i’m the youngest person at the garden center
told my mom i’m turning into a grandma and she said “no you’re not, you’re learning new skills and hobbies and discovering who you are” i was silenced

Discoholic 🪩
Peter Solarz
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ
NASA

pixel skylines
Noah Kahan
hello vonnie
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wallacepolsom

blake kathryn
Lint Roller? I Barely Know Her
tumblr dot com

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d e v o n
untitled
art blog(derogatory)

#extradirty

oozey mess

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@whalebonechronicles
i’m the youngest person at the garden center
told my mom i’m turning into a grandma and she said “no you’re not, you’re learning new skills and hobbies and discovering who you are” i was silenced
On the Nasa livestream of the Artemis mission, one of the astronauts just pointed out that they can see the moon out one window and the earth out another and the scale difference is crazy. Mission control replied: "Amaze, amaze, amaze."
While I can appreciate both the mphfpc film and the books in their own separate sense, I just can’t help but criticise the film for some of the changes they made.
The aging down of Bronwyn and the aging up of Olive got rid of Bronwyn’s protective trait of the two younger girls.
The peculiarity switch between Emma and Olive was also so pointless. I mean I guess that it kind of makes sense with Emma being like the main “love interest” and her being the zephyr kind of fits more with Burton’s aesthetic, but it’s still very annoying, we deserved firey Emma.
The loop day. What was the purpose of changing the year to 1943 instead of 1940? It makes no sense, just keep it at 1940.
The postcard from Alma. In the books it was 15 years ago, which allowed for more doubt as to whether she would be alive or not. Reducing it to 2 years takes that away.
Every time I rewatch the film and I see the Olive/Enoch relationship I feel sick to my stomach. Enough said
Fiona’s entire character was ripped away and rewritten. Yes her backstory may have been considered too dark for the film, but come on you didn’t have to age her down, reduce her peculiarity and take away her selective mutism.
The aging down of Hugh, Millard and Horace really annoy me. Why are they children? I wanted sassy 17 year old Millard who is angsty and studious and sarcastic, Hugh who both loves and hates being peculiar and is devoted to Fiona, Horace being SCARED of his peculiarity.
I also feel robbed that we didn’t get Emma and Millard kidnapping and interrogating Jake when they first meet him. Or the whole thing with Martin and them having to fight the hollowgast. “Will you quit shouting and let me bleed in peace” you will always be famous.
Even though Alma Peregrine wasn’t accurate in the film, I am in love with how Eva Green portrays her, and how clearly her study of peregrine falcons comes into her acting.
RIP to Todd Anderson, Neil Perry, Charlie Dalton, Steven Meeks, Gerard Pitts, Knox Overstreet, Richard Cameron and most importantly John Keating. All of you would have hated AI
My vampires CAN walk into the sunlight but doing so would reveal what they would look like if they aged normally
Younger vampires don’t have much to worry about but older vamps have reason to avoid sunlight as they age. They are still immortal, but their aged, sunlit selves are significantly weaker than their non-sunlit forms. Vamps over 100 years old run the risk of crumpling over, fully immobile, but still conscious
This summer has been titled ‘the weird spot’. I am as old as I have ever been, yet I will never be any younger. I look around for the adult in the situation, only to realize it’s me. Customers will hear my age and say I’m “just a baby”, but as my younger coworkers ask for school advice, I face the horrifying truth that I was 16 four years ago. I live in the room I’ve had since I was 10, but I could live anywhere I want. I’m old enough to understand my parents perspective in all of those arguments as a pre teen, but I’m still young enough to remember how I felt too, even if it makes me cringe. My empathy writhes in my skin and I care too much and too little about everything and nothing.
Rose Byrne & Heath Ledger in Las Vegas, 1999 Photography by Rupert Thorpe
never felt so catered to as when Tales of the Peculiar had a (fake) in universe copyright page
the walking dead; 4.02: infected
the walking dead; 5.10: them
A writer plucks away on her typewriter at a Mt.Ranier campsite.
Washington
1969
Enjoying the complexity of Shauna Shipman while not being able to stand the sight of her without feeling visceral rage and the need to see her suffer are both truths that can exist at the same time
The Power of the Witch documentary (1971)
snoopy of the day
Now what is this update, tumblr………