Since it’s designed for the Switch 2 (and thus made for a larger screen), the game will almost always have 2-3 characters on screen at a time, and will feature dozens of unique interaction animations between all sorts of character combos.
There has been another 7 year timeskip.
The old judge retired, and the new judge is his granddaughter!
The jurist system is featured.
This concept is heavily based around these designs.
The characters would have multiple outfits throughout the game, which become unlockable costumes, much like the DLC costumes of DD, SoJ, and TGAA games.
While this is way too specific to truly be a "prediction" of what aa7 could be, I tried to keep it (mostly) realistic to what I thought could actually be in an ace attorney game!
📦 Case 1: Turnabout Homecoming
Trucy left the nest and Phoenix doesn’t like living alone anymore, so Phoenix is moving into Edgeworth’s house. Apollo— who recently got his driver's license— was driving the moving van, and was accused because a body had been found in the vehicle. The true killer was one of the movers. I like the idea that you'd have to look through boxes for evidence, maybe the murder weapon was hidden within their belongings.
Defendant: Apollo
Defense: Phoenix
Weird Girl: Edgeworth
Prosecutor: Diana Payne (Winston’s daughter)
Detective: (drumroll…) Godot!!
Witnesses: Larry (he was helping with the move), Leslie (one of the movers)
Victim: Bee(another one of the movers)
Killer: Anne(third mover)
(rest of the cases and a lotttt more art under the cut ↓ )
🎢 Case 2: Rollercoaster Turnabout
Maya and Pearl are on vacation at Blue Badger Land. Pearl is accused of murder after a body is found on an unpopular attraction that only Pearl enjoys going on.
As an aside, Gumshoe is retired from detective work, and now works as a dog trainer. He trained Armando's service dog, Spot O'Coffee.
Wendy Oldbag also serves as a witness, but she's pretty old at this point. Her memory has become fuzzy with age, and her testimonies begin to mix up information from other trials (which will be little references to previous games).
Defendant: Pearl
Defense: Apollo
Weird Girl: Maya
Prosecutor: Klavier
Detective: Godot
Witnesses: Gumshoe (and his kids, Callum & Beau), Wendy Oldbag, Ride Operator
Victim: Ride Safety Inspector
Killer: Park Manager
💍 Case 3: My Love, Turnabout
Klavier has arranged a collab performance between Trucy and Lamiroir. Hugh Dini, Trucy's assistant and boyfriend, is accused when his stunt double is found dead. Hugh is very cagey about his alibi, but it's because he was planning to propose and didn't want Trucy to know yet. Franziska takes this and spins it into a jealousy plot, and insinuates he killed his stunt double out of envy. Because Hugh is actually pretty shy, he has a habit of not speaking up, which only incriminates him further.
A twist in the case is revealed during a cross-examination when it turns out the "gold band" the witness is referring to wasn't Hugh's engagement ring, but instead about a gold bangle. This immediately puts Apollo under suspicion, until Phoenix drops a hint that someone else (Lamiroir) has a gold bracelet as well.
The truth about Trucy and Apollo's sibling relationship is revealed when Athena finds an unexpected emotion in Phoenix's mood matrix, and Lamiroir decides it’s time to break the news.
Defendant: Hugh Dini
Defense: Athena
Weird Girl: Phoenix, Apollo (← steps in when Phoenix has to get cross-examined)
Prosecutor: Franziska
Detective: Ema
Witnesses: Lamiroir, Trucy, Hugh Dini Fangirl
Victim: Hugh's Stunt Double
Killer: Jealous Trucy Stan
🏝️ Case 4: The Getaway
This one isn’t a traditional case.
After Manfred Von Karma divorced his first wife, Bianka, he moved to Europe, and his previous home was left uninhabited until his eldest daughter, Karla Von Karma, discovers she has inherited it. She decides to turn the beachside property into a bed & breakfast, and invites her half-sister Franziska and adoptive brother Edgeworth to give the manor a trial run and let her know if it’s suitable for visitors. Edgeworth brings along Wright Anything Agency, because… why not treat them to a break?
But of course, their vacation quickly takes a turn when they find a literal skeleton in the closet.
