acrylic, canvas 50*70 cm ÂŤmoon or sunÂť 2023.
Ooo!! I love all the blues! â¨
art blog(derogatory)
Stranger Things
RMH
đŞź
"I'm Dorothy Gale from Kansas"
ojovivo
Sade Olutola

#extradirty

JVL
macklin celebrini has autism
cherry valley forever
No title available

No title available
tumblr dot com

Origami Around
Monterey Bay Aquarium
untitled
trying on a metaphor

bliss lane

tannertan36
seen from Colombia

seen from United Kingdom
seen from United States
seen from Bangladesh

seen from Malaysia
seen from Russia
seen from Austria
seen from Bangladesh

seen from Finland
seen from Malaysia
seen from India
seen from United States

seen from France

seen from Malaysia
seen from TĂźrkiye

seen from T1

seen from United States

seen from Japan

seen from Ireland

seen from Russia
@yomikoreadsbooks
acrylic, canvas 50*70 cm ÂŤmoon or sunÂť 2023.
Ooo!! I love all the blues! â¨
How to Draw Wisteria in Traditional Chinese Painting by ččĺĺ˝çť
Ooo! đ
I always thought Reddit was a place where people could share things they created.A few days ago I posted one of my original paintings. People loved it. We had wonderful conversations about art, emotions, and how everyone saw something different in the same sunset.
About two hours later I was permanently banned from r/MadeMeSmile for âself-promotion.â
I accepted that different communities have different rules.But then something even stranger happened.Soon afterward, a moderator from r/pics started going through my account. Not just the new postâmany of my older painting posts disappeared as well. One after another. Then I was permanently banned there too.
Maybe it was the same moderator. Maybe it wasnât. I honestly donât know.
What surprised me wasnât even the ban itself. It was realizing how much power individual moderators have over what millions of people are allowed to see. One decision can erase years of posts from a community and instantly cut off your ability to participate, even if those posts had been happily sitting there for months or years.Iâm not saying moderators shouldnât have rules. Communities need moderation.But it does make you wonder where the line is between protecting a community and allowing a single interpretation of the rules to completely reshape what people can share.
The funny part?
I wasnât advertising anything in those posts. I wasnât posting prices or asking anyone to buy anything. I was simply sharing my original paintings because I enjoy discussing art with strangers from around the world.
AnywayâŚ
Hereâs the painting that apparently caused all the trouble. đ¨
OP, I love this!! The colors and textures are so wonderful together! I live by the ocean and the light does play on the water like this especially at sunset and sunrise when the sky is all lit upâŚ
ok sorry to double reblog BUT I just looked him up and he does these fantastic videos where he breaks down HOW he actually mimics the other artistsâ styles. Like for ed Sheeran, he explains how he brings his voice forward in the mouth, while Adam Levine sings in the back of the mouth, stuff like that. Itâs SO COOL, I donât think Iâve ever seen anyone actually break down how to do this sort of thing, as a skill, instead of just treating it like a neat trick they just happen to be good at. https://www.tiktok.com/@justinjmooremusic
Check him out heâs so cool
How fascinating! Definitely someone to check out!!
A lot of people ask me what my biggest fear is, or what scares me most. And I know they expect an answer like heights, or closed spaces, or people dressed like animals, but how do I tell them that when I was 17 I took a class called Relationships For Life and I learned that most people fall out of love for the same reasons they fell in it. That their loverâs once endearing stubbornness has now become refusal to compromise and their one track mind is now immaturity and their bad habits that you once adored is now money down the drain. Their spontaneity becomes reckless and irresponsible and their feet up on your dash is no longer sexy, just another distraction in your busy life. Nothing saddens and scares me like the thought that I can become ugly to someone who once thought all the stars were in my eyes.
this fucks me up every single time
I never expected this to be my most popular poem out of the hundreds Iâve written. I was extremely bitter and sad when I wrote this and I left out the most beautiful part of that class.
