Stop trying to get to know me, I can’t keep dodging all these questions. Fuuuckkkkkkkkkkkkk

Product Placement
art blog(derogatory)

@theartofmadeline
𓃗
Mike Driver
PUT YOUR BEARD IN MY MOUTH
Three Goblin Art

if i look back, i am lost
macklin celebrini has autism
noise dept.

#extradirty

ellievsbear
"I'm Dorothy Gale from Kansas"

No title available
he wasn't even looking at me and he found me
Cosmic Funnies
Keni

izzy's playlists!
todays bird
Today's Document
seen from United States
seen from United States

seen from Argentina

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from Mexico
seen from United Kingdom
seen from United States

seen from Australia
seen from Morocco
seen from United States
seen from Austria

seen from Spain
seen from Morocco
@3viesvib3
Stop trying to get to know me, I can’t keep dodging all these questions. Fuuuckkkkkkkkkkkkk
Help, I saw this and immediately thought of Richard.
The possibility of being gay has definitely crossed his mind but he honestly doesn’t ever plan on addressing it.
The way some people speak about Charles and the people liking him are making me sick, because honestly, I like him as a character a lot and somehow, some people always get so fed up because "he did this and that to Camilla". I get it, okay?
However, liking him does not mean you say what he did was good or anything, you just say you like him as a character, a literal concept, a story device that is interesting to look at and play around with.
Because guess what, he isn't real! He didn't do harm to anyone irl! He didn't sign the Geneva human rights convention! You can not put him in front of the International Court of Justice!
It's fiction!
not to mention the way some ppl will validate murder and bigotry, both of which in the book are deeply self-serving, but draw the line at abuse that stems directly from addiction and that says a lot abt how ppl view addiction and addicts as irredeemable creatures and treat liking and engaging with their stories as a moral failure !! which fascinates me
reminder that camilla is antsy and doesn’t like to sit still for very long!! she always likes to be doing something and i think that’s very cute
recentering genderbent tsh on this blog 💭
Henry and Francis at any given moment
tbh i think quite possibly the most heartbreaking part of the ending is that richard ends up moving back to california
when I say soemthing unfunny so I have to be crucified
the scene where bunny accuses camilla of sleeping with charles is very uncomfortable but the image richard gives us of him and francis sitting there absolutely horrified is so funny to me
Nah cus they’re my bitchy duo, I hc that whenever some outta pocket shit happens, they lock eyes for a sec like “u seeing this twin?! We’re so talking about this later.”
"The secret history" Donna Tartt
I finished reading "The Secret History" yesterday. After Francis's phrase "When I was lying in that damn tub like Marat" (page 584). I wanted to draw him with a reference to the painting "Death of Marat"
________________________________________________________________
"Тайная история" Донна Тартт
Вчера я дочитала "Тайную историю". После фразы Фрэнсиса "Когда я лежал в этой чертовой ванне, как Марат" (страница 584). Я захотела нарисовать его с отсылкой на картину "Смерть Марата"
I feel this so deeply
Upon rewatching Succession again, it becomes clearer to me that show is one which only gets better the more times you rewatch. Not just because of the reminder of how good the story is or the acting, but because the rewatch (and indeed the first time binge watch) provides a completely different viewing experience that provides you with a richer understanding of the characters and their fates. The first watch, I find, puts you into the perspective of each of the kids as you experience the show in the moment with no knowledge of what comes next (even if in the back of your mind you know the outcome will be one that amounts to tragedy). You watch and think the kids (or one kid in particular) really does have a fighting chance to be the victor. Just like each of the Roy children, you are persuaded by shiny, meaningless promises and small victories that give you illusions of hope. The genius of the show is that it does make you care and root for people who you shouldn’t root for much to your own chagrin. You get so caught up in their stories and focusing so much on the successor, that you don’t fully take the time to comprehend in the moment that you are watching them being tested again and again and coming up short every time.
When you rewatch the show in its totality, you recognize perhaps what you didn’t before: that hopes and promises are fragile things destined to break and that the small victories are outliers in a war that was never really meant to be won. You pick up on the subtleties sprinkled throughout the writing that reveal the greater depths and truths about the characters, character dynamics, and where they end up.
It is upon rewatching that you can fully comprehend that from the beginning Logan never really intended on naming any of his children as successor to Waystar Royco, even if that’s what he so desperately wanted. The company served as a carrot-and-stick with which to exercise control, and nowhere was that more obvious than with his children. If you go back to the scene where the “old guard” and the kids discuss the sheet of paper Logan left behind and the conversation between Frank and Kendall, it really cements this fact. There exists a sheet of paper which was edited at some unknown point that has a list of names with Kendall’s underlined (or crossed out depending on which side you are on—however even that argument is pointless). However, as viewers we are aware of what happens in reality, outside of that sheet of paper: Logan was constantly testing his children, and the second they failed he would turn to another and repeat the cycle both to maintain his own control in real time and preserve his legacy afterwards. At some point he accepted the conclusion that they weren’t “serious people”. It still doesn’t stop him from bringing them back into his orbit, however, even once he decides to sell to GoJo and Mattson, with the promise of responsibility and meaningless titles.
Watching the finale for the first time, you don’t fully contend with the fact that the company doesn’t go to the kids. It seemed both obvious and yet shocking and surprising at the same time. Even more pointedly, you don’t fully accept that it was never and probably could never be them until Shiv herself reaches that same conclusion in the conference room during the vote and once more when Roman dejectedly says “we are bullshit…it’s all fucking nothing man”. It’s like reading a Shakespearean tragedy for the first time: you know it will end poorly, but you aren’t convinced until the final, tragic blow has landed and you are left on the final page.
However it is only upon rewatching that you can truly comprehend that from the beginning and trace every character’s trajectory with a deeper understanding of who they are and how they got there.It was always going to end like King Lear or Hamlet: it was never going to be the kids who became successor; it would always amount to nothingness and loss with a foreign power taking control with a family ripped apart by ambition and competition. But by god does the show do a fantastic job of making you think otherwise throughout its epic run.
you know you're cooked when you start feeling like bunny writing his fuckass metahmerlaism essay
i finished the book and opened the meme app one second later
Richard wanting to be an orphan as a child bcs he thought it was more aesthetic 😭
He thought it’d be more dramatic and aesthetic than his “bland” parents 😭