Not all of the rooms in the estate had been searched. Manfred’s study has a large, padlocked safe, and Karla hadn’t gotten around to hiring a locksmith to open it for her. Phoenix tries “0001” for the hell of it, and the only thing more surprising than that combination successfully opening the safe is the body folded up inside.
They can’t imagine the killer was anyone other than Manfred Von Karma, but— since he’s already been executed— they’re not sure if a trial even needs to be held. They need to investigate the situation to determine with absolute certainty it was, in fact, Von Karma, because otherwise they’d need to find a new suspect. Obviously, the group of criminal justice lawyers aren’t not going to get to the bottom of it.
Except Apollo, who has decided he wants nothing to do with solving the murder. He came on this trip for a vacation, dammit, and that's exactly what he's gonna do. He heads back outside to the beach, and leaves everyone else to the investigation.
The first mystery is figuring out when the murder happened. The police arrive, and Ema estimates that the remains are about 30-40 years old, which is around the time the Von Karma family moved out. Since Manfred & Bianka had divorced in 1999, they start to wonder if Manfred had even still been residing here when the murder took place, but the body is found with a train ticket dated for January of 2002. A time period that just so happens to line up with the one singular vacation Manfred took during his entire career— to recover from a gunshot wound that he couldn’t even trust a doctor with knowing about.
The body is wearing a housekeeper's uniform, and they identify her as Ophelia Falsch. They conclude that she was killed because she had discovered Manfred’s injury, and he wanted to eliminate the witness. They think they have the case over and done with, but then Ema comes back with the dental analysis. She explains there was no dental record of an "Ophelia Falsch", but the teeth did match Bianka Von Karma.
This raises some questions. Why was Bianka dressed as Ophelia? Was there a more personal reason Manfred could have killed his ex-wife? Could Ophelia have been involved as well?
Since the murder happened so long ago, they don't even know where to begin with finding witnesses. Karla was 18 at the time of the murder, and had just moved out, so she wasn't present. Edgeworth, of all people, is the one to suggest an unconventional idea: why not ask Von Karma himself?
The manor is in a remote location that's only accessible by train or boat, and since it's late, Maya won't be able to get there until the next morning. In the meantime, they check up on Apollo, only to find him getting scolded by a woman about having his chair on the beach. She explains that she's Karla's daughter, Angelika Von Karma, and that she's impassioned about marine ecology. She just discovered the beach had become a nesting site for an endangered species of sea turtles, and is worried about disrupting it.
The next morning, Maya arrives, and Phoenix and Edgeworth hold a mock trial in the foyer. Manfred is channeled, but is uncooperative, so they try... a different method. Phoenix and Edgeworth perform a reenactment of how they think the murder happened, while Trucy and Athena watch Manfred to see if they can glean any information based on his reactions.
Manfred breaks down and confesses to the murder, but is telling the truth when he says that he didn't know the victim was Bianka; he did, in fact, think he had killed a housekeeper who found out about his gunshot wound. After this, his spirit is released.
As puzzling as this is— who was Ophelia, anyway?— they can't do anymore investigating because Karla has become very upset. The whole ordeal has caused long-repressed emotions to resurface. She's always felt a little bit resentful towards Franziska because their father left Bianka for Franziska's mother, Levina, and always felt like she had her family taken from her. On top of that, Manfred had done everything he could to get full custody of Karla in the divorce, and she never saw her mother again. She's angry that that wasn't enough— he'd gone and killed her too.
Karla and Franziska get into a big fight, and the whole trip ends up cancelled.
🚂 Case 5: Turnabout Train Car
They all board the train to head home. The mood is really awkward and it's kind of a bummer. Since the train is only way out of the area, Karla has to board as well, albeit in another car.
And because nothing is ever easy, there’s a murder on the train.
The victim was the owner of the train, Diesel Porter. He was found in his private sleeping room, and the only other room on that train car was being occupied by Karla, so naturally, she is accused.
Since Ema and the police are already on the train, they’re able to take control of the situation until the train makes it back to town. The Wright Anything Agency isn’t allowed to investigate the crime scene much, so they opt to interrogate the other odd passengers.
They get a helpful tip from the train’s bartender that Cole Porter, son of Diesel Porter, had been making plans to build a resort. They also find out that the train company had been losing money, since they weren’t getting many passengers.