After my teacher introduced us to this theory, she asked us, âis love a feeling? Or is it a choice?â We were all a bunch of teenagers. Naturally we said it was a feeling. She said that if we clung to that belief, weâd never have a lasting relationship of any sort.
She made us interview a dozen adults who were or had been married and we asked them about their marriages and why it lasted or why it failed. At the end, I asked every single person if love was an emotion or a choice.
Everybody said that it was a choice. It was a conscious commitment. It was something you choose to make work every day with a person who has chosen the same thing. They all said that at one point in their marriage, the âfeeling of loveâ had vanished or faded and they werenât happy. They said feelings are always changing and you cannot build something that will last on such a shaky foundation.
The married ones said that when things were bad, they chose to open the communication, chose to identify what broke and how to fix it, and chose to recreate something worth falling in love with.
The divorced ones said they chose to walk away.
Ever since that class, since that project, I never looked at relationships the same way. I understood why arranged marriages were successful. I discovered the difference in feelings and commitments. Iâve never gone for the person who makes my heart flutter or my head spin. Iâve chosen the people who were committed to choosing me, dedicated to finding something to adore even on the ugliest days.
I no longer fear the day someone who swore I was their universe can no longer see the stars in my eyes as long as they still choose to look until they find them again.
This is so fucking important and I think itâs something I needed right now
This version is making rounds again and I see some people in the notes get a bit disheartened by this notion that is hard work or if someone falls in love with you and chooses you then they are merely putting up to be with you. I raise your this. Love is not work that drains you. Imagine it is making bread but starting fresh. There are millions of varieties that span across thousands of cultures and they are all amazing and suited for each culture/person. But love just like bread is infinite like that. Love needs time to put together. It needs time to rise together. It needs some care. It needs to be warmed. And lastly love just like with bread is shared with the people you love. Sharing bread and love is something that spans across all of humanity. But just like bread making it takes time to learn and not everyone makes good bread on their first try and donât worry if you fail the first few times all that does is that it gives you a better picture on what type of bread you want . Thatâs why just like bread, love must be made anew each day. Yes it is work but at the end of the day you get to share with them your labor of love. You get to bask on the shared human activity of creating something because we love each other. Lastly please donât take this to mean that romantic love means everything platonic soulmates are just as real and take just as much work as romantic ones. Love is whatever you and your person defines it as. Did you know that the word âcompanionâ originates from the French language ? Companion means someone you break bread with. Love is shared with the people you love and call your companions.
OH. This is hitting me today. My Mumâs been gone a year and itâs my parents anniversary and she loved flowers and my Dad made sure she had some, that she was remembered, that they had a moment together. He did those little things their whole lives. They made those choices for each other and heâs still making them. They may not have been perfect people but they put in the work to help one another and to notice each other and notice the things that made each othersâ lives better. Iâve always appreciated that about them, even if it sometimes makes me cry about it now.
My wifeâs idea of decompressing after the busy holiday was to rearrange every piece of furniture in our home is this an ADHD thing or just a her thing
Iâm not complaining the way sheâs done it is much better than it was itâs just like how is this your idea of a relaxing weekend
Listen I don't get to decide when the drunk elf that is my executive actually does the functioning but when he does we have a SMALL WINDOW OF TIME before he finds the schnapps again and we're done
yes this exactly
So to me, there are spoons (general energy cost) and carnival tickets (specific energy cost).
