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En la escuela, ¿por quién pregunta?

[cadere-art]

Commission for @hearsayhorizons of a honeybee and a sunflower.

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I started rewatching Thriller Bark after watching Whole Cake Island, and, well, I just had a sort of epiphany (or just a really crazy theory) about Sanji. You remember this scene, right?

Well, we all more or less agree that Sanji was giving up his life here, but what if he wasn't resigning himself to dying? Sanji wasn't giving up his life, he was giving up his freedom. Think about it for a moment, what Sanji says to Kuma in this scene,

Which we can assume this dialogue basically means: "I know I'm not well-known, but my head is worth more than any of theirs."

Which is true anyway, given the context of Sanji's past; the man wasn't just talking about himself, he was talking about his family and how dangerous they are.

If things had gone further, if Zoro hadn't knocked Sanji unconscious, perhaps the conversation with Kuma would have been very different. Sanji would have started negotiating, perhaps offering a threat, perhaps (outdated) information about Germa. Whatever he offered, Kuma might have needed him alive, whether to take him to Vegapunk or the World Government, maybe even to contact Germa itself to bring back the 'presumably dead' Third Prince or something like that.

Sanji wasn't giving up his life in that scene; he was giving up his freedom.

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Hey! I've been thinking, yeah, what a surprise. Look, I like that whenever Sanji is depicted as a monster in illustrations or fanfics, it's always, or at least the most common way, to make him a vampire.

I'll say right now that I have no problem with that; it's great, and I get the vibe, the elegance, the gallantry, the aesthetic, I get it. But, but, but... isn't it already a bit... overdone? Like I said, I have nothing against it, I love it and all. But let's consider Sanji's whole context for just a moment, with Germa 66 and what that implies.

Sanji, along with his brothers, were essentially created and modified in a laboratory, so wouldn't it be more logical to make Sanji, I don't know, a Frankenstein? A synthetic doll? (Very much like Frankie from Monster High) Even a zombie, or just a non-living creature pretending to be a more elegant or less grotesque being or monster?

A necromancer whose powers barely work but who can revitalize people with their food, granting them more life, things like that.

Or he could be one of those "imaginary" beings that die if people stop believing in them. Sanji was imprisoned, and they wanted people to forget about him so they'd think he was dead. That could be a good trope: Sanji's life depending on how many people believe in him and remember him. Or, on the opposite end of the spectrum, one of those imaginary beings (I can't remember what they're called) created from a person's mind and life force at their own discretion. He could be one of Judge's leftover creations, plain and simple.

I don't know; these are just some ideas that came to mind right now.

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In TMNT 2012, Splinter, at that time still Hamato Yoshi, I believe is one of the few, if not the only, versions of the character where he is the original 'owner' of the turtles from beginning to end. I mean, he bought them at the pet store before they were all mutated together, so would this technically make the 'purchase receipt' for the turtles his adoption certificate?

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The Straw Hats' backstories (from their childhood) and their contexts:

Luffy's, Usopp's, Zoro's, and Chopper's are mostly sad. Things that happen in life, people they lost, and having to move on.

Nami and Franky's stories are terrifying, between losing their autonomy by essentially being imprisoned and violently losing their bodies after events that went from bad to worse, both burdened by guilt and trying to do better despite people hating them (and some secretly supporting them).

Jimbei falls somewhere in between these two categories.

Brook and Robin's stories are heartbreaking, their worlds (crew and Ohara) destroyed by others, enduring loneliness to the point where you either go insane or become apathetic just to survive.

And Sanji... Sanji's situation is just messed up... really messed up.

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I like the idea that when Sanji felt safe and secure, he would accidentally call Zeff "Mom."

Because yes, he sees him as a father figure, a grown man he doesn't want to disappoint and, in a way, aspires to be. But I find it endearing and funny that he occasionally gets confused and calls him "Mom," since Sora was the only "safe place/person" Sanji had experienced in a long time.

I imagine this would happen after a busy day or after a nightmare where he goes to Zeff and Zeff snuggles up to him, feeling a safe embrace that immediately transforms him into a child in his mother's arms, safe and fearless, unintentionally calling Zeff "Mom" before falling asleep because he fully trusts (at least for a moment) that the old cook will protect him from everything.

I don't know, I just like this idea.

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Hey! So, bothering you again with my 2 AM headcanons.

Basically, I was wondering about the Den Den Mushi and their telepathic ability to communicate with each other, and then I thought, "Hey, that ability would be useful if you gave it to soldiers." And well, you know how Germa 66 has all this technology and stuff? Who says Judge didn't do it when he experimented on his children? Why would it be useful?