The next day in court, Phoenix claims Cole killed his father to inherit the company, but Cole denies it because, why would he want to inherit a dying company? And Phoenix turns it around by bringing up the resort plans and how he wanted to build it on Karla’s property. He couldn’t just kill Karla, because then they’d have to take care of Angelika and Franziska too, so they needed Karla to feel like she had no choice but to sell it.
The trial goes to recess and Cole is apprehended for questioning, but at that moment they get word that someone else has just been murdered on the train— the bartender from before.
Phoenix goes back to the train investigate and boards when it’s stopped on the mountaintop station. While he’s investigating the train’s caboose, Cole’s wife, Electra, detaches it from the rest of the train. Cole and his wife were in cahoots! Phoenix is sent hurtling backwards down the mountain in the runaway car, and manages to pull the emergency brake just before reaching the bottom. He’s ended up back by the manor, and calls to have a boat sent to pick him up.
While he waits, he finds Angelika is still here studying the turtles. She gives him permission to go inside the manor again to investigate. He finds the deed to the house, along with an old photo that has a letter written on the back. It’s addressed to Bianka from Levina (Franziska’s mother).
The case is solved when Phoenix proves that both Cole & Electra Porter were involved in the murders. The land becomes protected by the government in order to keep the sea turtles safe, since they are endangered.
After the trial, Phoenix shows Karla and Franziska the letter he’d found. It turns out Levina hired Bianka as a housekeeper under the alias “Ophelia” so that she could still see her daughter Karla. The photo depicts a teenage Karla playing with a baby Franziska. Levina and Bianka had a good relationship, and had made efforts to keep their families together.
Karla and Franziska apologize to each other, and agree to get along better.
Defendant: Karla Von Karma
Defense: Phoenix
Weird Girl: Athena & Apollo
Prosecutor: Franziska
Detective: Ema & Godot
Witnesses: Train Conductor, Old Passenger, Tain Bartender
Victim: Diesel Porter
Killer: Cole & Electra Porter
💃 (DLC) Case 6: Turnabout Runway
Klavier has been invited as a guest judge for a fashion tv competition. He invites Pearl (and Apollo) to the shooting as an apology for accusing her for murder & because of their shared interest in fashion. "Lip sync for your life" but literally.
Defendant: Lady Killer
Defense: Athena
Weird Girl: Pearl
Prosecutor: Blackquill
Detective: Ema
Witnesses: ensemble of drag queens/models, Klavier
Victim: Taxi Macabre
Killer: Paul Rue
Since it’s designed for the Switch 2 (and thus made for a larger screen), the game will almost always have 2-3 characters on screen at a time, and will feature dozens of unique interaction animations between all sorts of character combos.
There has been another 7 year timeskip.
The old judge retired, and the new judge is his granddaughter!
The jurist system is featured.
This concept is heavily based around these designs.
The characters would have multiple outfits throughout the game, which become unlockable costumes, much like the DLC costumes of DD, SoJ, and TGAA games.
While this is way too specific to truly be a "prediction" of what aa7 could be, I tried to keep it (mostly) realistic to what I thought could actually be in an ace attorney game!
📦 Case 1: Turnabout Homecoming
Trucy left the nest and Phoenix doesn’t like living alone anymore, so Phoenix is moving into Edgeworth’s house. Apollo— who recently got his driver's license— was driving the moving van, and was accused because a body had been found in the vehicle. The true killer was one of the movers. I like the idea that you'd have to look through boxes for evidence, maybe the murder weapon was hidden within their belongings.
Defendant: Apollo
Defense: Phoenix
Weird Girl: Edgeworth
Prosecutor: Diana Payne (Winston’s daughter)
Detective: (drumroll…) Godot!!
Witnesses: Larry (he was helping with the move), Leslie (one of the movers)
Victim: Bee(another one of the movers)
Killer: Anne(third mover)
(rest of the cases and a lotttt more art under the cut ↓ )
🎢 Case 2: Rollercoaster Turnabout
Maya and Pearl are on vacation at Blue Badger Land. Pearl is accused of murder after a body is found on an unpopular attraction that only Pearl enjoys going on.
As an aside, Gumshoe is retired from detective work, and now works as a dog trainer. He trained Armando's service dog, Spot O'Coffee.