Spoons can be used pretty much anywhere.
Carnival tickets are only good for the carnival, and itâs only in town for a limited amount of time.
So like, if I get âkitchen cleaningâ carnival tickets, I canât use that to clean my bedroom, thatâs not where the carnival is.
phrase added to permanent vocabulary
The carnival almost never comes to town but boy when it doesâŚ
The Lord of the Rings Meme | ten scenes (2/10)
Farewell to LĂłrien.
This is my favorite scene.Â
If youâve read the Silmarillion, you know who FĂŤanor was. If you donât, FĂŤanor was the dickhead who created the Silmarils: three indescribably beautiful and magical jewels that contained the light and essence of the world before it became flawed. They were the catalyst for basically every important thing that happened in the First Age of Middle Earth.
It is thought that the inspiration for the Silmarils came to FĂŤanor from the sight of Galadrielâs shining, silver-gold hair.
He begged her three times for single strand of her beautiful hair. And every time, Galadriel refused him. Even when she was young, Galadrielâs ability to see into otherâs hearts was very strong, and she knew that FĂŤanor was filled with nothing but fire and greed.
Fast forward to the end of the Third Age.
Gimli, visiting Lorien, is also struck by Galadrielâs beauty. During the scene where sheâs passing out her parting gifts to the Fellowship, Galadriel stops empty-handed in front of Gimli, because she doesnât know what to offer a Dwarf. Gimli tells her: no gold, no treasure⌠just a single strand of hair to remember her beauty by.
She gives him three. Three.
And this is why Gimli gets to be an Elf Friend, people. Because Galadriel looks at him and thinks he deserves what she refused the greatest Elf who ever livedâ- and then twice that. And because he has no idea of the significance of what sheâs just given him, but heâs going to treasure it the rest of his life anyway.
Just look at that smile on Legolasâs face in the last panel. He gets it. He knows the backstory. And Iâm pretty sure this is the moment he reconsiders whether Elves and Dwarves canât be friends after all.
Everyone look at this great post
Oh, I love this!! â¤ď¸â¤ď¸â¤ď¸
looking. at you
Hello friend!!! đ
acrylic, canvas 40*50 cm âbirds of the Ebro River Valleyâ 2024
Ooo! â¨
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you canât not have servants in those times but many modern readers think âbut I would never have servants. it would be so weird to have servantsâ and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldnât it be so awful if your boss was always trying to be friends with you. a really common thing youâll see is the woke baronet having tea in the kitchen with the servants bc heâs not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
This is an EXCELLENT post! â¤ď¸â¤ď¸â¤ď¸
Helpful (liege lord) writing stuff! â¨
And one more bookbinding post! A shorter one. For my brother's wedding, he requested lotr. And I also have another cousin who is recently married and was supposed to he holding a wedding this year, but he and his wife were in a bad car accident that wasn't remotely their fault (rear-ended into incoming traffic), and recovery has been pretty long and gnarly, but I wanted to give them something nice as well. So! Double lotr, all the way across the sky.
I originally planned to mix it up more on the vibes between the two editions (partly so I myself could keep them straight and didn't gift the couples copies with the wrong names), but.... these marble print fabrics are just too powerful, I couldn't say no. I did enough differentiating with the titling and endpapers, it all worked out!
And, naturally, they both needed some edge illustration to take it to the next level!!
So, the green set. I found this gorgeous black and white paper a couple weeks ago at my local art store, and it was SO striking that I grabbed a couple sheets. I was worried at first that it was going to be too busy with the marbled fabric on the cover, but couldn't find anything else that sparked joy, and... i shouldn't have stressed so much, the combo is fantastic. I should trust the maximalist voices in my head! For this one I drew the scene from osgiliath, looking out at minas tirith