Imagine if one of them got lost or lost communication; in any case, they wouldn't need it because their connection allows them to know where they are, talk mentally to each other, and even partially sense what the other is feeling (though that last part is very limited for Ichiji, Niji, and Yonji). I'd like to think that the 124ji have had this ability to communicate mentally since they were children, while Sanji developed it when his genes awakened in Wano.

And here's where it gets interesting: Sanji hates this and having his biological brothers in his head, but he doesn't yet know enough about this enhancement to turn it off or block communication. He has to listen to his brothers' conversations and war strategies, their laughter and insults, and their threats to tell Judge.

Meanwhile, Ichiji, Niji, and Yonji are also annoyed because, since Sanji can't filter his thoughts, they end up hearing cooking recipes, songs, or thoughts taken out of context at the most random moments. And suddenly, they also start experiencing emotions—not exactly their own, of Sanji's. But since the blond is a sentimental soul, he ends up indirectly instilling some humanity in his brothers.

I'm thinking of making an AU out of this.

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Zoro is the pillar everyone leans on in fights and to stay strong in tough times.

Sanji is the pillar everyone sits on and rests after a fight or a bad day to recharge.

The king's sword and shield (no one will change my mind about this).

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Look, this idea came to me while I was reading a fanfic that mentioned Sanji's past, and I started thinking, what if Sanji had Nico Robin's sense of humor?

Just think about it for a minute, Robin's random but disturbing facts or her dark humor give the crew the creeps, although they're used to it now and it doesn't scare them as much as it used to.

So here's my scenario: after all the drama of Whole Cake Island and post-Wano, Sanji opens up to his crew, telling the rest of the Straw Hats about his past, and after getting that weight off his shoulders, he decides that instead of continuing to hide everything, he'll face it calmly and with a touch of humor. So now Sanji also drops disturbing details about his childhood or his own traumatic experiences, similar to Robin, but only directed at himself. Which are generally just "everyday" things in Germa 66.

Like: "A vivisection? Oh yeah, Chopper, I'm familiar with the process. It's where you cut open a living body to see how it works, right? Yeah, I had a few of those done when I was little."

"Did you know that depending on where you stab someone, the blood will come out in different shapes and thicknesses? Judge made us watch it being done to people so we could distinguish the different ways the human body bleeds."

"It's a lullaby, Usopp. Being scared of the creature that can drag you out the window and eat you alive if you don't go to bed early is just part of the song and the fun."

"I've had a metal helmet on my head for almost two years now. I'm not putting that thing on my head, Franky."

"Oh yeah, I like mice, and animals in general, but mice were my only friends as a kid. Too bad my brothers killed them in front of me, those bastards."

I don't know, it's just a random idea because I know Sanji would never say or do this since he doesn't like other people's pity, and maybe he doesn't enjoy being questioned about the things he says.

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Luffy has 100% emotional intelligence on the entire ship, and no one will tell me otherwise.

He knows what his friends are going through, he doesn't force them to talk, he gives them time to work things out on their own and ask for help, even if it's last-minute. He doesn't abandon them and he understands their reasons for being or doing things. He gives them the freedom to make mistakes and helps them when they can't.

Luffy is the anchor that holds all the feelings of his crew together, and I'm sure that most of the time he's just playing dumb so as not to worry anyone or just to see how far they'll go before he has to intervene himself.

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A strange thing that no one asked for, but I wanted to share it. In the Latin American Spanish dub, there's an episode where Zoro refers to Sanji as "Mis cejitas" (My little eyebrows).

I don't know if it's the same in other dubs, but it's something I noticed while rewatching the series.

[lunasdestiny]

i just love spring weddings 💐💍👰🏽

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¡LOS AMO! Pequeños bebés, se merecen un final feliz.

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One of my (possibly unofficial) ninjago pairings was Ash x Tox. The master of smoke and the master of poison.

I don't know, I just thought they were cute together, a couple of crazy people who loved and supported each other, plus, imagine their combined powers, toxic smoke, poison guided and carried by the smoke.

And one of my favorite headcans is that, in the season of Garmadon's children, they were both together and expecting a child, but Harumi arrived first, since since then we have not seen or heard anything from Ash, we assume that she killed him, Tox He escaped and joined the resistance.

The fact that Tox is pregnant would explain why she hardly participates in the fights or the infiltration of the Borg tower. Do you think his power wouldn't have been useful? It only poisons and leaves out of the game anyone who does it or who happens to see them, Lloyd or any other elemental master who knows about it was not going to risk the safety of the green-haired girl.

