PALEOGENE PERIOD World Map (Medieval Bestiary Series)
This map is inspired in old cartography, presenting the animals that lived at that time in a stylized way, imagining how medieval artists would had drawn them. 🌎 It's been a while since I covered the Mesozoic and Permian. Those are also available at Redbubble, as this one is now too🌍
this artwork is available fopr prints, t-shirts and much more here
I agree with all of this. But! I think it is also important to recognize that there are subgenres where it is significantly harder to find certain things, and it's actively unhelpful to readers to pretend that you can just find whatever type of book you want to read if you just know how to look for it, especially if you are sticking to trad publishing.
It is possible to find both sapphic SFF and M/M fantasy. It is significantly harder to find, say, aro urban fantasy. Or trans romantic suspense. Or intersex mystery.
A lot of the advice above only really works for trad published or popular books and for identities/subgenres/content that aren't too niche.
So here's some advice if the advice above isn't working for you (either because you can't find books with what you want or because the books you are finding don't end up being the vibe you want), from someone who reads a few hundred books a year:
Find websites or lists dedicated to the specific thing you are looking for. They will generally have more variety and will post you to examples that don't show up in regular rec lists. (ex: aro book recs, ace book recs, intersex #ownvoices database, sapphic books). Goodreads lists can (sometimes) also be your friend.
Get comfortable reading self-published and small press books. Trad publishing has its blind spots.
Check Reddit for recommendations
Start figuring out what it is specifically that you like and then start making your searches more specific. This can be subgenre (if you want urban fantasy, you're rarely going to find it just searching "fantasy"), tropes, plot devices, vibes, etc.
Look at the "readers also bought" on Goodreads/Amazon, similar books on Storygraph, etc. if you read a book you like. Even if you don't end up reading the one you click on, it can show you similar authors (similar to looking at the blurb on a cover), especially because far fewer books have blurbs now.
They have lists on Libby with very specific topics and will answer questions on Tumblr about recs for people after very niche stuff and almost always have a starting point for someone!
A step-by-step guide to drawing mice, from a 1913 book entitled What to Draw and How to Draw it. More drawing instruction from this book, plus a 1935 follow-up by the same author, here: https://publicdomainreview.org/collection/what-to-draw-and-how-to-draw-it-1913
you dont have to be a parent to understand the horror of walking into a room to discover that the baby crawled out of his crib and onto that pottery wheel you forgot to turn off, and while the baby is spinning around and around, the dog is sitting there all calm, like a person, gently using his paws to fashion the babys soft cartilage head into something a little more modern. it might be the classic tale of bad parenting, but lets see where the dog is going with this
A planned community in Arizona has used time-honored Mediterranean strategies to keep temperatures down and attitudes high. Western civiliza
"A planned community in Arizona has used time-honored Mediterranean strategies to keep temperatures down and attitudes high.
Western civilization has grown remarkably climate conscious over the last 20 years, but not when it comes to building, civic planning, and especially zoning. Perhaps the interiors of buildings are becoming more climate adapted, and in some cases the facades as well, but in a way that’s a little like inventing a freezer designed to keep ice cream frozen while sitting next to a fire.
Wooden or concrete boxes arranged side-by-side across leveled ground with sprawling, largely treeless gardens and concrete sidewalks alongside wide, blacktop roads is simply a culture of construction that has to be abandoned if living in a world of 2°C or higher annual temperatures [or, hopefully, less than that, but nonetheless likely over 1.5°C] is to be tolerable.
Fortunately for Arizonans, change may have finally arrived in the form of a carless, planned community that looks and feels like a Greek island village.
In the Phoenix suburb of Tempe, Culdesac has arisen as a 17-acre mixed-use neighborhood from the ground up to stay cool and local, taking the concept of the 15-minute city, where anything a resident might need is only 15 minutes away, and putting a Mediterranean spin on it.