After THAT, i was looking to draw something that specifically wasn't More Buildings đ I had a pretty magenta paper I've been sitting on that harmonized surprisingly well with the minor colors in the blue fabric. I originally had my eye on a matching leather, but backed away to the same warm navy hide I used for the guestbook, which really gave the whole thing some nice dignity. And the opposite of drawing buildings is drawing CREATURES, so i went absolutely ham on balrog cross-hatching
Both these sets were a ton of fun and came out deliciously! And finished drying two whole days before the wedding! I got PLANY of time 𤣠But truly, I'm not very good at repeating myself, so it means a lot to me that I can be this many lords of the rings deep and still be finding new ways to delight myself. I had a lot of fun with these sets!!
SO PRETTY!!! đ
Show up at work like hi boss sorry I'm late my I was helping my mother track down one specific 90s dungeon crawler for the purposes of obtaining a muffin recipe the developer hid in the files
Anyway shoutout to Stonekeep (1995)
I'M MAKING THE MUFFINS
Burnt my hand picking it up to show. Gonna wait to taste.
Taste review: Make the video game muffins oh my GOD.
These are DELICIOUS! I substituted chocolate chips for pecans because its what i had on hand.
It tastes like a pumpkin gingerbread cake! Great treat for fall and winter!
Definitely make these!
Text from recipe
Tim Cain's Chocolate Chip Pumpkin Muffins -- They're the shadow king's favorite!
1 and 2/3 cup flour
2 tsp cinnamon
1/4 tsp cloves
1/4 tsp baking powder
2 eggs
1 cup chocolate chips
1 cup sugar
1 tsp nutmeg
1 tsp baking soda
1/4 tsp salt
1 cup pumpkin (half of a 16 oz can)
1/2 cup (one stick) butter, melted
preheat oven to 350. grease muffin tins (one dozen regular size) or use baking cups. mix flour, sugar, cinnamon, nutmeg, cloves, baking powder, baking soda and salt in a large bowl. Break eggs into another bowl. add pumpkin and butter and whisk until blended. stir in chocolate chips. pour over dry ingredients and stir until just blended. do NOT overstir! scoop batter into tins and bake 20-25 minutes. after cooling, keep muffins wrapped in plastic to avoid drying.
I'm sure people have pointed it out already, but
Tim Cain is one of the creators of Fallout
and he is an overall delight
I am a video game developer, mostly known for creating Fallout. I plan to use this channel to tell stories about game development, including
Saving for later because, you know, muffins!
I've slowly been chipping away at drawing scenes from that imaginary Muppet retelling of the Princess Bride, figured it was about time to share what I've drawn on Tumblr!
The only acceptable reboot! đ
Know what Iâm salty about?
In all my art classes, I was never taught HOW to use the various tools of art.
Like yes, form, and shape and space and color theory and figure drawing is important, but so is KNOWING what different tools do.
Iâm 29 and I JUST learned this past month that India Ink is fucking waterproof when it dries. Why is this important? Because I can line something in India Ink and then go over it with watercolors. And that has CHANGED the ENTIRE way I art and the ease I can create with.
tldr: Art Teachers: teach your students what different tools do. PLEASE.
WAIT INDIA INK JS WATERPROOF ONCE IT DRIES????? THE ENTIRE REASON IVE AVOIDED MARKERS MY ENTIRE LIFE IS BECAUSE JNK BLEEDS AND YOURE TELLING ME INDIA INK IS
F U C K I N G W A T E R P R O O F
yall calligraphers out there this is extremely fuckin important if u wanna get into illumination shenanigans because i swear to you there will b discoveries like these^
heres some of mine, pls take with a grain of salt im a total gotdamn amateur:
a lot of the time, the ability for colored ink to bleed will vary wildly WITHIN A SINGLE BRAND OF COLORED INKS. my cobalts bleed like fucking CRAZY compared to my reds, which, when u reference manuscripts that tend to put white ink ON TOP of either red or blue⌠you see where shit gets real and real annoying.Â
u can buy an aeresol, fully transparent workable sealant for like 5-10 dollars at your local art store. when i realize a piece ive been working on needs a color on TOP of a bleed happy ink, i give it a layer of this stuff. trouble is it CAN warp the paper so its important as soon as it dries to use heavy things (paperweights, books) to counteract the paper curling.
ink solvent, like koh i noorâs rapido-eeze, is only compatible with SOME inks, but will work on most acrylics. If you happen to be working with sturdy vellum that you have pre-sealed, it can be possible to literally use ink solvent to wipe away your calligraphy mistake like a goddamn bounty commercial
Shit I Learned Working At Dick Blick:Â
