Look For The Light; CanonAbby! x reader, apocalypse au!
Synopsis: You and Abby used to be best friends back in the Fireflies, but after her trip to Jackson, she makes it clear she no longer seems to even like you anymore. However, her actions keep stating otherwise...
Warnings; Best friends to enemies to lovers, smut, switch Abby!
-
Tis The Damn Season; CanonAbby! x reader, apocalypse au!
Synopsis: You and Abby have always loved each other, but grief, time, and circumstance have separated you both. After you bump into her unexpectedly in Jackson, can you reconcile? Can you still accept her after learning what happened in the lodge?
words: 2k
warning: 18+, angst, intoxication, blood, pining
synopsis: abby is handling your break up with alcohol and fists. when she turns up at your door drunk and hurt, you're the only one who can put her back together, even if it means you're falling apart.
tags: @hakandnsjoqmsn @abbyily @mamas-evil-hag
A knock at your door at three a.m. isnât all that unusual in the WLF, but it never gets any easier to haul your ass out of bed when youâre still half asleep. You open the door and wish you hadnât, stomach dropping at the sight on the other side. Abby, draped over Manny, peppered in bruises from her face to her knuckles and sporting a lazy, drunken glower.Â
Your throat is dry. Youâve barely seen her since the break-up, and of the two of you, sheâs the one who holds her shit together day in, day out. Youâre supposed to be broken, not her.
And you are. Just not like this.Â
âYou gonna let us in before my damn shoulder falls off?â Manny demands, and pushes past you without permission, Abby staggering at his side. Sheâs mumbling something unintelligible. God, youâve never seen her like this. You donât know what to do, what to say.
âWhat happened?â you ask weakly.Â
âHad too much to drink and picked a fight with half the night watch.â Manny throws her down on the bed. Your bed, and she hmphs as she rolls onto her back.
Usually, she saves the fighting for the front lines and, despite what people think, she doesnât enjoy using her fists unless she has to. This isnât her. And you think maybe itâs your fault.Â
âWhy⊠Whyâd you bring her here?â
ââCos about the only thing sheâs said that makes any sense is your name. Put her out of her damn misery. And me. I need sleep.â He attempts to leave, and youâre quick to stop him.Â
âManny, wait. You canât just leave her here!â
âYour girlfriend, your problem.â
âSheâs not myââ The door is slammed in your face before the sentence is finished, and you shoot it the middle finger before whirling back around to your not-girlfriend.Â
He was right. She is saying your name, a lot.Â
Your breath sticks in your throat as you grab a glass of water and go back to her sprawled form. It wonât be enough; youâre going to have to clean her bloody lip, and probably get her out of the clothes sheâs wearing, the damp patch on her chest reeking of vomit.
âJesus, Abby,â you whisper softly. âWhat am I going to do with you?â
Her brow puckers at the sound of your voice, lids fluttering open to hooded slits. Your name again, this time a question.Â
âIâm here. Can you drink this for me?â
At the glass pressing against her mouth, she groans, but you force her head up.Â
âCâmon. Gotta sober you up a little.â
âDonât wanna,â she slurs.Â
âDonât be a baby.â
âUsed to be your baby.â
You pause, grip around the glass tightening until your knuckles are white. You think, or at least hope, she isnât trying to hurt you on purpose, but it still cracks your chest open to be reminded of what youâve lost. You miss her like hell, at least the version of her you know. This is a stranger.Â
âDrink,â you say again, more forcefully now. When she clamps her mouth shut, you huff again. âAbby, please. For me.â
âTha's not fair.â But she does, for you, gulping down half the glass. When she retches, you think itâs going to come right back up, but she swallows thickly, face crumpling. It must hurt one of her injuries, because a clumsy hand rises to her temple. âShit. DâI get hit by a truck?â
âNo, just a couple fists. Apparently, youâve been busy fighting. Whatâs that about?âÂ
âNight watch âre assholes.âÂ
Well, thatâs true, but Abby can usually handle assholes. As one of Isaacâs top fighters, she doesnât need to stoop to their level. Walking past them with her head high, a subtle glare their way, is usually enough.Â
You make to go get a cloth, but then her fingers are coiled around your wrist, rough and tight and desperate. âDonât go.â
Another fracture behind your ribs. You perch on the bed to brush the sweat-matted strands of hair from her face, tutting at the mess her braid has become. âIâm not going anywhere. Just need to clean you up.â
And then she tries to kiss you.Â
You pull away against her sour breath, a hand pressed to her chest to keep the distance between you. Tears are welling in your eyes, throat filling with sand. âWhat are you doing?â
