Borderlands

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Tomboy (Barb Taylor, 2013).

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Brown Girl Punks Fight Bro Culture On Bikes – The Establishment

In a city where young women of color are incessantly subject to street harassment and multiple forms of violence, and pushed to the fringes of political invisibility by macho activists and cultural…

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Fea "Feminazi" Official Video

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Screening Q&A: "TransVisible: Bamby Salcedo's Story" Post-Screening Q&A moderated by  Alicia Gaspar de Alba

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Felicia (Tim O’Hara, 2011)   Felicia Flames Elizondo, one of the women featured in Susan Stryker’s documentary Screaming Queens.

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Fea "Mujer Moderna" OFFICIAL MUSIC VIDEO

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Miss Lady Pinks -Grew Up In The 90's (Official Music Video)

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Watch Teri Gender Bender Interview Alice Bag About East LA Punk History & Chicana Identity

Two living legends sit down for a conversation on punk history.

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Alice Bag - He's So Sorry (Official Video)

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“Las Tres Marias” 1976 MIXED MEDIA Used originally as a performance piece in 1976, each of the three panels is 68”x16” and 2.5” deep, with a red velvet exterior “tuck and rolled” to resemble a low rider car. The center panel, a mirror, creates an optical illusion placing the viewer between two images; the 1940’s “pachuca” and the “chola “of the 1970’s. First exhibited in 1976 at the Women’s Building, then exhibited in the winter of 1990 at UCLA’s Wight Art Gallery, “CARA: Chicano Art: Resistance and Affirmation.” In 1998, “Las Tres Marias” was added to the permanent collection at the Smithsonian Institution, National Museum of American Art. Currently it is being featured in the internationally traveling exhibit “Arte Latino: Treasures from the Smithsonian American Art Museum” 9/00 – 01/03. http://www.judybaca.com/artist/pdfs/BACA_BIBLIO_2012.pdf https://americanart.si.edu/artwork/las-tres-marías-36800

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Anzaldúa / Moraga / Cisneros  La Virgin / La Chingada / La Llorona

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two hummingbirds, hovering, stuck to each other, arcing their bodies in grim determination to find what is good, what is given them to find. These are warriors distancing themselves from history. They find peace in the way they contain the wind and are gone.

“Emplumada”, Lorna Dee Cervantes

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Locas from Jaime Hernandez’s Hopper’s 13, Love and Rockets.

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The Bags - Gluttony (1980)

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Top: “Libertad” (1976) Bottom: La Ofrenda (1988) “I created “Libertad” while I was a student at UC Berkeley back in 1976. It was the American Bi-Centennial. So I felt I would be fun to turn that upside down and tell another story in terms not just of the country of the United States but also the statue of Liberty and sort of reclaiming the Americas is how I saw it. So I ended up re-carving the Statute of Liberty into a Mayan sculpture, and I put Aztlán on the bottom, sort of reclaiming the Americas as brown.”

- Ester Hernandez