27/06/26
"we'll always be friends forever, won't we?" "yeah, forever"
I'd rather be in outer space 🛸

shark vs the universe
NASA
Sweet Seals For You, Always
will byers stan first human second
𓃗
One Nice Bug Per Day
The Stonewall Inn
Show & Tell

Love Begins
"I'm Dorothy Gale from Kansas"
d e v o n

bliss lane
No title available
we're not kids anymore.
todays bird
tumblr dot com
EXPECTATIONS

★
Claire Keane
seen from United States
seen from France
seen from Finland
seen from United States

seen from Malaysia

seen from Ukraine
seen from United States

seen from Germany
seen from Spain
seen from Türkiye

seen from United States
seen from Colombia
seen from Germany
seen from Germany
seen from Germany
seen from Malaysia
seen from Malaysia
seen from United States
seen from Bangladesh
seen from Venezuela
@usagi-michi
27/06/26
"we'll always be friends forever, won't we?" "yeah, forever"
23/05/26
i saw that t-shirt in a thrift store a couple days ago and i immediately knew who needed to wear it.
21/06/26
don't be a tease 💞
it’s thursday girls
transparent version of this
woke up this morning, rolled over, and very confidently tried to blow out my alarm clock like a candle. absolutely no precedent for that.
In the year 1450 a priest rolls over and slams his hand into his candle, burning him and sending wax flying all over the place
the problem is i really do love staying up until one billion o'clock. it just cant be helped
if u get second job i'll you
YOU'LL ME??
A rolling wave. Painting details from: Arabesques, by Daniel Adel.
@teaboot
Holy Fuck
btw if you seriously believe Argentina is "the israel of Latin America" you need to understand you have been fed nothing but propaganda to allow the usa and israel to actually come and steal our land and resources.
little known fact about me i was actually isekai'd into this world from the video game world. i used to be a peggle orb
peggle 1 or peggle 2?
peggle 1... peggle 2... who's to say... it was just 'life' back there... to me... to my fellow orbs.......
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
*a breathtakingly powerful statement even today, three quarters of a century later
the recent trend to hate on argentina and to characterize doing so as woke has allowed many first worlders to show their true colors. as soon as you all seem to get the 'green light' that hating on a third world country is acceptable you stop hiding your disdain and xenophobia. this and the "calling ice" jokes show you don't actually give two shits about racism or cheating or whatever, you just want a socially acceptable way to hate on latin americans
Put Argentina aside, who in their right mind is happy that kids are starving?! Have we lost the plot?
late summer / early fall thoughts
"you don't like mpreg?" i don't even like fpreg