I think aliens would find astronauts charming with their stocky limbs and helmets that look like a big shiny eyeball. I think they would own marketable plushies of them or perhaps a labubu style keychain
animal cruelty

Kaledo Art

blake kathryn
KIROKAZE
Sade Olutola
Misplaced Lens Cap

祝日 / Permanent Vacation
No title available
Monterey Bay Aquarium
todays bird
Alisa U Zemlji Chuda
Not today Justin

★
i don't do bad sauce passes
2025 on Tumblr: Trends That Defined the Year
will byers stan first human second
art blog(derogatory)
trying on a metaphor
NASA
Xuebing Du
hello vonnie
seen from United States

seen from Malaysia

seen from United States
seen from Saudi Arabia
seen from Italy
seen from Germany
seen from South Korea

seen from Türkiye
seen from Poland

seen from India

seen from Germany
seen from United States

seen from United States

seen from United States

seen from United States
seen from Türkiye

seen from Netherlands
seen from Australia
seen from United States

seen from United Kingdom
@wind-deity
I think aliens would find astronauts charming with their stocky limbs and helmets that look like a big shiny eyeball. I think they would own marketable plushies of them or perhaps a labubu style keychain
animal cruelty
You have been booped by this empty wrapping paper tube.
Reblog to boop all of your followers with it.
It occurs to me that there are people who weren’t on this website in 2012 and therefore never saw the magical gif that you can actually hear:
It’s been over five years and that still impresses the hell out of me.
sending this to my lineman friend…
blue sunset on Mars is a real phenomenon caused by the way Martian dust scatters sunlight.
Unlike Earth, where sunsets are red and orange due to the scattering of shorter blue wavelengths by our atmosphere, Mars has an extremely fine dust that scatters blue light more efficiently near the Sun.
So during sunset on Mars, the sky turns reddish-brown while the area around the Sun glows a soft blue. It’s the opposite of what we experience on Earth.
NASA’s rovers have captured this eerie sight
found this three year old draft buried in my files. is it funny? I don't remember
why is this post completely broken in every way imaginable
Broken notes… deactivated account… removed image….
Finally, we have them all.
In addition: OP’s name is just… gone. No “[insert username]-deactivated[insert a bunch of numbers]” as is the standard for deactivated blogs.
Just the world “deactivated.” Look upon their post, ye mighty, and despair.
It’ll be almost impossible to find this post unless it wanders across your dash.
It wandered across mine. I shall help it travel forward.
this is not a place of honor
Oh hey post of Ozymandius, good to see you again standing on your feet in a desert where no one remembers you
i was having a little bit of an art block > wanted to do something unusual to break it. this robot was inspired by going through my box of Trash With Good Shapes, wherein i found a plastic gachapon capsule i built it around.
the upper body is ball-jointed and glued to the capsule, but the legs are magnetic and can move freely along its surface. these robot projects sure do eat magnets, but i've been having fun experimenting.
please note the bottoms of the feet have paw pads.
art allows us to ask important questions, such as "what if an apple core was a small girl?"
i'll hopefully be printing a green apple version soon, because there are some styling & faceup choices i want to try with this sculpt. also i couldn't decide what to do with her mouth, so version 1.0 is mouthless, but i want to give the next one a cute grin.
the adult version of my plant baby sculpt i said i wanted to make!
this is also a remix of my first 3d sculpt. i didn't really feel the need to remake her before, but when i thought about what the adult design for the little buds would look like, i realized it was very close to that sculpt -> instead of starting from scratch, i edited it to be more in line with my current aesthetics & skill level. this also has the added benefit of making the old doll the awkward teen phase of this creature.
in a continuing battle to clean my desk of old projects, i finished this little troll with an abundance of teeth.
i wanted to play with natural materials -> made this little skeleton tree out of pine sticks & bark, acorns, and cypress cones. the head is a misprint of an older sculpt of mine that i happened to have & happened to be a good size.
last night i had a dream that the hottest new trend on the internet was to photoshop the faces of fish onto horses, and the faces of horses onto fish
like this.
Since Homestuck is trending again because of the Spindlehorse Pilot, I did just want to take a moment to remember “Usagi” Buzinkai, a really talented composer who wrote one of the most iconic and reoccurring melodies in Homestuck, Doctor.
