One Nice Bug Per Day
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let's talk about Bridgerton tea, my ask is open

shark vs the universe
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he wasn't even looking at me and he found me
AnasAbdin
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occasionally subtle

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@yellowhiccup
Literally cannot emphasize enough that my #1 writing advice is to stop being afraid. Stop being afraid of sounding too cringe, or too stupid, or too horrifying, or too horny, or too weird, or too much, or too little, or too you. You need to put your entire pussy into your art. Sure, it won't be to everyone's tastes, but if you keep yourself to the blandest tamest safest roads possible you will be of no one's tastes, not even yours.
👀
Double the childhood trauma I love it
omg
A mushroom I recently made. I'm exhibiting my work at a local gallery right now and I've had a lot of time to create while guarding the exhibit.
there’s absolutely nothing better than reading a 100k word fanfic, that is until you remember you have a body that is starving, thirsty and incredibly sleep deprived and hasn’t used the bathroom since the sun set 8 hours ago
me cross eyed and seeing double:
his ass is NOT a mechanic!!
btw op. if you even care .
i care.
Red Bed
Redemption
Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!
Every piece of classic literature: Hi. It's me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here's the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.
Modern writing advice: Yes your protagonist should have flaws but ultimately we should root for them and like them from the beginning :)
Charles Dickens: Here is the worst ugliest rudest meanest nastiest bitch you’ve ever met in your life.
Modern writing advice: Make sure your POV character goes through a significant arc! Make sure they are changed by the narrative! Make sure they learn a lesson!
Narrators of every book of the 19th century: the lesson I learned is these people fucking suck, sayonara you freaks
Modern writing advice: It’s all about the character overcoming obstacles and learning! They learn their lesson so they can fix their mistakes and make good choices in the future! It’s a character arc! It’s called growth! Readers love it!
Everyone from ancient times through the 19th century: would you like to watch a Guy fuck up twenty times in a row
ok!!!
Thinking about how when my oldest brother took Japanese classes his professor was like your pronunciation is really good 😊 but you need to watch movies that aren't about the Yakuza because you sound like a criminal
I feel like when I say ‘relatable’ what I really mean is ‘resonant.’ I don’t want characters who I feel are like me, I want characters who have emotions so strong I can feel them through the page.
I think this is important because a lot of us forget the power of stories to make us feel things about characters who are not like us, who have experienced things that we never will. The purpose of listening to someone else's story should not necessarily be identification, but understanding.
Me: Exercise does not cause weight loss. This is a fact that has been demonstrated so robustly in research that even doctors, who hate and fear evidence, are grudgingly starting to admit this.
Someone reading that post: Cool, but have you considered that exercise leads to weight loss?
Me: I am going to eat you
lololol "does too"
does it? not for women after childbirth
does it? not if you want to see an effect size of greater than 1 kilo (2.2lbs)
does it? not if you'd like to see a maintained loss greater than 3.3% of your body weight
does it? not for people with type 2 diabetes
does it? not for people exercising for their non-alcoholic fatty liver disease
Interactive computer-based reminders to diet and exercise are useless.
I mean, I literally went to Cochrane Reviews, one of the best-respected sources for massive meta-analyses, and I just input the keywords "weight loss" and "exercise," and I'm tooling through the results. Every one of the damn things shows that we do not have high-quality research indicating that exercise leads to weight loss. So no. I'm right, and you need to adjust your worldview--ask yourself, if not for weight loss, then why? Re-read those sources: exercise improved muscle density, insulin sensitivity, and cholesterol. It's good for your blood vessels, it's good for your strength, it's good for your brain.
But it won't make you thin. Maybe two pounds, maybe five, but that's about it. If you're looking at short-term, like a year, sure, you can lose weight--but the effort will almost always result in your body going "oh shit, we're living in a famine" and you will regain it, and now, with your body at a new set-point, losing it will be harder. Regaining will be easier. Welcome to the life-destroying yo-yo.
#then what the fuck are we supposed to do?
Exercise and eat lots of fruits and vegetables and whole grains because those things will keep you healthier longer, regardless of how much you weigh, and pick up your pick-axe in the ongoing horribly slow and frustrating fight of chipping away at the idea that being fat is a bad thing that means you’re a bad person. I recommend the book Fat Talk for a good place to start.
One of the best writing advice I have gotten in all the months I have been writing is "if you can't go anywhere from a sentence, the problem isn't in you, it's in the last sentence." and I'm mad because it works so well and barely anyone talks about it. If you're stuck at a line, go back. Backspace those last two lines and write it from another angle or take it to some other route. You're stuck because you thought up to that exact sentence and nothing after that. Well, delete that sentence, make your brain think because the dead end is gone. It has worked wonders for me for so long it's unreal
someone once told me if you get stuck go ten sentences back and it fucking works
@ladyyatexel sorry if you've been tagged in this before
No apologies needed, it is, in fact, fucking sick
Lin-Manuel Miranda is not untalented but he shouldn't be making billion dollar disney movies or whatever. This guy should be in a garage making deeply earnest but unpolished rap opera concept albums and posting them online for a niche fanbase of no more than 100,000 too-online theatre nerds. Hiring him to make forgettable paint-by-numbers radio friendly disney princess pop is trying to raise devil's pupfish in captivity. You have to stop giving him money and let him go make cringe in his natural habitat or you're never going to get anything good.
What’s also neat to study with screencaps of disney movies is how they use color in their lines. They don’t just pick any colors!
For example, check out Jasmine and Mulan. Both of them have black hair, but we get subtle differences between them.
Mulan, for example, has hair made with dark brown lines. We get the idea that her hair is probably a very deep, deep shade of brown, or that as light filters through her hair, we’re seeing that brown subsurface scattering.
Jasmine, meanwhile, has hair that is so deep black we sometimes see it as blue. This is black hair with cool undertones, as opposed to Mulan’s hair with warm undertones. Which in pure color speak is impossible, but is something that happens with hair, since hair is mildly translucent and reflective.
You can even compare that further with Esmeralda, who has grey lines that give the illusion of neutral undertones.
They can also use color to give characters that fantasy feel or the feel of completely unnatural hair. Princess Aurora, for example, has technically darker hair than Charlotte LaBouff. But, with the lighter outlines? Aurora’s hair looks absolutely fairytale golden, while Lottie’s looks like a more natural flaxen blonde.
How disney uses color isn’t the be-all end-all, but they can give you some really neat ideas for showing a lot of information in a condensed drawing.