âCâmon. Miss you so bad. Please. Please, just kiss me, baby. I need it. Need you.â She cups your jaw, and you flinch. This isnât how itâs supposed to be, and you donât like it.Â
It isnât fair. Youâre trying to move on, forget, and sheâs here, sad eyes and pink pout, making it impossible. And you canât say so, because you canât talk to her like this. Sheâs not even here with you â or maybe sheâs only here with you, and everything else has been forgotten, which is just as bad.Â
You pry her hand away, force it back to her side, shaking your head. âWeâre not doing this tonight. Iâm gonna clean you off, and then youâre gonna sleep it off. Okay?â
Her face crumples, but she mumbles an okay, sinking back against the headboard hard enough to leave a crack in the plaster where the wood meets wall. You turn away for a minute, just to compose yourself, because youâve missed her, too. So badly. And all you want is to whisper that itâs okay, that sheâs okay, but it isnât your job to take care of her like that anymore, and this is the best you can do without breaking.Â
You search under your bed for one of her old shirts and drop it in her lap. âWear this. You smell like shit.â
Her eyes close. Youâre losing her.Â
âAbby,â you beg, and you can't help it. You cup her cheek, right after you just told her not to do the same. She nestles into your touch, humming. âAbby, donât go to sleep yet.â
âWhy?â
âBecause youâre full of blood and vomit.â And you know thereâs no way that sheâs cognisant enough to change her T-shirt. âAt least lift your arms for me.â
When you pinch the hem of her tank top, she manages to throw up an elbow that quickly falls to her side again, making your job harder. You manage, somehow, stripping her down to her bra. Itâs a strange sight, her sturdy muscles matched with the mess sheâs made. Bruises litter her toned stomach, writhing with heavy breaths, and you squeeze your eyes closed. You hate this. You hate her, a little, for making you see it â but youâre also glad itâs you. Nobody else would take care of her properly.Â
It has to be you.Â
âWâs wrong?â she asks.Â
âJust donât like seeing you hurting.â The shirt is pulled over her head, mussing her braid even more as you wrestle her arms into the sleeves. You decide to untie it, blonde hair kinked as though it wants to stay put as it cascades down her back. You rarely get to see it this way, only ever after sheâd taken a shower. Sometimes, after a long day, sheâd ask you to braid it for her, and youâd take your time weaving the sections, never able to get it quite as neat as she does.Â
ââM fine,â she lies, but thereâs a tear on her blood-spattered cheek.Â
You put her feet in your lap to untie her laces and peel off her boots, slipping them under your bed. She nestles further into your pillow. This time, you donât bother to tell her not to. Maybe it will be easier if sheâs asleep.Â
She doesnât protest when you leave to grab a damp cloth and some alcohol wipes. You kneel beside the bed, cleaning her face of the blood with a soft touch. When you near her mouth and she winces, youâre quick to whisper a âSorry, angel.â
Because youâve forgotten, for a moment, that she isnât yours anymore. That you donât get to call her that.Â
âNever gonâ be pretty enough for you now,â Abby mumbles, a hint of mirth dancing in her voice.Â
âShut up.â You linger longer than you should, unable to keep from tracing her pronounced cupidâs bow until her pout dissolves just a little.Â
She says your name again, always your name, trying to touch your face. You stop her, intertwining your fingers instead.Â
âWhat? What do you need?â
âYou.â
âIâm here.â
âNot.â The crease between her brows deepens. âYou gave up 'n us.â
The accusation is breathed softly, but it cuts through you all the same. You drop her hand, turning your back to her as the first sob rises in you. You can just about trap it, digging your fingernails into your scalp in an attempt to compose yourself.Â
âIs that why you drank yourself stupid?âÂ
âYâre mad at me again. Always mad at me.â
âGo to sleep, Abby.â
You feel the mattress shift, feel her eyes burning into your back. And then her fingers are tracing the knots of your spine, and you want so badly to give into it. âPlease, baby. âM sorry.â
âStop it,â you snap, because if she keeps talking to you that way, if she keeps saying your name when she can barely remember her own, you donât think you can keep this rift between you. And you need it. You need to protect yourself so she canât hurt you again. Because she did hurt you. She changed. She stopped talking to you, stopped asking you before she threw herself into battle with the Scars. And she went to Jackson after you asked her not to. She came back with more blood on her hands than was right. She stopped sleeping, started taking more assignments, anything so she wouldnât have to think or talk about what she did.