WD40, found at your local hardware store, will remove Sharpie marker from almost any hard surface.Â
 Acrylic inks will show brush strokes in large areas but are waterproof and quick-drying.Â
 Acrylic gouache is vivid, fluid, dried matte, is UTTERLY opaque on black paper, handles exactly like watercolor, and is waterproof.Â
Putting an oil painting in the sun will turn the yellowed portions back to their original white and wont hurt the painting.Â
 Cheap acrylic paintings will bleach out if left in the sun - get UV protectant spray or varnish. Nicer acrylic paints are less prone to sun bleaching, but they still do. Plan accordingly. Oil paints are much less prone to this.Â
Solvent-based markers blend together MUSH MORE SMOOTHLY than alcohol-based markers.Â
There is an acrylic paint medium for literally every effect you can conceivably think of (fabric paint medium, gloss medium, fluid medium, sand medium, fast-dying/slow-drying medium, etc.).Â
 If youâre going to buy student-grade paint to save cash, buy earth-tones (burnt sienna, ochre, etc.); they are made with cheap pigments already, and you wont tell a difference. You WILL tell a difference between student-grade and artist-grade bright colors (all yellows, blues, and reds).Â
If youâre working with markers but arenât using marker paper, you need to switch. Markers donât blend on printer paper, they just layer (even expensive markers).Â
If you want a glass palette for paint mixing but donât want to shell out the cash, buy a giant picture frame at Goodwill, take the glass out, and electrical tape it to a piece of foam board the same size for stability.Â
 Hog bristle brushes are for oil paint, sable brushes are for watercolor, and synthetic brushes are for acrylic and oil (but not watercolor because synthetic bristles canât absorb water).Â
 If youâre going to splurge on any aspect of your creation, splurge on the paper. Get the good stuff - crappy markers/paint/pencils look good on good paper, but not the other way around. (There is more, but these are the big ticket items)
Some more, also from working at Dick Blick:
- Palette knives are for mixing paint and TRUST ME you want to learn how to use them. When you mix with your brush you loose paint and itâs hard in your brushes.
- DO NOT FIX YOUR ARTWORK WITH HAIRSPRAY. If youâre proud of your work and want to keep it, buy the actual spray fix. Hairspray is not archival in the slightest and will damage your work.
- On top of that, be careful how you store your work. Newsprint is handy and cheap, but also not acid-free and it will yellow your paper. Foamboard? Matboard? Also not always acid-free (but you can get them acid-free).
- There is no food-safe paint. Period. There are lots of ways you can decorate pottery that arenât glazes, but only glazes are food safe (and even some of those arenât).
- Also not food safe: Polymer clay (sculpey), air dry clay, oil-based clay, ceramics that have not been glaze fired, oil pastels, sharpie, glues of any kind, or mod podge (even the âdishwasher safeâ kind).
- Donât even get me started on mod podge. Itâs not consistent. Itâs not archival. Itâs not a sealant, itâs a glue (setting aside some of the weird hyper-specific ones they make that Iâve literally never seen in real life).
- If your glue isnât archival or at least acid-free, donât use it in your artwork.
- There are so many different kinds of paper out there, just go try them. But also make sure you know if itâs acid-free or not (it probably is).
- Marker paper is usually 15 to 20 lbs. News print is usually 30 to 35 lbs. Tracing paper is usually 25 lbs. Rice paper can range from 20 to 50 lbs. Printer paper is 20 lbs. Vellum paper is usually 48 to 55 lbs. Sketchbook paper is usually 50 to 60 lbs. Drawing paper is usually 70 to 80 lbs. Cardstock can range from 50 to 110 lbs. Charcoal paper is usually 50 to 65 lbs. Pastel paper can range from 70 lbs to board. Bristol paper can range from 50 lbs to board. Mixed media paper can range from 90 to 140 lbs. Printmaking paper can range from lbs 90 to 300 lbs. Watercolor paper can range from 90 to 500 lbs.
- The heavier and rougher the paper is, the more it will absorb. If youâre using a paper too smooth for your medium it will take forever to dry and may smudge. If youâre using a paper too light for your medium, it will warp and curl.
- If youâre working heavily with water, you need to stretch your paper (aka seal down your edges of the paper to a hard, water resistant surface). If you donât like doing that because itâs a hassle, buy a watercolor block instead of a pad/individual peices.
