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@writerstiltzkin
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
Good drama is about creating a desire in the reader and then teasing them with alternately fulfilling or denying that desire. In this way, it is a lot like a strip tease.
You have to find a way to make the reader want something and then play with whether you’re going to actually give it to them.
They love it btw. It makes them beg for more.
Your just saying that because your a sick pervert who gets off to themes and ideas
I WANT TO WRITE MY STORIES!!!!!!!!!!!! -> continues doing literally Anything Else besides writing
I cant go to my local libary anymore because last year when I stopped by a librarian was reading a book I wrote under a pen name years ago. This book sold under 10k copies and I've literally only heard people talk about this book online *if* I went looking for it so I went up to them and tried to start a conversation like "oh hey I've heard of that book is it good?" Like hoping for some real feedback and she goes "yeah I love reading things by queer writers" and in a moment of terror I was like "oh but- hold on, I thought the author was some old hetero white guy?!" A thing I thought because I used my own dead grandpa's picture for the author pic because grandpa never had internet. I fake looked it up and was like "yeah if he was queer its not public?" And without looking up this absolute unit goes "oh the author bio is obviously fake. I'd bet my left leg the author is a west coast millennial non-binary queer who has never lived on the east coast." And then proceeded to rattle off a dozen linguistic flourishes that are specfic to the pacific northwest that are in the book and several that are nearly ubiquitous in the state where I said my pen name lives that are somehow completely absent from the book.
So you know. Got read for fifth and didn't even find out if she liked it.
(unserious joke post ahead) I'm gatekeeping guilt narratives from people who haven't committed atrocities. too many times have I encountered a story with a very promising guilt-ridden character and then we learn what they did and it was something no reasonable person could think was bad and the character just has low self worth about it or it was socially unacceptable in the setting. give me some Nuance to chew on. give me someone struggling to find the stable ground between accountability and self destruction. look me in the eye and tell me just how far your faith in the human power to grow extends. maybe shoot a man in reno just to watch him die then feel really fucked up about it and then your fiction will be better.
generally you shouldn't write run-on sentences because they get confusing and it doesn't give the reader a break. that doesn't apply to me though my run-on sentences are fun and understandable and they have a rhythm to it that makes you want to keep reading
it's literally the evilest thing in the world to finally have time to write but then be tired. like wow you're telling me these two hours before going to bed are completely free but my brain is just Not Feeling It? fuck off
YOU'RE A REGULAR WRITER! YOU CAN CRAFT A COMPLETE SENTENCE! YOU'RE A REGULAR WRITER! YOU USE THE RIGHT AMOUNT OF COMMAS! YOU'RE A REGULAR WRITER! YOUR PROSE IS GOOD AND RIGHT! YOU'RE A REGULAR WRITER! EVERYONE UNDERSTANDS YOUR VISION!
ursula k le guin was right
all of it, more or less
Oh go on, swing the bat at the hornet’s nest, post her takes on Watership Down
"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god
You're just saying that because your a sick pervert who gets off to themes and ideas
WARNING do NOT start reading books and comics or watching movies or looking at art!!! you will start wanting to create art yourself. or god forbid. writing.
H P Lovecraft may have been a cranky racist hack, but we mustn't let his proclivities taint our appreciation of pretentious verbosity. Sometimes "cyclopean" is in fact the word we're grasping for. Sometimes it's even "rugose".
This just pissed me off so baaaad 😂