Yuko Nakamura (Japanese b.1971), Black Cat, 2021, Cloud-skin hemp paper, rock paint, water dried wood, ink, glue, bowl, kikin
i don't do bad sauce passes
One Nice Bug Per Day
Monterey Bay Aquarium
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ē„ę„ / Permanent Vacation

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if i look back, i am lost
Today's Document
2025 on Tumblr: Trends That Defined the Year
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@afkonst
Yuko Nakamura (Japanese b.1971), Black Cat, 2021, Cloud-skin hemp paper, rock paint, water dried wood, ink, glue, bowl, kikin
Witness my Act and Deed (1882) by British painter Frank Paton
March - May BathHouse-war-Dolls + Scolopendra knight
B. Moyer ā "Dream of Me" (blacklight poster, 1968)
Oyster mermaid~
ah fuck, so sorry maāam-
Coronet (2023) oil & acrylic on linen
Instagram: @ suhaylah.h Shop: suhaylah.bigcartel.com Patreon: patreon.com/suhaylah_h
Mephistopheles and Faust by Harry Clarke, illustration for Goethe's Faust (1925).
"But NORMAL People's Bodies Didn't Look Like That!" ...right?
Some of you may have seen my post about Baroque artists and their realistic depictions of human bodies as having skin and fat.
I've had a lot of negative and frankly fatphobic comments on that post, calling the people in the paintings "fat" and "obese," mostly along the lines of this:
"It's because the artists are depicting rich people, who were fat and lazy. Normal people didn't look like that!"
The idea, of course, is that these artists wouldn't have ever drawn bodies that looked like those in the Baroque paintings, if they weren't painting super-rich people that stuffed themselves with food all day.
Supposedly. We'll see how well that holds up.
Today I was in the library looking at a collection of drawings by Albrecht Dürer, and learned that in the early 1500's, Dürer tried to put together essentially a "how-to-draw" book, showing how to draw people. His work was controversial, because of his technique of "constructing" figures using rules about proportions. (A quick and easy method of inventing realistically proportioned bodies out of thin air? Cheating!!)
However, in his "constructed" drawings, Dürer had to figure out how to handle the range of variety in bodies, and ended up breaking down how to create a variety of body types in correct proportions.
I'm showing the women, to contrast with the post on Baroque paintings. Here are some of his drawings that I thought y'all should take a look at.
These are a couple of his more "average" womenāthe one on the left is from his drawing book, and the one on the right is one of his drawings.
Here's a "strong woman" and "A very strong, stout woman"
This is what he refers to as a "stout woman."
Here's where it gets interesting: this is what Albrecht Dürer refers to as a "peasant-type" woman
^That. That's what a "peasant" body type looks like.
He labeled this one "A peasant woman of 7 head lengths"
in case you missed it: this figure drawing by a guy in the 1500's is literally labeled as being of a peasant woman! this is what a "peasant woman" body type looks like!
He did draw similar amounts of thinner figures, but they're not particularly emphasized over the "Strong" and "Stout" figures. Nor is there exactly a "default" figure. He's just...going over the range of variations that there are?
Here's another "stout woman," covered in notes on how to draw the proportions:
now that's too technical for me to make any sense of but
this was in the 16th century!! This body type was apparently not incredibly rare in the 16th century. This body type was important enough for you to be able to draw, as an artist, in the 16th century to be handled in detail in a 16th century artist's drawing advice
In conclusion: yes this is just what people look like, yes it's important to know how to draw fat bodies, even this dude from the early 1500's is telling you so, Die Mad About It
all of this is from "The complete drawings of Albrecht Dürer" by Walter L. Strauss
weight
wave studies
Hey, so, here's a bunch of alternative covers for the 3rd (and last) volume of "Les Songes du Roi Griffu", the french fantasy comic series I've been drawing since 2020.
@zenorae worked on this last volume with me, and I couldn't have asked for a better partner in this final stretch of the journey. We did illustrations n°3 and 4 the way we did the book : I did the thumbnails, she did the sketch and I did the inks.
Italian palace at dusk (Ferdinand Knab, 1893)
Jean Giraud - MÅbius illustrates Danteās Paradiso (1999)
recent commission
Trying to figure out how to draw armour. These are some of my notes I uploaded on patreon. A lot more to come since I really want to figure this one out.
Here are 543 images (1.5GB) of items at the Philadelphia Museum of Art arms and armor exhibit You're free to use them for anything, even c
casual reminder that this museum has their entire collection digitized and available free for public use: https://art.thewalters.org/ and they have armor/weapons there