- If youâre working on a thicker paper, and make a mistake that your canât erase or cover- you can scrape and/or cut it out! With a really sharp exacto knife, you can very CAREFULLY remove the top layer of paper fibers on most paper.
- DO NOT USE ACRYLIC AS BODY PAINT. Itâs plastic.
- If you paint with oil, buy a silicoil jar. Itâs the best $10 youâve ever spent.
- Acrylic paint is basically water-based plastic. It will basically fuse with anything plastic (like a plastic palette), and will not stick to anything oil-based.
- Acrylic paint and house paint are not the same thing and you cannot mix them together. Acrylic paint is made from a water-based acrylic polymer, and house paint is almost always latex and can come both water-soluable and not.
@pamelab has this amazing reference crossed your dash yet?
most paints will have a lightfastness rating & pigment code on the tube so you can get an idea of how prone to fading it will be, itâs not 100 percent reliable but itâs a start
it took me goddamned near 20 years to realize bristol paper/cardstock has slightly different texture on each side, it doesnât matter a whole lot for pencil or ballpoint but can for ink (one bleeds more with microns & similar fluid inks) & if you cut piles of it for messing around like i do, try to store them with that in mind i guess?
Helpful art stuff! đ
personally the lattice method of multiplication is the reason i hate math
youre telling me that i can make some boxes with lines through them
solve the multiplication equation for each pair of individual digits and arrange them in the boxes just so
AND THEN ADD UP ALL THE NUMBERS IN EACH COLUMN AND GET THE RIGHT ANSWER????
this post taught me that not everyone learned the lattice method in elementary school
In grade school we learned the normal way to do multiplication one day and then the lattice way the next, except I was sick the day we learned the normal way and they never went back and reviewed it and neither did I and so to this day I only know how to use the lattice method
....What the ever loving fuck, this is really cool???? I have NEVER heard of this???
I swear the jump from the first to the second image is basically that "draw the owl" meme.
Yeah it took me a while to figure it out, but I DID! So for me and you and everyone else going âwait wtf just happened????â I present a more step by step breakdown!
So you start with a grid with as many squares as needed to write one number across the top and one number down the side. And draw these diagonal lines through them. Yes you should extend them out the side.
THEN you basically multiply the numbers that match with each square, put the tens digit in the top triangle and the ones digit in the bottom triangle. Like so:
so once youâve done that, you start adding up the numbers in the DIAGONAL column/row thingies from the bottom right up to the top left, like so:
You only want one digit (tho I assume if the very top/last row somehow gets 2 digits thatâs ok, but ONLY in that position) and youâll carry over to the next column, like if you were adding normally.
Then you start at the top left and just take all the numbers going down and around and put them together!
It does take up a lot more space and has a few more steps than the more traditional long multiplication, I think, but for people who struggle with that I think this would be a handy tool!
Hereâs a screenshot of the more traditional style to compare:
I hope this helps! I had to figure it out on my own bc I was never taught this either. :)
Huh. I'll be damned. Reblogging so I'll hopefully remember how to do it.
I learned this way in school and switched to a school that taught the traditional way the next year and all the kids thought I was a witch
I still need to sit with this for a bit so saving for later!
Amazing
Oh well then!
Movement nudge, hand mobility! đ
X
1) do this even if you're under 40. seriously. I definitely should have been doing something like this for years and I only turned 40 a month and a half ago
2) if you're like me just now trying this going "oh god i've only done 15 and i think my hands are cramping" start lower than 30 and increase by 5 once whatever number you're doing no longer makes your hand cramp up. I can manage about 15 per exercise at the moment.
If you're hypermobile, be especially gentle.
Helpful hand exercises â¨