Usagi was a brilliant musician and composer who tragically passed away in 2018. She was early in her transition at the time of her passing, and I was unable to find any confirmation of the name she preferred. I will be referring to her using her online moniker “Usagi” since we don’t know how she felt about the name she was given at birth, or if she wanted to change it.
She wrote many of the most beloved songs for Homestuck, as well as the soundtrack for the game Spelunkey.
Usagi was a part of the LGBTQ community, and talked about her experiences regarding her trans and ace identities openly and with joy.
Her Bandcamp and last album, Qualia, can be found here
Usagi’s music deeply impacted many people. Homestuck as a whole would not be the same without the iconic songs that she wrote for it. Her music influenced Toby Fox, who remixed Buzinkai’s song “Doctor” and sites the song as a major turning point in his growth as a musician.
I didn’t even know that she was the composer or that she had passed until a few years ago.
I was really upset to learn that someone who contributed so much to something I loved had passed and, in my opinion, never really received the wide-spread recognition she deserved for her art. My goal in making this post is to try and educate people who were unaware of her artistic contributions to Homestuck. I hope to honor her memory, as well as the beauty and music she brought to the world.
I’ll leave you with a really lovely quote from her regarding accepting and discovering one’s identity:
“…There's nothing like that first time stepping out as yourself, talking about who you are meant to be without fear. The world might come knocking, but when it does, knock back louder and say it loudly and proudly;
"This is my life. This is who I am right now. I won't wear a mask for you."”
An old and homely grandmother accidentally summons a demon. She mistakes him for her gothic-phase teenage grandson and takes care of him. The demon decides to stay at his new home.
It isn’t uncommon for this particular demon to be summoned—from exhausting Halloween party pranks in abandoned barns to more legitimate (more exhausting) ceremonies in forests—but it has to admit, this is the first time it’s been called forth from its realm into a claustrophobic living room bathed in the dull orange-pink glow of old glass lamps and a multitude of wide-eyed, creepy antique porcelain dolls that could give Chucky a run for his money with all of their silent, seething stares combined. Accompanying those oddities are tea cup and saucer sets on shelves atop frilly doilies crocheted with the utmost care, and cross-stitched, colorful ‘Home Sweet Home’s hung across the wood-paneled walls.
It’s a mistake—a wrong number, per se. No witch it’s ever known has lived in such an, ah, dated, home. Furthermore, no practitioner that ever summoned it has been absent, as if they’d up and ding-dong ditched it. No, it didn’t work that way. Not at all. Not if they want to survive the encounter.
It hears the clinking of movement in the room adjacent—the kitchen, going by the pungent, bitter scent of cooled coffee and soggy, sweet sponge cakes, but more jarring is the smell of blood. It moves—feels something slip beneath its clawed foot as it does, and sees a crocheted blanket of whites and greys and deep black yarn, wound intricately, perfectly, into a summoning circle. Its summoning circle. There is a small splash of bright scarlet and sharp, jagged bits of a broken curio scattered on top, as if someone had dropped it, attempted to pick it up the pieces and pricked their finger. It would explain the blood. And it would explain the demon being brought into this strange place.
As it connects these pieces in its mind, the inhabitant of the house rounds the corner and exits the kitchen, holding a damp, white dish towel close to her hand and fumbling with the beaded bifocals hanging from her neck by a crocheted lanyard before stopping dead in her tracks.
Now, to be fair, the demon wouldn’t ordinarily second guess being face-to-face with a hunchbacked crone with a beaked nose, beady eyes and a peculiar lack of teeth, or a spidery shawl and ankle-length black dress, but there is definitely something amiss here. Especially when the old biddy lets her spectacles fall slack on her bosom and erupts into a wide, toothy (toothless) grin, eyes squinting and crinkling from the sheer effort of it.