Buildings are tall, thick, and totally white. The residential areas look like they were built atop of the ashes of the Phoenix zoning code burnt in effigy. Crammed together, they create narrow streets and alleys that are almost constantly shaded, through which wind is channeled and accelerated in passing.
Windows open towards each other, allowing wind that enters one building to exit into another, while the total lack of asphalt means that the ground temperatures are a staggering 50-60°F lower than pavements beyond the limits of Culdesac.
No privately-owned cars are allowed to enter the neighborhood, in which electric bikes, robotic mini taxis, and light rail shuttle people around town, to downtown Phoenix, or out to the airport.
The street life is lively—there are no cars to bisect movement between the 21 different businesses and eateries, among which is a James Beard Award-winning Mexican restaurant, DIY ceramic business, and some stores run out of apartments—a big no-no under Phoenix zoning laws.
“Once you pull the cars out,” Architect Daniel Parolek who designed Culdesac, told BBC, “there’s so much more opportunity to make a vibrant, thriving community.”
His inspiration was sun-soaked locales like Italy, Greece, and Croatia, where town centers were designed before the automobile and before air conditioning.
Technically speaking, the entire Culdesac neighborhood is one apartment complex, but the paseos, or little alleyways, open up into plazas of open space exactly liked one would expect in a little village in the Cyclades.
Because no one has to jump in a car to get from place to place, people run into each other, sparking conversations, relations, and breaking through the counterintuitive phenomenon of big city loneliness, which in Phoenix hits particularly hard.
“Culdesac Tempe has shown that people do want to live car-free in the US, even in a metro area like Phoenix that’s often seen as the poster child for car dependency,” says Erin Boyd, Culdesac’s government relations and external affairs lead. “This success has shifted the conversation around what’s possible in American development.”
ANTLERS! To get the FREE MONTHLY How to THINK When You Draw digital MAGAZINE (including NEW tutorials, a YEAR before they appear online!) just GO HERE!
So this morning I found out that the RPG Maker forums will be shutting down this year, and it’s really just another depressing thing to see.
If you read the link the company does of course say they’re replacing the existing forums with new ones, and I’m sure no one would say the old ones didn’t perhaps need a lil bit of a glow up, some tech debt fixing… but there’s a few key notes in there:
They are NOT carrying over any history, data messages etc. from the old forums
They are NOT archiving, retaining or in any way saving the existing forums in any way
They have NOT provided any reasoning past ‘as part of continued efforts to support developers’
As an offhand, moderate read, this sounds to me like a desire for some change in the forums but deciding nuking everything is less expensive than rebuilding and carrying over info.
If I’m cynical, and likely realistic? Probably to increase sales of their latest GameMaker software by making it inherently more difficult for someone getting the older software for cheap pushing it to its limits. The amount of institutional knowledge on those forums is absurd.
And even if it is a benign reason, it’s still terrible because what do you mean you’re doing this with no recourse or potential for change? You sell software that runs on community goodwill? In an era where people are pulling away to open source software?? Crazy.
There are yeeeaaars of answers, plugins, suggestion, community built up on those forums - I’ve used the em to learn and grow my own skillet!!! And soon it won’t exist.
At the very least, they gave a ‘heads up’ - the deletion occurs mid December, so archiving by the community is possible from now. It’s just absurd that it needs to happen in the first place.
It’s just reflective of how the industry is right now - and why it’s so important for communities to grow and build up knowledge together, knowledge that is NOT reliant on a company that can pull the plug at any time in the very name of the very customers, users and supporters they are screwing over.
The fact that the trafficking of enslaved Africans underpins so much of western European culture is so severely underacknowledged by white western Europeans that it boggles the mind to think of it. I've posted here before about how pitiful have been the attempts of white institutions to account for the crimes of their past, how they will at best acknowledge only the most blatant and undeniable parts of their history while laundering responsibility for the great majority of it. One particularly striking aspect of that is how little museum space in western Europe is dedicated to discussing slavery.
