[kanoexores]

Yuki by Erika Kamano

[artpropelled]

Pewter Talisman (by Dave Caplan)

[long-nail-lovers-blog]

[memoryslandscape-deactivated202]

phgalano, R, 2019

[curatedfortheartist]

Sasha Gordon

Poke

Colored Pencil on Paper

[unsubconscious]

 ‘Snow Circles’ by Andy Goldsworthy 

[theleoisallinthemind]

Jonny Niesche, I see the stars come out tonight. I see the bright and hollow sky. Over the city’s ripped backsides. And everything looks good tonight, 2015, steel, acrylic, voile, 120 × 156 × 2,5 cm

[tapireye-deactivated20220708]

Trey Gaskin in the Rambutan Evening Gown by Chet Lo

[noizm-deactivated20231224]

[archive-pdf]

Pleats Please Issey Miyake Guest Artist Series No.1: Yasumasa Morimura, 1996.

[ FULL SCAN : ’Issey Miyake - Universe of Fashion, 1997’ ]

[egotisticalgold]

Yayoi Kusama's butterflies

[polkadotmotmot]

Molly A Greene - A List as Long as My Arm, 2020

[oneiro1996]

katsumi watanabe photo book, 1999-2000

[xx-lucky-xx-star-xx-deactivated]

[vroomhoax]

[lauracoulson]

[oneangryshot]

“‘How does one hate a country, or love one? […] I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply?”

— Ursula K. Le Guin, The Left Hand of Darkness. (via booksnippets)