working on my next book
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art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
we're not kids anymore.
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Discoholic 🪩

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if i look back, i am lost
almost home
Not today Justin
The Stonewall Inn
Cosmic Funnies

bliss lane
YOU ARE THE REASON
$LAYYYTER
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wallacepolsom
let's talk about Bridgerton tea, my ask is open

#extradirty
Monterey Bay Aquarium

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@afkonst
working on my next book
Artwork for 'Guinevere and Lancelot & Others' by Arthur Machen, 1986 (Stephen Fabian)
Yulia Sidneva
William Etty's Male Nude, with Arms Up-Stretched (1828) revamped by Astra Zero
History lesson coming up:
William Etty was a York-born (English) artist, who was instrumental in saving our medieval city walls. My city is Roman in origin, the frontier of the Empire, Eboracum, occupied later by Saxons, then Scandinavian settlers (Vikings), then expanded by medieval occupation. It was home to the first railways, the Rowntree (kitkat, smarties, etc) and Terry's (chocolate orange) chocolate empires... it is still surrounded by its medieval city walls and gates.
Early in the 19th century our City Fathers decided we didn't need the walls anymore and plans were laid to dismantle them. There was a group of folks who didn't agree, William Etty among them, so legend has it he held an exhibition of his work...namely nudes...and instead of charging people money to see them, he insisted they sign his petition to save the city walls. Whether this is true or not is debatable, but Etty is known for his controversial painting. At the time it offended sensibilities... yeah, right. He was popular for his *talent*, I'm sure. However, exhibition or no, he used his wealth and influence to lean on the council to change its mind, and we still have our walled city today because of his influence.
This painting isn't by him. Its by this guy...
This is Etty's original, but the nudes thing still stands. He drew quite a few.
Illustration by Ivan Bilibin.
The Clockwork God tightens his "corset"
unfortunate that none of the ideas i have for Sil feature his face, but i am quite satisfied with this being my first time drawing him properly. I didnt try to make the spine prosthetic make sense or anything as my priorities was to get the material right and to just make it look cool.
Im interested in Sils rejection of the "flesh" by replacing it more and more with tech, both for himself and his followers. I also have the headcanon his arm was amputated from his injuries in the Ald Sotha tragedy (reason behind the scar), later causing him back problems from improperly fit dwemer prosthetics. I can never let this guy have a break so i also imagine he had some debilitating illness (eg. cancer) leading up to the Foul Murder, its the reason why he was so tempted to use the tools besides just being curious as Sil genuinely just wanted to survive, also why hes so desperate to replace his body with machinery.
also sorry for my increased absence as im very busy and exhausted with uni assignments, i will also be missing for a few weeks in June due to mandatory summer practice
oh and have in mind im not as knowledgeable about Sil as i have not played eso (likely never will) only watched a playthrough of the clockwork city dlc, havent read the truth in sequence either, so bear with me if i make very "contradictory" headcanons here
1 close up:
we gotta get back into revolving bookcases i'm begging
truly we allow the pinnacles of human achievement to wither and collapse into ashes in the wind
acrylic, canvas 50*60 cm "memory from the past" 2025
i hate the quantity of details on his clothes
Art by • Sean Äaberg
Bursins, Switzerland 1862
Georges Barbier (French, 1882-1932)
The lyre player, N/D
Ink and Watercolor
Knight and Midsummer eve (happy pride 🏳️🌈)
now available as prints and as at-home print files
The Dragon's bride