Now, I'm not sure how Cinder would fit into all of this, since if so in theory she would have to be even younger than Arin or Wildfire, (depending on which timeline you use). But it would be funny if Tox entered the tournament in search of his lost son and found Cinder attacking her friends/allies and practically being in the service of an overgrown cat seeking to destroy the world she helped protect.

This saga cannot go on without causing family problems (mommy ussesy/daddy usses) not even a single season.

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Nya trying to reason with Jay and tell him that the ninjas are his family and she is his yang.

Nya: Jay, I- I'll-

Jay: Oh please! Are you really trying to sell me that?

Nya: What-

Jay: If you really were my yang then you wouldn't have so much trouble saying a simple "I love you." If you are going to lie, do it well, or at least be convincing.

Nya: Jay...

Jay: Now, raise your hands and kindly make my job easier, my yang. In the name of the Administration, you are under arrest.

[notsosmug87]

DO YOU WANT ME TO SOB

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Opinion on what Amy and Sonic's relationship could be like in the third movie.

We know that Sonic Wachowski (Movie), unlike his other versions, likes to be in one place, he will go out, help, save the world and do what he has to do, but after all that he will always return home to Tom and Maddie, now with Tails and Knuckles at home too.

In the 'original', Sonic is an adventurer who runs with the wind and never stays in one place. It's usually Amy who is considered the one who stays and prefers to take a moment. But here things are reversed, I imagine that Amy Movie is someone who is never still, here she is the adventurer and goes wherever her heart tells her, while Sonic Movie prefers to stay in one place (planet, town) and this happy with the messy routine he managed to create with his family.

If she does see some romance, it would possibly be that Amy would ask Sonic to go with her to have thousands of adventures, but Sonic would refuse because he really has no reason to leave his home on Earth with his parents and siblings.

Let's keep in mind that THIS Sonic spent just over ten years in complete social isolation, so he wouldn't leave the family he created (accepted him) for anything.

In the first movie she said she would never run away again, and for Sonic, Amy asking him to leave and running without looking back would give Sonic the feeling of running away again, so he would refuse to go with her. Even so, they both talk and Amy promises to be around the area for a while or visit Sonic often.

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Nya trying to reason with Jay and tell him that the ninjas are his family and she is his yang.

Nya: Jay, I- I'll-

Jay: Oh please! Are you really trying to sell me that?

Nya: What-

Jay: If you really were my yang then you wouldn't have so much trouble saying a simple "I love you." If you are going to lie, do it well, or at least be convincing.

Nya: Jay...

Jay: Now, raise your hands and kindly make my job easier, my yang. In the name of the Administration, you are under arrest.

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First Master of Spinjitzu first student was Nineko. Wu's first student was Morro. Lloyd's first student is Arin.

And the first two have something in common, they abandoned their teachers and became evil.

Nineko was an orphan who stole to survive until the First Master took her in and trained her. But when something was missing she blamed Nineko immediately, she assured that she didn't do it but they didn't believe her so she fled (or was expelled) from the monastery, years later being the main villain in one of the Spinjutzu Brothers books.

Morro, we all know his story. Orphaned boy from the streets that Wu took in at the monastery and trained him, things did not go well when destiny denied him being the green ninja so he fled to prove the opposite, years later returning from the dead to take revenge (and redeem himself). to the last second).

And then there is Arin, the orphan boy whose parents were taken from him by a "natural disaster" (can it be considered that way?) lost somewhere, living alone with his friend in a strange world until adolescence where he met his idol and who fell would become his teacher. He doesn't run away and turn evil like the other two, right?

Because something tells me that there is a pattern for the first students.

Nineko: I speak the truth. I didn't steal anything!...please trust me, I didn't do it.

Morro: Fate is wrong, I am the green ninja! You made me believe it!

Arin: But... you promised that we would find my parents.

I think Arin could fill the villain role or at least the resentful student vibe of the other two if you put him in the right situation.

Part of Arin's internal conflict is finding his parents, now, imagine that after the entire ninja team joins Lloyd leaves that issue a little aside, not because he doesn't care, he just doesn't realize it, plus he himself doesn't. He is necessarily close to his own parents. So Arin would have this thought of "you take me to look for your family, but you won't help me look for mine?" maybe not like that, but you get the idea, plus Arin seems stressed or angry in the new trailers, that could set off a little chain reaction.

I'm not saying that Arin would become a villain by any means, but it would be interesting to see him questioning or confronting Lloyd about something similar.