Sabra Field (American, b. 1935, Tulsa, OK, USA) - Winter Woods, Woodblock Print: Ink on Paper
d e v o n
KIROKAZE
cherry valley forever
ojovivo
No title available
Lint Roller? I Barely Know Her

No title available
Stranger Things
The Bowery Presents

blake kathryn
Jules of Nature

roma★

Andulka
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

titsay

oozey mess

if i look back, i am lost
One Nice Bug Per Day
he wasn't even looking at me and he found me

seen from United States

seen from Poland

seen from United Kingdom
seen from Bangladesh
seen from Malaysia
seen from Lithuania

seen from Malaysia

seen from Türkiye

seen from Malaysia
seen from Japan
seen from United Kingdom
seen from Spain
seen from United States

seen from T1
seen from United States
seen from Germany

seen from Malaysia
seen from United States
seen from United States
seen from Malaysia
@whenmemoriesfrost
Sabra Field (American, b. 1935, Tulsa, OK, USA) - Winter Woods, Woodblock Print: Ink on Paper
The Writer's Technique in Thirteen Theses by Walter Benjamin (as appears in his 1928 treatise One-Way Street, in a section titled "Post No Bills")
Face stone, Urra Moor, North Yorkshire
Accidental <3 from my coffee
Blue night, winter.
MOST of my problems could be solved by carly rae jepsen cut to the feeling. the rest will have to be solved by carly rae jepsen run away with me.
my 2026 reading list
I have said that a photograph bears witness to a human choice being exercised. This choice is not between photographing X and Y; but between photographing at X moment or at Y moment. The objects recorded in any photograph (from the most effective to the most commonplace) carry approximately the same weight, the same conviction. What varies is the intensity with which we are made aware of the poles of absence and presence. Between these two poles photography finds its proper meaning. (The most popular use of the photograph is as a memento of the absent.)
John Berger, “Understanding a Photograph” (1968), collected in Understanding a Photograph (2013)
The hues of winter 🏔
'In the Winter Dusk'. David Grossmann. 2022.
David Grossmann (American, 1984), In the Winter Dusk, 2022. Oil on linen over panel, 127 × 76.2 cm.
children's chair from the 1920s