“Todd! Todd, dear, I didn’t know you were visiting this year! You didn’t call, you didn’t write—but, oh, I’m so happy you’re here, dear! Would it have been too much to ask you to ring the doorbell? I almost had a heart attack. And don’t worry about the blood, here—I had an accident. My favorite figure toppled off of the table and cleanup didn’t go as expected. But I seem to recall you are quite into the bloodshed and ‘edgy’ stuff these days, so I don’t suppose you mind.” She releases a hearty, kind laugh, but it isn’t mocking, it’s sweet. Grandmotherly. The demon is by no means sentimental or maudlin, but the kindness, the familiarity, the genuine fondness, does pull a few dusty old nostalgic heartstrings. “Imagine if it leaves a scar! It’d be a bit ‘badass,’ as you teenagers say, wouldn’t it?”
She is as blind as a bat without her glasses, it would appear, because the demon is by no means a ‘Todd’ or a human at all, though humanoid, shrouded in sleek, black skin and hard spikes and sharp claws. But the demon humors her, if only because it had been caught off guard.
The old woman smiles still, before turning on her heel and shuffling into the hallway with a stiff gait revealing a poor hip. “Be a dear and make some more coffee, would you please? I’ll be back in a jiffy.”
Yes, this is most definitely a mistake. One for the record books, for certain. For late-night trips to bars and conversations with colleagues, while others discuss how many souls they’d swindled in exchange for peanuts, or how many first-borns they’d been pledged for things idiot humans could have gained without divine intervention. Ugh. Sometimes it all just became so pedantic that little detours like this were a blessing—happy accidents, as the humans would say.
That’s why the demon does as asked, and plods slowly into the kitchen, careful to duck low and avoid the top of the doorframe. That’s why it gingerly takes the small glass pot and empties it of old, stale coffee and carefully, so carefully, takes a measuring scoop between its claws and fills the machine with fresh grounds. It’s as the hot water is percolating that the old woman returns, her index finger wrapped tight in a series of beige bandages.
“I’m surprised you’re so tall, Todd! I haven’t seen you since you were at my hip! But your mother mails photos all the time—you do love wearing all black, don’t you?” She takes a seat at the small round table in the corner and taps the glass lid of the cake plate with quaking, unsteady, aged hands. “I was starting to think you’d never visit. Your father and I have had our disagreements, but…I am glad you’re here, dear. Would you like some cake?” Before the demon has a chance to decline, she lifts the lid and cuts a generous slice from the near-complete circle that has scarcely been touched. It smells of citrus and cream and is, as assumed earlier, soggy, oversaturated with icing.
It was made for a special occasion, for guests, but it doesn’t seem this old woman receives much company in this musty, stagnant house that smells like an antique garage that hadn’t had its dust stirred in years.
Especially not from her absentee grandson, Todd.
The demon waits until the coffee pot is full, and takes two small mugs from the counter, filling them until steam is frothing over the rims. Then, and only then, does it accept the cake and sit, with some difficulty, in a small chair at the small table. It warbles out a polite ‘thank you,’ but it doesn’t suppose the woman understands. Manners are manners regardless.
“Oh, dear, I can hardly understand. Your voice has gotten so deep, just like your grandfather’s was. That, and I do recall you have an affinity for that gravelly, screaming music. Did your voice get strained? It’s alright, dear, I’ll do the talking. You just rest up. The coffee will help soothe.”
The demon merely nods—some communication can be understood without fail—and drinks the coffee and eats the cake with a too-small fork. It’s ordinary, mushy, but delicious because of the intent behind it and the love that must have gone into its creation.
“I hope you enjoyed all of the presents I sent you. You never write back—but I am aware most people use that fancy E-mail these days. I just can’t wrap my head around it. I do wish your mom and dad would visit sometime. I know of a wonderful little café down the street we can go to. I haven’t been; I wanted to visit it with Charles, before he…well.” She falls silent in her rambling, staring into her coffee with a small, melancholy smile. “I can’t believe it’s been ten years. You never had the chance to meet him. But never mind that.” Suddenly, and with surprising speed that has the demon concerned for her well being, she moves to her feet, bracing her hands on the edge of the table. “I may as well give you your birthday present, since you’re here. What timing! I only finished it this morning. I’ll be right back.”
When she returns, the white, grey and black crocheted work with the summoning circle is bundled in her arms.