It was no way to live. But then, neither is this.Â
Abby whimpers, like the distance between you is a burn. âJust lie with me. âS all I want.â
âYouâre not being fair,â you hiss out. âIâm trying to get through this, too â and not with drink and fights. Not by turning up at your door and begging.â
She tries to sit up. Fails. âI⊠just⊠I dunno how else toâŠâ Her face crumples. âFuck. Fuck, I made it worse. âM a fuckin' piece of shit. I am.â
You want to tell her not to say that, but if you open your mouth, youâre not sure what will come out this time.
For moments, itâs silent. You think that sheâs asleep and finally let the tears fall into your hands, shoulders wracked with silent sobs.Â
Only she isnât asleep. When you finally stop and turn to her, her face is stained with tears, too, and her hand is outstretched like she wants so badly to touch you again. Sheâs not looking at you, just at her split knuckles with something like hatred in her eyes.Â
Itâs worse than anything else youâve seen tonight.Â
And there, that yearning to take care of her opens up bigger than ever. You drag the cloth over the ruined skin, then wipe away her tears with the back of your hand.Â
âSleep it off, Abs,â you say again. âWeâll talk in the morning.â
âDonât hate me. Please.â
âI donât hate you, angel. I could never hate you.â You wish it wasnât true. Hating her would be so much easier.
But in the end, you know her heart too well. You know that this is suffering, and that you caused it, at least partly. You know that sheâs haunted by what happened to her dad, and that doesnât make her a monster. It just made her unable to give you the love you yearned for.Â
The love that is here now, lying between you like a third body. It didnât go away. It never goes away.Â
So you donât, either, shuffling to sit beside her so that she can rest her head against your stomach. You play with her hair, and she moans like she used to, and you wonder if you made a big, big mistake in letting this go.Â
Especially when she whispers, âStill love you.â Drunk and half-asleep and broken beyond repair, and all she can do is love you, still.
i donât understand how anyone who has played or enjoyed the games, enjoys hbo abby. they have fucked her character completely. if the writing was done appropriately for her character i donât think nearly as many people would be pissed off about physical attributes. but they have robbed abby of everything that she was fundamentally and that shit will never sit right with me. game abby, sweetheart, iâm so sorry theyâve done this to you.
I swear I thought I dreamed her; she never asked me once about the wrong I did
CHAPTER I - POINT CONCEPTION
(post Santabarbara) abby x fem!reader: they say the ocean delivers and destroys. when a blonde, bloodied girl washes up on the shore of your lighthouse, she changes the tides of your life. What will remain when the storm settles?
masterlist // series masterpost
wc : 1.4k
cw: canon typical violence, descriptions of injuries, blood, angst
an: this took wayy too long for something this short lmaoo. taglist is open <3
divider creds: @/cafekitsune, @/saradikagraphics
The sun has long abandoned the shores of the âCape Horn of Californiaâ. At least thatâs what you think itâs called. Was called. The tourist flyer you found had been rotting by the time you found it, all those months ago. Now the waves rise like jet columns, scraping the rock outcrop and rendering the atmosphere in lines of smog and salt.
The vantage point of the lighthouse is far from luxurious, but you wouldnât trade its safety for anything. Your lamp casts its uncertain light across the beams of the ceiling, providing a low-resolution lens for your nightly watch.
Waves rise in practiced motion; nothing unusual. Sprays of salt, swirling clouds, shifting debris, a silhouetteâŠ
You blink. The ocean is the primordial trickster, using your solitude and paranoia against you. This you know too well. You squint, binoculars pressed to your browbone. But the figure remains, only gaining clarity as you stare. Dark clothes, pale skin, close shorn hair.
A body.
The binoculars clatter to the wooden floor.
You run.
8 months ago
The sand is hot shattered glass under your feet, kicking up as you dash across the beach. The gunshots are still ringing in your head, even though theyâve been left miles behind. First came the wolves, then came the snakes.
Will the feeling of being chased ever leave you?
You climb over the barricades on shaking legs. One upward glance tells you why the area is abandoned. The rock outcrop stretches like the form an old sea god, imposing and unforgiving. Steep black and brown walls form a fortress, the lighthouse its tall watchtower at the centre.