Wendy Oldbag also serves as a witness, but she's pretty old at this point. Her memory has become fuzzy with age, and her testimonies begin to mix up information from other trials (which will be little references to previous games).
Defendant: Pearl
Defense: Apollo
Weird Girl: Maya
Prosecutor: Klavier
Detective: Godot
Witnesses: Gumshoe (and his kids, Callum & Beau), Wendy Oldbag, Ride Operator
Victim: Ride Safety Inspector
Killer: Park Manager
💍 Case 3: My Love, Turnabout
Klavier has arranged a collab performance between Trucy and Lamiroir. Hugh Dini, Trucy's assistant and boyfriend, is accused when his stunt double is found dead. Hugh is very cagey about his alibi, but it's because he was planning to propose and didn't want Trucy to know yet. Franziska takes this and spins it into a jealousy plot, and insinuates he killed his stunt double out of envy. Because Hugh is actually pretty shy, he has a habit of not speaking up, which only incriminates him further.
A twist in the case is revealed during a cross-examination when it turns out the "gold band" the witness is referring to wasn't Hugh's engagement ring, but instead about a gold bangle. This immediately puts Apollo under suspicion, until Phoenix drops a hint that someone else (Lamiroir) has a gold bracelet as well.
The truth about Trucy and Apollo's sibling relationship is revealed when Athena finds an unexpected emotion in Phoenix's mood matrix, and Lamiroir decides it’s time to break the news.
Defendant: Hugh Dini
Defense: Athena
Weird Girl: Phoenix, Apollo (← steps in when Phoenix has to get cross-examined)
Prosecutor: Franziska
Detective: Ema
Witnesses: Lamiroir, Trucy, Hugh Dini Fangirl
Victim: Hugh's Stunt Double
Killer: Jealous Trucy Stan
🏝️ Case 4: The Getaway
This one isn’t a traditional case.
After Manfred Von Karma divorced his first wife, Bianka, he moved to Europe, and his previous home was left uninhabited until his eldest daughter, Karla Von Karma, discovers she has inherited it. She decides to turn the beachside property into a bed & breakfast, and invites her half-sister Franziska and adoptive brother Edgeworth to give the manor a trial run and let her know if it’s suitable for visitors. Edgeworth brings along Wright Anything Agency, because… why not treat them to a break?
But of course, their vacation quickly takes a turn when they find a literal skeleton in the closet.
Not all of the rooms in the estate had been searched. Manfred’s study has a large, padlocked safe, and Karla hadn’t gotten around to hiring a locksmith to open it for her. Phoenix tries “0001” for the hell of it, and the only thing more surprising than that combination successfully opening the safe is the body folded up inside.
They can’t imagine the killer was anyone other than Manfred Von Karma, but— since he’s already been executed— they’re not sure if a trial even needs to be held. They need to investigate the situation to determine with absolute certainty it was, in fact, Von Karma, because otherwise they’d need to find a new suspect. Obviously, the group of criminal justice lawyers aren’t not going to get to the bottom of it.
Except Apollo, who has decided he wants nothing to do with solving the murder. He came on this trip for a vacation, dammit, and that's exactly what he's gonna do. He heads back outside to the beach, and leaves everyone else to the investigation.
The first mystery is figuring out when the murder happened. The police arrive, and Ema estimates that the remains are about 30-40 years old, which is around the time the Von Karma family moved out. Since Manfred & Bianka had divorced in 1999, they start to wonder if Manfred had even still been residing here when the murder took place, but the body is found with a train ticket dated for January of 2002. A time period that just so happens to line up with the one singular vacation Manfred took during his entire career— to recover from a gunshot wound that he couldn’t even trust a doctor with knowing about.
The body is wearing a housekeeper's uniform, and they identify her as Ophelia Falsch. They conclude that she was killed because she had discovered Manfred’s injury, and he wanted to eliminate the witness. They think they have the case over and done with, but then Ema comes back with the dental analysis. She explains there was no dental record of an "Ophelia Falsch", but the teeth did match Bianka Von Karma.
This raises some questions. Why was Bianka dressed as Ophelia? Was there a more personal reason Manfred could have killed his ex-wife? Could Ophelia have been involved as well?