“I found these designs in an occult book I borrowed from the library. I thought you’d like them on a nice, warm blanket to fight off the winter chill—I hope you do like it.” With gentle hands, she spreads the blanket over the demon’s broad, spiky back like a shawl, smoothing it over craggy shoulders and patting its arms affectionately. “Happy birthday, Todd, dear.”
Well, that settles it. Whoever, wherever, Todd is, he’s clearly missing out. The demon will just have to be her grandson from now on.
this is so sweet. it made me want to hug someone.
i had to
I WOULD WATCH SIX SEASONS AND A MOVIE
Okay but she takes him to the little cafe and all of the people in her town are like “What is that thing, what the hell, Anette?” and she’s like “Don’t you remember my grandson Todd?” and the entire town just has to play along because no one will tell little old Nettie that her grandson is an actual demon because this is the happiest she’s been since her husband died.
Bonus: In season 4 she makes him run for mayor and he wins
I just want to watch ‘Todd’ help her with groceries, and help her with cooking, and help her clean up the dust around the house and air it out, and fill it with spring flowers because Anette mentioned she loved hyacinth and daffodils. Over the seasons her eyesight worsens, so ‘Todd’ brings a hellhound into the house to act as her seeing eye dog, and people in town are kinda terrified of this massive black brute with fur that drips like thick oil, and a mouth that can open all the way back to its chest, but ‘Honey’ likes her hard candies, and doesn’t get oil on the carpet, and when ‘Todd’ has to go back to Hell for errands, Honey will snuggle up to Anette and rest his giant head on her lap, and whuff at her pockets for butterscotch. Anette never gives ‘Todd’ her soul, but she gives him her heart
In season six, Anette gets sick. She spends most of the season bedridden and it becomes obvious by about midway through the season that she’s not going to make it to the end of the season. Todd spends the season travelling back and forth between the human realm and his home plane, trying hard to find something, anything that will help Anette get better, to prolong her life. He’s tried getting her to sell him her soul, but she’s just laughed, told him that he shouldn’t talk like that. With only a few episodes left in the season Anette passes away, Todd is by her side. When the reaper comes for her Todd asks about the fate of her soul. In a dispassionate voice the reaper informs Todd that Anette spent the last few years of her life cavorting with creatures of darkness, that there can be only one fate for her. Todd refuses to accept this and he fights the reaper, eventually injuring the creature and driving it off. Knowing that Anette cannot stay in the Human Realm, and refusing to allow her spirit to be taken by another reaper, so he takes her soul in his arms. He’s done this before, when mortals have sold themselves to him. This time the soul cradled against his chest does not snuggle and fight. This time the soul held tight against him reaches out, pats him on the cheek tells him he was a good boy, and so handsome, just like his grandfather. Todd takes Anette back to the demon realm, holding her tight against him as he travels across the bleak and forebidding landscape; such a sharp contrast to the rosy warmth of Anette’s home. Eventually, in a far corner of his home plane, Todd finds what he is looking for. It is a place where other demons do not tread; a large boulder cracked and broken, with a gap just barely large enough for Todd to fit through. This crack, of all things, gives him pause, but Anette’s soul makes a comment about needing to get home in time to feed Honey, and Todd forces himself to pass through it. He travels in darkness for a while, before he emerges into into a light so bright that it’s blinding. His eyes adjust slowly, and he finds himself face to face with two creatures, each of them at least twice his size one of them has six wings and the head of a lion, one of them is an amorphous creature within several rings. The lion-headed one snarls at Todd, and demands that he turn back, that he has no business here. Todd looks down, holding Anette’s soul against his chest, he takes a deep breath, and speaks a single word, “Please.” The two larger beings are taken aback by this. They are too used to Todd’s kind being belligerent, they consult with each other, they argue. The amorphous one seems to want to be lenient, the lion-headed one insists on being stricter. While they’re arguing Todd sneaks by them and runs as fast as he can, deeper into the brightly lit expanse. The path on which he travels begins to slope upwards, and eventually becomes a staircase. It becomes evident that each step further up the stair is more and more difficult for Todd, that it’s physically paining him to climb these stairs, but he keeps going.