You know that your hopes of salvation lie dead on the shores of Seattle. They were shot through by the men in uniforms, and then left for the Wolves. But as you see the tower, its tall walls and the complete lack of any other life around it, you almost sob in relief. If I cannot have salvation, I will have safety.
Youâre heaving by the time you make it to the lighthouse entrance. Bloodied knuckles clutch the doorframe, looking into the darkened room. Thereâs no sound, save for the howling wind. Your sight tunnels as you see a staircase.
Itâs only after you make it to the very top of the lighthouse that you allow yourself to look around. The giant Fresnel lens in the centre of the room is covered in grime, cracking from years of exposure. The glass panels of the room have been left open, hinges rusting red. The salt air stings your open cuts as you look out. Hurting and healing.
All around you, the wasteland of the West Coast stretches far and wide.
The waves lap at the girlâs limp ankles.
You approach with a mix of weariness and urgency, pistol in one hand, a lantern in the other. Thereâs no sign of movement. Youâre not sure if you should be relieved or horrified.
As you come closer, the darkness moves and shifts under the light, revealing the girlâs form. The close shorn hair is darkened by water, but you can tell it would blonde otherwise. The figure looks emaciated, muscles frail and sunken under the skin. Large lacerations litter almost every surface.Â
You place the lantern on a rock, bending down to turn the body over.
You brace yourself for the worst.
And you certainly get it. The skin is gaunt and sallow, sand covering her forehead and cheeks. The eyes are open a fraction, no doubt in delirium, eyeballs moving wildly behind the lids. You think you catch a glimpse of blue, but the darkness makes it hard to say for certain. Alive, then. At the very least.
Your eyes drift towards the fishing boats docked near the edge. A deep sigh reverberates through your lungs.
Is this a bad idea? Probably.
You grab a fishing net regardless.
In Abbyâs nightmare, a statue of Saint Mary burns on a pyre.
The woods around her are on fire. Smoke rises, a black cloud that blots out the sky. All paths before her are covered in smog.
When she turns around, the hospital lies in ruins.
When she looks down at her hands, they are red and bloody. She knows itâs her fatherâs blood.
When she looks up, the smoke is not really smoke at all. The swarm of fireflies surround her, the blinking lights blinding her. The press of hundreds of small flying bodies crushes her from all sides.
Sheâs rooted to the ground, feet planted. She swings at the cloud of fireflies blindly, the knife cleaving through the light.
But itâs no use. As one crowd of the fireflies are dispersed, another emerges in its place. Abbyâs lungs are wracked with sobs. Her arms thrash, desperately fighting a relentless hydra of blinking light.
In the distance, Abby can hear the howl of wolves.
She screams till her voice resembles theirs.
Your knife slices through the tattered clothes, reducing them into strips of fabric. Theyâre too far gone to be worn again, so you might as well put them to good use as kitchen rags.
The lighthouseâs living quarters are silent as usual. But this time, the slight but steady sounds of breathing join the white noise of the crashing waves outside.
 Itâs been three days since you hauled the mysterious woman up to the lighthouse. In retrospect, you wonder just how ridiculous you must have looked; a fishing net wrapped around the body to give you leverage, and then you huffing and straining to bring her up the stairs, muttering sympathetic âsorryâs whenever you accidently knocked her head somewhere (not that she had the consciousness to even realize what was happening)
She now lies sprawled on the sofa in the living quarters. Youâve done the best you could with the resources available to you. Theyâre limited, of course. The surrounding areas have been picked clean by you months ago, and venturing out any further was a death sentence. One you are all too familiar with.
A clean shirt and pants cover her haggard form. Her hair is as clean as you could get it. The short tufts of murky blonde hair glint with lighter highlights, no doubt due to all the sun exposure. The womanâs skin has regained some colour, the bruises starting to turn tan and brown at the edges as they heal.
You place your knife on the wooden box you use as a makeshift coffee table, inching closer to the sofa. Your gaze travels over her, silently inspecting the state of her injuries. The major lacerations have been bandaged painstakingly. Your joints hurt as you remember that night, your body heaving with exertion as you attempted to manhandle her around in the effort to patch her up. Despite her cadaverous appearance, itâs clear that she had once had a formidable build. Â
The thought should scare you. Her wounds are not caused by rocks or the elements, that much was obvious. Most of her injuries are marked with intention, cuts clearly made by some sharp object; the remnants of an attack, perhaps even a close-range fight. This woman could be a soldier, probably is. But your concern always seemed to win out in the end. The thought of leaving her out there caused your heart to constrict painfully. It would be inhumane.