Since the murder happened so long ago, they don't even know where to begin with finding witnesses. Karla was 18 at the time of the murder, and had just moved out, so she wasn't present. Edgeworth, of all people, is the one to suggest an unconventional idea: why not ask Von Karma himself?
The manor is in a remote location that's only accessible by train or boat, and since it's late, Maya won't be able to get there until the next morning. In the meantime, they check up on Apollo, only to find him getting scolded by a woman about having his chair on the beach. She explains that she's Karla's daughter, Angelika Von Karma, and that she's impassioned about marine ecology. She just discovered the beach had become a nesting site for an endangered species of sea turtles, and is worried about disrupting it.
The next morning, Maya arrives, and Phoenix and Edgeworth hold a mock trial in the foyer. Manfred is channeled, but is uncooperative, so they try... a different method. Phoenix and Edgeworth perform a reenactment of how they think the murder happened, while Trucy and Athena watch Manfred to see if they can glean any information based on his reactions.
Manfred breaks down and confesses to the murder, but is telling the truth when he says that he didn't know the victim was Bianka; he did, in fact, think he had killed a housekeeper who found out about his gunshot wound. After this, his spirit is released.
As puzzling as this is— who was Ophelia, anyway?— they can't do anymore investigating because Karla has become very upset. The whole ordeal has caused long-repressed emotions to resurface. She's always felt a little bit resentful towards Franziska because their father left Bianka for Franziska's mother, Levina, and always felt like she had her family taken from her. On top of that, Manfred had done everything he could to get full custody of Karla in the divorce, and she never saw her mother again. She's angry that that wasn't enough— he'd gone and killed her too.
Karla and Franziska get into a big fight, and the whole trip ends up cancelled.
🚂 Case 5: Turnabout Train Car
They all board the train to head home. The mood is really awkward and it's kind of a bummer. Since the train is only way out of the area, Karla has to board as well, albeit in another car.
And because nothing is ever easy, there’s a murder on the train.
The victim was the owner of the train, Diesel Porter. He was found in his private sleeping room, and the only other room on that train car was being occupied by Karla, so naturally, she is accused.
Since Ema and the police are already on the train, they’re able to take control of the situation until the train makes it back to town. The Wright Anything Agency isn’t allowed to investigate the crime scene much, so they opt to interrogate the other odd passengers.
They get a helpful tip from the train’s bartender that Cole Porter, son of Diesel Porter, had been making plans to build a resort. They also find out that the train company had been losing money, since they weren’t getting many passengers.
The next day in court, Phoenix claims Cole killed his father to inherit the company, but Cole denies it because, why would he want to inherit a dying company? And Phoenix turns it around by bringing up the resort plans and how he wanted to build it on Karla’s property. He couldn’t just kill Karla, because then they’d have to take care of Angelika and Franziska too, so they needed Karla to feel like she had no choice but to sell it.
The trial goes to recess and Cole is apprehended for questioning, but at that moment they get word that someone else has just been murdered on the train— the bartender from before.
Phoenix goes back to the train investigate and boards when it’s stopped on the mountaintop station. While he’s investigating the train’s caboose, Cole’s wife, Electra, detaches it from the rest of the train. Cole and his wife were in cahoots! Phoenix is sent hurtling backwards down the mountain in the runaway car, and manages to pull the emergency brake just before reaching the bottom. He’s ended up back by the manor, and calls to have a boat sent to pick him up.
While he waits, he finds Angelika is still here studying the turtles. She gives him permission to go inside the manor again to investigate. He finds the deed to the house, along with an old photo that has a letter written on the back. It’s addressed to Bianka from Levina (Franziska’s mother).
The case is solved when Phoenix proves that both Cole & Electra Porter were involved in the murders. The land becomes protected by the government in order to keep the sea turtles safe, since they are endangered.
After the trial, Phoenix shows Karla and Franziska the letter he’d found. It turns out Levina hired Bianka as a housekeeper under the alias “Ophelia” so that she could still see her daughter Karla. The photo depicts a teenage Karla playing with a baby Franziska. Levina and Bianka had a good relationship, and had made efforts to keep their families together.
Karla and Franziska apologize to each other, and agree to get along better.
