeon, out of sight and mind. I find myself, after tireless nights of dedicated crafting, throwing my completed papercrafts into my closet, documented, abandoned, eager to start the next one.
My Cake Tier Patreon members can download a digital papercraft kit of this when I drop the files later tonight!
Read on further if interested in how this papercraft marks a personal health milestone for me. Otherwise, have a wonderful day!
you are now a cat in the warrior cats universe! Spin these wheels for your name!
Do you like it?
YES!!!
yes
eh it's okay
no.
IM MOON MOON
results/other
note: I (the owner of this blog and maker of wheels) am not into warrior cats! I just thought this would be fun to make
(prefixes and suffixes from @yarrowleef)
HELP HELP HELP HELP HELP
Sayonara Lara | Ep1 | But I fell in love with a human. I fell in love... with you. Father... "Mermaids are beautiful and humans are vile." That's what you've always said. But it seems that's not true. It was me... I was the vile one.
I don't think every character ever needs to be shipped with someone maybe they just need to be shipped in some sort of box alone to a location
his pride and joy
playing kingdom hearts is like
[cutscene of impressive psychological torture; goofy is there]
[curscene of impressive psychological torture; goofy is not there]
[enter the hundred acre woods. well I mean a version of it that is just a figment of your memories but shh!]
[rabbit wants you to sort vegetables, in the only and obvious way: by hitting them with your key sword. duh.]
[you succeed]
[rabbit gives you your award: the ability to have cloud strife teleport and kill your enemies!]
Meanwhile Riku ended up following the traditional Keyblade wilder path set as some type of legacy from Eraqus, Aqua, Yen Sid and Mickey (characters he has connections or parallelism to) Sora ended up being an unconventional hero something like what Xehanort wanted to be, not somebody that fights alone but just like Nort has his Organization Sora always had his friends. Hell, in KH4 it seems that just like Xehanort brought darkness to worlds Sora is now bringing darkness to Quadratum.
yes!! it's so interesting how sora started out as this archetypal hero, where you would expect him to follow the path that ended up being walked by riku now! and riku started out aligned with the darkness, which it seems is now the path sora is on. it's like they exchanged places with each other. iirc this first came up as a theme back in dream drop distance. it's so interesting and has so much nuance, i'm so curious how kh4 will develop this further!
especially with (a different?) xehanort back in the picture
DREAM DROP DISTANCE (2012) RIKU: But you failed. Sora stopped you in your tracks on both counts. MASTER XEHANORT: Yes... he did; that dull, ordinary boy—a Keyblade wielder so unlike any I have ever seen. However, I have not abandoned my ambitions. KINGDOM HEARTS III (2019) MASTER XEHANORT: Very well done.
nowhere else
"Autistic people are so cool for having a strong sense of justice!" actually this is not always a good thing. Play Pokémon Black and White to learn more-
The Prince and The Beast
Soooo, I wanted to examine the Beast and the Prince's design. It's well known that the Prince's design is viewed as pretty underwhelming, especially when compared to Beast's much more striking design.
Even the creative minds behind the movie knew, before it released in theaters, that no matter what they designed, people were going to prefer the Beast over the Prince. The audience spent the entire movie endearing themselves to the Beast, and the Prince feels like a stranger comparatively.(They say as much during the commentary for the movie.)
And, honestly, the disappointment is very understandable.
But, I wanted to take a closer look and discuss why they were designed the way they were, bc I've never seen anyone bring up these particular points before, and I thought it'd be fun to share my thoughts
So.
First off, why does his design look so different from the Beast?
The only thing that stays the same after the transformation are his eyes. Even his hair and fur color are different. Why is that?
Well, the reason for that is bc the Beast is a hybrid chimera of different animals.
Glen Keane describes the Beast's design here:
I said, “I like the massiveness of this buffalo head”, and I sketched out the weight, “and of this buffalo head”, I said, “But the brow of the gorilla,” and I drew the brow there. “But then the muzzle of this wild boar,” and then the mane of a lion but the body of a bear, and then the legs of this wolf.
As I did it, it just all came together. And like I was telling you before, there’s this moment where you recognize the character. And I looked at it, and I said, “That’s him. That’s what he looks like, like that, Bruce. That’s what – that’s the Beast.”
One of the most prominent animals in Beast's design is that of a bison. So his coloration correlates moreso to the animal, not the person. We also have a rainbow of other shades of brown mixed in, likely coming from the wild boar, bear, and whatever else.
The Beast's design was never meant to match what the Prince's design actually looked like. It's just building off the animals the Beast is made from. It was meant to be a cool monster design that contrasts what the Prince actually looks like.
The eyes are the only thing that stay the same, as a visual cue to tell the audience/Belle that he and the Beast are the same person.
Secondly, his human design makes so much more sense when you realize that he was likely heavily based off of Michaelangelo's David.
The Prince is supposed to be unbelievably beautiful and handsome. It ties back to the themes of the story - despite his beauty, and having everything he ever wanted, he had no kindness or love in his heart, which is why he ended up cursed.
Knowing that, it makes sense that they would choose to base his design off of something as magnificent as one of the greatest sculptures ever created.
However, given it's a beautiful sculpture, specifically a highly detailed and realistic one depicting the complexities of the human form, it makes trying to capture that beauty in motion... extremely difficult.
And, even if he wasn't based on David specifically, he was definitely inspired by this era and style of art, which shares all of the previously mentioned problems.
Which is why, in practice, the Prince looks... off.
The transformation sequence was one of the very last pieces of animation done on the movie, and that includes animating the final design of the Prince.
Beauty and the Beast was made in basically 2 years time. Most films around this period took 4 years to produce, but halfway through production, they were told to rewrite the entire story from scratch and start all over. So it was already starting off at a disadvantage.
Glen Keane only had so much time to work on this part, and not nearly enough time to familiarize himself with the Prince's design enough to make animating him feel natural. And that goes for any of the other artists working with him, including cleanup and assistants.
Knowing that, the Prince's occasional awkward animation near the end becomes much more understandable.
The unfortunate part is that, because the Prince has such a classical, high art inspired design, and so few scenes that properly showcase it well enough for the audience to understand the reference and endear themselves to it, it's become difficult for people to recreate it in any meaningful way.
In fact, most of the official books have art of the Prince that vary from decent...
.... To just plain awful.
In fact, the bad far, far outways the good here. Half of them don't even look like the Prince.
It's rare enough to get official art of the Prince in the first place, bc most of the merchandising is focused on the Beast since that design is more iconic. But it's even rarer to get good art of him.
The poor guy has it rough.
(I do wonder if this could've helped fuel dissatisfaction for the Prince's design. bc the movie came out at a time where getting good visuals of films was a much more difficult task, and so the only way to really get a good, long look at him were through the associated picture books...
... Which, clearly, did him absolutely no favors.)
But all that aside, it's not impossible to make use of the Prince's design as originally intended. The potential is there.
One of the best examples is from the Mirrorverse manga.
He's drawn consistently handsome, while keeping his original design in mind.
Which proves that the design absolutely can work, if given a little tweaks and wiggle room.
The manga even gives us this cool half-Beast design, giving the Prince horns, tusks, claws, and animal ears (at least for one panel on that last one).
It's honestly such a cool design concept, that I wish we saw more of it outside of this manga.
Anyway uhhhhhhhhh idk how to end this, I just kinda wanted to ramble about this topic lol
Uhhhh bye