They dedicate a full episode to this climb; interspersing the climb with scenes they weren’t able to show in previous seasons, Anette and Honey coming to visit Todd in the Mayor’s office, Anette and Todd playing bingo together for the first time, Anette and Todd watching their stories together in the mid afternoon, Anette falling asleep in her chair and Todd gently carrying her to bed. Anette making Todd lemonade in the summer while he’s up on the roof fixing that leak and cleaning out the rain gutters. Eventually Todd reaches the top, and all but collapses, he falls to a knee and for the first time his grip on Anette’s soul slips, and she falls away from him. Landing on the ground. He reaches out for her, but someone gets there first. Another hand reaches out, and helps this elderly woman off the ground, helps her get to her feet. Anette gasps, it’s Charles. The pair of them throw their arms around each other. Anette tells Charles that she’s missed him so much, and she has so much to tell him. Charles nods. Todd watches a soft smile on his face. A delicate hand touches Todd’s shoulder, and pulls him easily to his feet. A figure; we never see exactly what it looks like, leans down, whispering in Todd’s ear that he’s done well, and that Anette will be well taken care of here. That she will spend an eternity with her loved ones. Todd looks back over to her, she’s surrounded by a sea of people. Todd nods, and smiles. The figure behind him tells him that while he has done good in bringing Anette here, this is not his place, and he must leave. Todd nods, he knew this would be the case. Todd gets about six steps down the stairway before he is stopped by someone grabbing his shoulder again. He turns around, and Anette is standing behind him. She gives him a big hug and leads him back up the stairs, he should stay, she says. Get to know the family. Todd tries to tell her that he can’t stay, but she won’t hear it. She leads him up into the crowd of people and begins introducing him to long dead relatives of hers, all of whom give him skeptical looks when she introduces him as her grandson. The mysterious figure appears next to Todd again and tells him once more he must leave, Todd opens his mouth to answer but Anette cuts him off. Nonsense, she tells the figure. IF she’s gonna stay here forever her grandson will be welcome to visit her. She and the figure stare at each other for a moment. The figure eventually sighs and looks away, the figure asks Todd if she’s always like this. Todd just shrugs and smiles, allowing Anette to lead him through a pair of pearly gates, she’s already talking about how much cake they’ll need to feed all of these relatives.
P.S. Honey is a Good Dog and gets to go, too.
the last lines of the show:
demon: you’re not blind here – but you’re not surprised. when…?
anette: oh, toddy, don’t be silly, my biological grandson’s not twelve feet tall and doesn’t scorch the furniture when he sneezes. i’ve known for ages.
demon: then why?
anette: you wouldn’t have stayed if you weren’t lonely too.
demon: you… you don’t have to keep calling me your grandson.
anette: nonsense! adopted children are just as real. now quit sniffling, you silly boy, and let’s go bake a cake. honey, heel!
honey: W̝̽̂̿͂͝Ọ̮̹̲̪̋ͦͅO̸̘͔̬͊F̜̫͙̟͕͖̙̋ͫ͌͗
that addition is a+ :)
THE ONLY ENDING I WILL EVER ACCEPT FOR THIS
Every time this post shows up on my dash, it gets better (and more heart wrenching. Y’all! Stop cutting the onions okay?!).
If ever don’t reblogging this, I’m either dead, dying, or buried under cat.
LISTEN I WILL SELL MY SOUL FOR SOMEONE TO MAKE THIS AN ACTUAL SHOW OKAY
PLEEEEEEEEEASE, I LOVE EVERYTHING ABOUT IT!
OH MY GOD BY THE END OF THIS I WAS CRYING I NEED THIS TO BE REAL LIKE SHAUBSHAKAGSHJSHSBSBSB
had to add my own bit ❤️ @eatbreathewrite this is for you!
Okay what if Todd didn’t have a name before this- didn’t need one. He was a demon, just meant for summoning and getting things done. So when this sweet old lady mistakenly calls him Todd, something just unknowingly clicks. It’s something Todd always had been missing- a name. And, even if it was a mistaken identity, he quickly loves it and accepts it as his
You made this amazing post even better
Always reblog Annette and Todd.
The Cult of Shar 🪦⚫️🌌 Based on “The Four Strings of the Violin” by Edward Okuń 🎻 I was inspired by the repetition in this piece and the themes of Vanitas, death, and the devil’s violin. So we have the cult of Shar chanting, led by The Mother Superior Viconia. Shadowheart wearily eyes the Spear of Night that lays in the violin’s place. It’s surrounded by Night Orchids and Nocturne acknowledges her friend’s fate. I was beyond happy to get this piece done in time for FanX so that @jenniferjenglish could sign it🖤🖤🖤