Defendant: Karla Von Karma
Defense: Phoenix
Weird Girl: Athena & Apollo
Prosecutor: Franziska
Detective: Ema & Godot
Witnesses: Train Conductor, Old Passenger, Tain Bartender
Victim: Diesel Porter
Killer: Cole & Electra Porter
💃 (DLC) Case 6: Turnabout Runway
Klavier has been invited as a guest judge for a fashion tv competition. He invites Pearl (and Apollo) to the shooting as an apology for accusing her for murder & because of their shared interest in fashion. "Lip sync for your life" but literally.
Defendant: Lady Killer
Defense: Athena
Weird Girl: Pearl
Prosecutor: Blackquill
Detective: Ema
Witnesses: ensemble of drag queens/models, Klavier
Victim: Taxi Macabre
Killer: Paul Rue
idk how to explain brin, but i drew this after barely drawing for months :)
brin's like, yet another background character i've decided to thrust into the spotlight? her existence is due to a writing exercise where i wrote snippets based on bdg's abba covers, and her purpose now is to serve as a vessel to explore zolaen religion in noveia. and noveais colour theory!
(red symbolizes repentence, asking forgiveness, and rebirth. white symbolizes pestilence and death.)
The feral impulse to point out every little detail you included in a piece because you’re proud of the callbacks and such you snuck in but you have to leave it so the audience discovers it themselves so you just sit there biting your fingers and staring really hard
art block is your brain telling you to do studies.
draw a still life. practice some poses. sketch some naked people. do a color study. try out a different technique on a basic shape.
art block doesnt stop you from drawing, it stops you from making your drawings look the way you want them to. and thats because you need to push your skills to the next level so you can preform at that standard
As a scientific illustrator- this is 100% true and going to review your basics will fix it every goddamn time. Not only does it keep your skills sharp, when you’re not emotionally invested in the final product of a piece, you relax and your brain makes more/better art juice for you. So, when you get back to that big/important piece? You’ll know what to do and how to do it.
Nothing in nature blooms all year round. Rest, and take care of yourself.
From @rabbiteclairclair : #i was like ‘if that’s the case then what is it for writer’s block’#i am disappointed
You know how all of us have a million drafts of half-or-less finished things on our computers? Those are your writing studies. You can retrun to those at any time (like literally, I’ve picked up things that have been in my drafts for a decade to fiddle with them)
But if none of your prior studies are appealing, you do some writing in a genre or format you usually don’t work in. Character Profiles, Strict 100-word-drabbles, chatfic, epistolary works, historical research, high fantasy self-indulgent nonsense, Smut, a new fandom, goddamn free-verse poetry if you really want to get out there- put your current project down for a nap and go try something new for a bit.
If you’re having art or writing burnout from a lack of energy, you can also just read or look at a different genre than you normally do. Read something our of your regular wheelhouse, go to an art exhibit, go from physical to digital media or vice versa. This also works for either kind of creative Block- Can’t think of where to go with the next chapter of your fic? Go draw a life study. Can’t get an illustration project to look right? Go read a new book.
Sometimes you gotta let your brain do light exercise after a major mental athletic events.
If you always write using a keyboard, try using pen and paper. If you always write longhand, try typing something up.
The most important thing is that you have to convince yourself that this is just for shits and giggles. It’s not serious, it can be dumb and incoherent and totally out there. You’re not writing, you’re just playing.
For all you worldbuilders out there, I don't know if you know, but r/worldbuilding on Reddit made this Google Doc with a ton of resources they gathered. Thought that might help some of you.
Don't you sometimes get an absolutely extrodinary, mind blowing, such an awesome idea for a story, but you just don't have enough skill level to pull it off?
Write it anyway, write it anyway, write it anyway.
There are so, so, so many reasons:
You gain that skill level only through practice. So practice.
No matter what you’re writing, no matter how badly you think you’ve written it, there is ALWAYS some audience that will love it and cherish it.
You can use what you write the first time around as a first draft and just rewrite it again later when you feel like tackling the story again!
Rewriting the same story over and over is a valid writing process. It’s literally just creating new drafts. Each iteration will be better than the last, because each is building on your growing skill and experience.
If you love the story, it will always be worth telling simply for your own enjoyment. If no one else ever sees it, that’s okay! Your art should be for you first, anyway.