You turn away, the very thought annoying you. That word, those morals are from a time long gone. You walk over to the window instead. The womanâs breathing becomes more laboured, her eyes moving wildly behind her lids again. Sheâs been drifting in and out of consciousness for the past three days, so you pay it no mind. Itâs surprising that sheâs even alive, and you werenât exactly expecting her to be in perfect condition so soon. Must be a nightmare.
You turn your back on her, gazing over at the waves. The sun stands proud at midday, the heat causing a slight sheen of sweat to gather on your forehead. The water glitters, deceptively beautiful. You breathe deeply, wondering what you should make for lun-
The cold blade of your own knife presses into your back, the threat hovering over the thin fabric of your shirt. Your breath freezes in your lungs. All the warmth of the sun seems to flee the room with the speed of a gust of wind.
The womanâs voice is raspy, the danger in it unhindered.
Synopsis: You and Abby have always loved each other, but grief, time, and circumstance have separated you both. After you bump into her unexpectedly in Jackson, can you reconcile? Can you still accept her after learning what happened in the lodge?
The air was frigid in Jackson, the settlement heavy with snow. You had been returning with a patrol when you spotted a woman running past you, clearly trying to catch up with her crew up ahead. Curiously, you followed. Strangers were rare in Jackson.
And so maybe it was fate when the woman had stumbled, nearly falling off the nearby precipice, when you grabbed her hand, hauling her up.
Whatever words you had planned to say next died in your throat upon seeing the womanâs face, your heart pounding as your gaze met familiar green eyes.
âAbby..?â
It was like all the memories just came flooding backâŠ
-
âI ran to the operating room and he was..â Abby sobs. You hold her in your arms, gently smoothing the flyaways out of her face. She continues, âHe was dead, just lying there. I kept screaming, Dad wake up, but he couldnât..â
âIâm sorry Abbyâ You say softly. Abby just clutches onto you, arms tight around your waist. âHe loved you, itâs not your fault, you didnât know-â You murmur, trying your best to comfort her.
âI hate that he left me.. That heâs dead⊠what am I supposed to do now?â She asks, lashes wet with tears. âIâm gonna find whoever did this and kill themâ She says darkly.
âI donât know if thatâs a good idea, we donât know who it was. Why donât we just stay here for now? Weâll figure it out, together.â
Abby nods at your words, and then breaks into sobs again, unable to stop. You stroke her hair, tucking the blankets a little tighter around the two of you on the couch. Nothing could go bad as you were together.
Nothing.
-
âY/n?â Abby asks, confused as she gets up. You stare at her, mentally cataloguing all the differences. Her cheekbones are more defined, her eyes are colder, sheâs several inches taller, and more muscular.
âWhat are you doing here?â You ask in return, noticing the blood on her shirt. You grab her arm, concerned. âAre you hurt?â
Abby blinks, taken back, but she doesnât step away. âNo.. itâs not mine.â She says, eyes darting to the ground. Her demeanor seems more distant, yet more sad, than you remember.
âI was supposed to be with my crew⊠but-â Abby looks off into the distance, not a trace of her crew left. âFuck.â She swears, clearly at a loss for what to do.
You look at her, the settlement not too far away. âYou could stay with me, Iâve got a cabin in Jackson. Thereâs a nasty storm coming.â I nod to the quickly darkening sky.
Abbyâs eyebrows are furrowed, clearly torn. Her gaze darts to the horizon, scanning, before she sighs, turning back to you.
âOkay, just for tonight..â Abby says.
You head down to the settlement, making your way towards the cabin, hearing shouts as people race past you towards the lodge nearby.
âThey fucking killed Joel!â A girl shouts, and you turn your head to look, but Abby grabs your arm, wrenching your gaze away.
âHow much farther? Can we hurry?â Abby says, looking around furtively. You oblige, despite the sinking feeling you feel in the pit of your stomach.
âWhat did you do?â You ask, once you two are safely inside the privacy of your cabin. You kneel down to start a fire, bathing you both in a warm glow.
Abby stands awkwardly, shifting her weight. For the first time since youâve seen her again, you catch a glimpse of your Abby, some echo of 17 year old Abby coming through.
