Week 11
In the last chapter of our book we take a look at art from the 1980’s to present. As technology becomes stronger in society it allows these artists to branch out. Not only do they have access to more materials than they have ever had before; but they also have the opportunity to learn about other forms of art from around the world with the increase in globalization. One sculpture that I really liked in this chapter was Hanson’s, The Cowboy. The realistic quality of his wax figure is amazing, with the detailing of the veins in his arms and hands, the addition of hair and clothing to the figure adds to its realistic quality. When I saw the wax figure it reminded me of many of the wax figures that are created today portraying many famous celebrities. One really begins to understand how hard it is to capture the liveliness in these wax sculptures once they go online and see all the criticism towards the statues that did not turn out so well. You would think that between 1995 when Hanson created his wax figure, to where we are today, wax figures would be something of the past. However, they continue on today thrilling the many celebrity fans who go to see them each and every year.
Environmental art is something I find very beautiful; I especially like it when you know it is not harming the environment. Robert Smithson’s Spiral Jetty is a great example of environmental art that does not affect the environment. This spiral formation was created in the Great Salt Lake in Utah, by Smithson. Since his art does not affect the environment it allows the Spiral Jetty to fit in and blend with the surrounding materials. Seeing Smithson’s work reminded me of when I would create rock art in the trout stream. I would go out into the middle of the stream and stack rocks on top of one another creating a rock tower or design which looked very pretty standing in the surrounding water. It also did not harm the environment since the only materials I was using were rocks.
Shirin Neshat’s Fervor, is different than most works shown in this chapter and in previous chapters, and the main difference is how the picture was taken. Fervor is actually a movie and the picture we see in the chapter was derived from Neshat’s video. Many back then may not have considered this piece a picture because it came from a movie; however today this act is so common that people do not even question it anymore. With such advancement in technology, we are able to take pictures of scenes in the videos we take, and save them as pictures. In Neshat’s picture you can see the divide between the men and the women; this reminds me of how far we have come in our own culture, whereas in other cultures they have sadly not changed. Growing up we would do some of our farming business with the Amish community, there you would see similar forms of this separation between the men and the women. It is nice to see this expressed in a photograph, because it can help make it a known difference for the oppression that woman still have to deal with in some cultures today.
References
Adams, L. S. (2011). Continuity, Innovation, and Globalization. In A History of Western Art (5th ed., pp. 550-581). New York, NY: McGraw Hill.
I really enjoyed this last chapter because it’s the kind of art we all grew up with and see every day. Hanson’s sculpture called “The Cowboy” was so realistic. He thought of everything to make it look alive. I saw wax figures of a lot of famous people in Las Vegas that blew my mind on how real people can make things now. I like that you said that the Spiral Environmental Art that he didn’t harm the environment. He did make the water turn colors because of the algae.
Great post and good luck in the future
Chris















