throat: fisted,
*---
He destroys better without fire, after all.
Umma gave birth to a boy that swallowed the knife and made it his tongue, and she raised him into a beast that grew his teeth into blades, too.
His spherical silence breaks when she settles on the stool next to his. His gaze is on the rust of his drink. Takes in another mouthful; he is not a design of cordiality when it’s uncalled for.
* oh sehun exists in that bar, in that very seat. and oh, how fucking dare he?
bars aren’t really her idea of a fun time. but then again, the things that get her going are superficial giggles and the belief that she’s slipping into some infatuation (and into another man’s pants in a kiss and sealing it away in her bedsheets).
liquor doesn’t come up as much of a fancy either, she is in the least control of her antics then. it’s the blurring visions and the recklessness of the dumbing alcohol that makes her teeter in the grasp of a wallet or back to her two room apartment.
but oh sehun is there, in his internationally acclaimed fame and face, just sitting there. and vengeance (to be melodramatic) or an irritant to her line of sight begs her face to contort. it’s a sneer almost.
but she doesn’t sneer, sweet, pretty girls like her don’t sneer.
seulgi is ‘virginal’, her genetic paleness and eye smiles deludes not only the men she lays a hand on but herself. she provokes carnal desire even in the deepest and most modest of pockets, a simple oh sehun isn’t a hinderance, but a conquest that once existed and dares to ignite now.
she exists to knock men to their knees and cower in her brilliance, her devil says (the one that sits on her left shoulder). the angel on her right shoulder doesn’t appear -- it’s been long gone for a while.
pride and ego, as if she is a male in the core of herself her delicate facade only exists to conquer. seulgi thinks as she saunters over, feigning some confidence and graces the stool with an ass men groan for a glance. and yet, her devil asks: ‘wasn’t oh sehun the one who even gave her confidence in the first place?’
-- well fuck.
and the pin drops, so does the petty facade (seulgi wants to laugh, but if she does it’ll hit her that it’s her being pitiful). “so, you’re in seoul, here to terrorise us again with that sick mind and dirty mouth now are we?”
cheongnam flashes almost immediately, how fucking cliche. and memories of flushed cheeks and aimless confessions that only end up tugging at her heart strings and not his. the rushing atrocity makes her want to clamp up and apologise for such biting remarks.
because she’s sitting there on that stool, next to him in her last season louboutins, and he is still imperially male and she it makes her ineptly female.