âI⊠it was for him. My dad.â Abby says heavily, sitting down on the couch. You sit down next to her, hesitant to press her.
âIt was you. You guys killed⊠that Joel guy. You and your crew, in the lodge.â
Abby looks up at the mention of Joel, her eyes meeting yours. Theyâre fraught with a mixture of emptiness, anger, and sadness.
âYes.â
You look at her for another second, still searching her eyes. Thereâs a little bit of hope resting in them, as if she still longs for your acceptance, even after all this time.
âItâs okay.â You say simply, rubbing her shoulder. âBut, can I ask you something?â
Abby nods, her expression tired.
âDid it make you feel any better..?â You say softly, leaning towards her.
Abbyâs mouth forms into a thin line, trying to speak, just before her face cracks, her body racking with sobs. Old habits kick in, and you draw her into your arms, her feeling weirdly familiar despite the obvious changes you two have been through, physically and not. She wraps her arms around you, head resting on your chest as she cries.
âNo..â Abby whispers, âit didnât.â
She pushes out of your arms, face darkening. âIt was supposed to make me feel better- the last 4 years wasted, training to kill fucking Joel Miller..â She trails off angrily, looking past you.
âYou need to grieve, killing Joel was never going to give you the kind of closure you needed.â You say.
Abby just looks at you, her gaze hardening again.
âI donât know. I just.. I just need to be alone.â
You understand, and nod, swallowing as you get up.
âIf I leave you alone, promise me you wonât leave?â You ask, voice cracking a little.
Abbyâs eyes seem to soften. âI promise.â
You leave her alone on the couch, staring into the fire, slipping softly into your bedroom. Maybe sheâd be up for more talk later.
-
Abbyâs quiet when you come out of your room a few hours later, and you prepare some stew for you both to eat. When youâve finished ladling the soup into your bowls, you walk over to her, prepared to deal with an emotional Abby, but sheâs sound asleep on the couch. You put the bowls down on the table, kneeling next to her.
Asleep, Abby looks much like her younger self, expression so much more peaceful than it did when she was awake. Youâre unsure if to wake her, feeling she probably needs the sleep, and shift to get up.
An arm reaches out to stop you, Abbyâs grip gentle as she holds you.
âWait.â
You stop, kneeling back down, curious.
âI made you stew-â You say, gesturing. Abby sits up, blinking the sleep out of her eyes.
âIâm sorry for earlier⊠It's been hard, without my dad. Without you.â She admits, looking away at the last part. âI was angry about losing him, and got so bent on revenge⊠but I also felt angry about losing you, even if you werenât dead. You could have been. May as well been.â
Your chest physically pains you, as you hear her words. The hurt in her voice is the same as the kind found in yours.
âAbby I didnât want to leave Salt Lake City, the Fireflies disbanded after the massacre in the hospital⊠my family wanted to leave- and I.. you know I would have stayed if I could. I would have.â
You reach out to her again, hand resting on her knee, and Abby stares at it for a moment before putting her hand over yours.
âI needed you there..â She says, a single tear escaping again. âAnd you werenâtâ
You get up, sitting beside her again. Your words come out hoarse, holding back tears at the sight of hers.
âI know. Iâm sorry. I never wanted to be without youâ I say. âI canât make up for lost time, I know that⊠but weâre together again arenât we? Maybe I could accompany you wherever you go next..â I suggest softly.
Abby looks at you, her eyes a few shades brighter, smile watery.
Idk y'all, I just don't think meaninglessly breaking up one of gaming's most formative wlw couples with little to no explanation is really the move. In today's media climate especially, when it feels as though all the doors Max and Chloe helped open are suddenly being slammed shut again... Whine about the validity of bae vs bay, doomed narratives, trauma-bonding, and ill-founded time traveling anxieties all you want, Pricefield is a pillar of the queer games community, a significant moment in history, and destroying it has an impact. And I think people affected by that impact are allowed to be mad about it.
