Johannes Vermeer - Woman Holding a Balance
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Johannes Vermeer - Woman Holding a Balance
High-res / Frames
Egon Schiele - Mother and Child (Madonna), 1808
Golden Ranunculus by Katie Rodgers
ambedo n. a kind of melacholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life
“Self Esteem” 2013, colored pencils on paper, cm 45x92
“ANIMANERA”, Jonathan LeVine Gallery, NY, May 18
The Russian Bride’s Attire (detail)
Anders Zorn (1860–1920): Miss Law, 1885.
Wow, I just read through all my personal posts on this blog. I'm a very different person than I used to be, but also similar in a lot of ways too. Interesting.
Running the Marathon, New York Joaquin Sorolla y Bastida - 1911
ARTIST OF THE WEEK: Francisco de Zurbarán, 1598-1664
San Serapio (1628), Agnus Dei (c.1635-40), Still Life with Lemons, Oranges and Rose (1633)
From the National Gallery:
Between the departure of Velázquez to Madrid in 1623 and the rise to prominence of Murillo in the 1650s, Zurbarán was the leading painter in Seville. His pictures were mostly painted for Spanish religious orders. The distinctive style of Zurbarán was influenced by the realism of Caravaggio and his followers. His best work is both very direct and intensely spiritual. Zurbarán was born in Fuente de Cantos, near Badajoz. In 1617, after training in Seville, he returned to Llerena in his native province. By 1629 he was back in Seville, where he became the city’s official painter. In 1634 he was in Madrid painting mythologies for the Buen Retiro, Philip IV’s new palace, perhaps through the intervention of his friend Velázquez. His last years were not so successful and he died in Madrid in poverty.
Odalisque - Robert Auer
20th century
Pompeo Mariani - The Sea Lover (1897)
Pompeo Mariani - Regata (1895)
William H. Johnson
Still Life
1923-26
I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in her long veils… - In the far-off woods you can hear them sound the mort. For more than a thousand years sad Ophelia Has passed, a white phantom, down the long black river. For more than a thousand years her sweet madness Has murmured its ballad to the evening breeze. The wind kisses her breasts and unfolds in a wreath Her great veils rising and falling with the waters; The shivering willows weep on her shoulder, The rushes lean over her wide, dreaming brow. The ruffled water-lilies are sighing around her; At times she rouses, in a slumbering alder, Some nest from which escapes a small rustle of wings; - A mysterious anthem falls from the golden stars. II O pale Ophelia! beautiful as snow! Yes child, you died, carried off by a river! - It was the winds descending from the great mountains of Norway That spoke to you in low voices of better freedom. It was a breath of wind, that, twisting your great hair, Brought strange rumors to your dreaming mind; It was your heart listening to the song of Nature In the groans of the tree and the sighs of the nights; It was the voice of mad seas, the great roar, That shattered your child’s heart, too human and too soft; It was a handsome pale knight, a poor madman Who one April morning sate mute at your knees! Heaven! Love! Freedom! What a dream, oh poor crazed Girl! You melted to him as snow does to a fire; Your great visions strangled your words - And fearful Infinity terrified your blue eye! III - And the poet says that by starlight You come seeking, in the night, the flowers that you picked And that he has seen on the water, lying in her long veils White Ophelia floating, like a great lily.
Ophelia, Arthur Rimbaud. (via mirroir)
Winter Landscape, Wassily Kandinsky, 1909.
René Seyssaud