rachel weisz, 1991.
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"I'm Dorothy Gale from Kansas"

Love Begins
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Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
Alisa U Zemlji Chuda
noise dept.
I'd rather be in outer space 🛸

#extradirty
ojovivo
will byers stan first human second
Jules of Nature
RMH
Misplaced Lens Cap
TVSTRANGERTHINGS
sheepfilms
Keni
YOU ARE THE REASON
PUT YOUR BEARD IN MY MOUTH
seen from Argentina
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seen from Malaysia
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@venutides
rachel weisz, 1991.
Artist: oejerum
i am once again fighting the urge to fake my own death, move to a small city, and open a little bakery/bookshop where people can escape from the harsh reality.
Sylvia Plath ― The Unabridged Journals of Sylvia Plath
full offense but hozier did not release several songs saying “fuck cops, fuck capitalism, fuck fascism, fuck settler colonialism, white liberalism is useless, and also FUCK COPS” to be reduced to colonial cottagecore aesthetic by white women and be compared someone who uses tepid high school metaphors to talk about the Democrats like jfc
the problem here isn’t a white woman releasing a cottagecore album and being compared to hozier, it’s how hozier’s previous work and political messages that were specifically written to be about non-white and/or non-Western communities are ignored in favour of what white audiences can consume. Jackboot Jump was about state violence, and it specifically draws attention to non-American events when most artists would refuse to even acknowledge it. Foreigners God and Run are about Irish colonialism by the English. Be is about inhumane immigration conditions. Nina Cried Power was a long tribute to historical activists and Black artists. these are absolutely definitive as part of that canon of work, but they are ultimately ignored in favour of songs that can be pitch-shifted to create a ~wlw love song~
this is obviously a larger issue than swift vs hozier, but it is emblematic of how white audiences consume and, in turn, ignore media that makes them uncomfortable or challenges their paradigms of systemic privilege. the problem is that when creators of colour make political narratives about ourselves, we are ignored; when white creators take time to include radical political narratives about BIPOC, they are are cherry-picked or overlooked for more sanitary messages. white audiences reduce hozier’s music to “forest king fae wizard” because it’s more comfortable to consume, and because it’s easier to draw similarities to another white artist than acknowledge the sheer depth of influence that Black artists have had.
J/Q/K/A & the Joker, Mahdieh Farhadkiaei
Li Hui
See more Li Hui posts here.
jasmine rosette crop top & mini skirt 🌹 for love & lemons
“I felt something loosen in me, that shouldn’t have loosened. A stitch come undone.”
— Gillian Flynn, Dark Places
I want my gay rights now! - Marsha P. Johnson (NYC Pride Parade, 1973)
On May 25, 2020, my life shattered as I learned of the tragic passing of my dear b… Philonise Floyd needs your support for Official George Floyd Memorial Fund
If you’re able to, please donate to the gofundme page directly set up by George Floyd’s next of kin. After suffering such a horrific loss, they need all the support they can get. All other gofundme pages that look similar are not directly affiliated with the Floyd family.
i hate explaining shit. telepaths only
ADÈLE HAENEL © photographed by Germinal Roaux December 2009
valentino couture spring 2o17
“I myself do not exist. I’m certain of it to this day. Certain that I don’t exist. It was a relief.”
— Hilda Hilst, from With My Dog-Eyes
georges chakra spring/summer 2019 haute couture
leaving me quarantined with my thoughts is NOT a good idea