â§ kisses with abby â abby loves when you kiss her, the second sheâs woken up, to kissing her before work, or at random times throughout the day when youâre near her. no matter how long youâve been together, or how far apart youâve been for the day, it always has her cheeks flushed and a shy smile creeping up on her face when you randomly plant one on her face, her lips, or even her shoulder. she loves them all, no matter how short or long they are. but her absolute favorite? the one she cherishes deep in her heart? the morning one and forehead kisses. abby loves waking up in your arms, the feeling of your fingers tracing light patterns on her cheek, and the softness of your touch always has her burying her face deeper into the crook of your neck and holding you tighter. no matter the time, abby can guarantee youâll be there whenever you're awake, planting soft kisses on her forehead as you thread your fingers through her soft blonde hair. the gentleness of your hushed whispers, the i love youâs and youâre so beautiful, against her skin always has her melting more into your arms, but not as much as when you kiss her entire forehead. half she time she acts asleep, but sheâs really not. abby looks forward to waking up to you kissing her, she looks forward to seeing your tired smile the second her eyes flutter open. your favorite part is when you stop, and abby only has to huff, roll her eyes, and whine, then ask you to continue with a sweet please at the end.Â
youâd do anything to see her smile and to see her happy. the whining and begging for you to carry on is just a little bonus you love to tease her about when she says sheâs not needy for your kisses.
lis fans: I CANâT BELIEVE THEY TOOK PRICEFIELD FROM US
me, who picked the bay ending at the ripe age of 15 as a pricefield fan because I understood the importance of letting go and how it ties into the themes of life is strange: wow thats wild
The theme of Life is Strange is that there is no right choice. Everything has a butterfly effect. You make the final choice, Bay or Bae, you get to choose. Both are morally questionable, and if you believe saving Arcadia Bay is the way, then go ahead. If you want to save Chloe and have Pricefield live happily ever after, by all means.
A sequel was NEVER intended by the original developers, DontNod was clear on this. Double Exposure isn't a "gotcha! I chose the right ending!" moment, it's a game fueled by corporate greed using the legacy of the original game.
Decknine purposefully lied, saying they respected both endings because being honest about the fact that they only honored the Bay ending doesn't translate well into sales. Furthermore, they shouldn't be trying to retcon the original game, the way they've missed the mark on Chloe's characterization and the Pricefield breakup is abysmal.
So. We have a clip from Max's journal that is out now that shows lackluster art, dialogue from Max and Chloe, and is basically Chloe teasing Max that they should have a threesome with some rando guy. And on the surface it's idiotic and stupid (and part of Deck Nine's efforts to demonize Chloe and break up Pricefield so people will ship Max with Safi). But if you know anything about LiS...
Let's get this straight. (Because neither Max nor Chloe are straight.) Chloe Price, the young woman who freaked out because her mom started flirting with an in-your-face ex-military type within two months of her father's death and married said asshole probably within a year of William's death (and definitely in canon married Joyce before Chloe's 16th birthday), who threw a huge fit upon hearing her not-quite-girlfriend Rachel Amber was sleeping with their drug dealer (and not just a one-and-done deal), and who Rachel Amber herself describes in a note to Chloe in giving the "stink-eye" when Rachel flirted with guys, this Chloe Price... suggested having a threesome with some random guy.
Chloe Price is not fucking Rachel Amber. She has abandonment issues, she is possessive as fuck, and she is fucking loyal. Even after learning about Rachel cheating on her, Chloe still wanted to find Rachel rather than just write her off. This girl can give dogs lessons in loyalty to those she loves.
I said this in previous posts. It is clear that Deck Nine is doing to Chloe in the Bae setting what they did to Max in BtS by making her into someone she is not and setting up a reason to hate Chloe so they can push their new ship. It is shoddy and sophomoric writing that fails to capture the character as she was previously established. It is the worse aspects of fanfic writing. And in fact, the majority of fanfic writers are better writers than these hacks.
everything i hear about double exposure and pricefieldâs possible break up hurts me so much because what do you mean. What do you mean These Two broke up. it doesnât make any sense
âmaxâs newest adventure being as hesitant about its LGBTQ+ themes as the first game was 10 years ago, they will be pleasantly surprised.â yes, i am??????? donât nod entertainment has posted pricefield on # national girlfriend day, they concluded the pairâs ending with the fact that they are staying in US after the storm and now Lives Together. max has always been open on how much she liked chloe. they heavily agreed on never leaving each other. they heavily agreed on never leaving each other!!!!!!!!!
The way Decknine continues to shit on Pricefield players by revealing that they broke up if you chose the Bae ending and changing the interpretation of DontNod's postcard in LIS2 is sick. Also, Chloe is now into Victoria for some reason??? On top of all that, you're forced to romance Amanda after Max reveals Chloe is either dead or that your relationship was just "high school sweethearts" after being together 10 fucking years. Ridiculous.