The British Museum in London was formed from the private collection of Hans Sloane whose collection was funded by profits from Caribbean plantations inherited by his wife. The original museum building was bought by the British government from the children of John Montagu, a man who was literally granted ownership of the Caribbean islands of St Lucia and St Vincent by the British state. The current museum building was constructed starting in the 1820s (when slavery was still legal in the British Empire) funded directly by the British government, around 20% of whose tax income at that time came in the form of customs on imported products, such as sugar and cotton from the Caribbean.
Yet the extent of the museum's engagement with its total historic dependence on slavery is merely to have moved a bust of Hans Sloane's head to a new location with some comments on his slavery connection. There is an ongoing campaign to have merely one permanent exhibit about the slave trade at the musem. (And this is not even getting into the famous legacy of that museum as a repository of looted colonial plunder such as the Benin bronzes.)
It's not just big museums either. A tiny museum like Jane Austen's house in Chawton, UK, has a notice on its website regarding mentions of slavery that actually reassures guests that they won't go too far in doing so, "We would like to offer reassurance that we will not, and have never had any intention to, interrogate Jane Austen, her characters or her readers for drinking tea." An admission that's rather telling about what they expect the views of museum visitors to be. But why not interrogate her or her characters? That is exactly what they should be doing!
It is quite well-known among Austen fans than Mansfield Park is her book that deals with slavery: the protagonist lives in the house of a man who owns slave plantations in Antigua. Many fans are keen to find evidence in the text that the protagonist objects to this, but she ultimately marries the son of the plantation owner and lives on the land of the plantation owner and her husband's income is paid by the plantation owner, so her objections (if they exist) cannot be worth much.
In Persuasion, the protagonist's love interest is a naval officer who fought in the Battle of Santo Domingo, a battle that was explicitly about protecting British interests in the Caribbean (i.e. sugar plantations) from being captured by the French.
In Pride and Prejudice, Mr Bingley has no land and his huge income is derived from investment in government bonds, which is to say that he pays for British military campaigns (such as the same Battle of Santo Domingo) and in return he is paid by the British government out of tax income, of which a big chunk is customs levied on slave-produced products.
And that's without even getting into the question of where the cotton comes from that makes up the dresses which are a frequent subject of discussion for many Austen characters.
For that matter, what about the dresses worn by Austen herself when writing her novels? The sugar in the tea she drank? The very house she lived in was owned by her brother, who inherited it (and all his considerable wealth) from Thomas Knight, a Tory MP (which is to say, a politican from the British political wing which most heavily supported slavery). The world of Austen's novels is entirely about slavery, it is the very thing which makes the lifestyles of the characters possible. The whole museum is about slavery whether the curators like it or not, anything less than mentioning it constantly is a deliberate hiding of the truth. And when I visited it a couple of years ago, I do not recall seeing slavery mentioned even once (maybe I missed one sign in a corner of one room or something idk).
As well as the severe underreporting of slavery at museums, the lack of slavery-specific museums in western Europe is also really remarkable. The Mercado de Escravos in Lagos, Portgual and the International Slavery Museum in Liverpool, UK, are the only two that I am aware of, albeit the latter is closed until 2029. A slavery museum in Amsterdam has been proposed and is supposed to open in 2030, but given that a French slavery museum was proposed by Francois Hollande a decade ago and never built I will not get my hopes too high about it.
The London Museum Docklands has a permanent exhibit on London's connection to slavery, which is pretty good as far as it goes, but is utterly pathetic in the context that it is the only permanent exhibit about the slave trade in the whole city. The best I have seen by far is the Suriname Museum in Amsterdam, which dedicates a huge portion of its space to covering the slave trade in great detail. The fact that the museum was founded by the descendants of enslaved Africans who were trafficked to Suriname is surely why this particular museum is so good.
The contrast between that and white institutions like the British Museum is really stark. Do you treat the slave trade with the gravity it deserves, which is to say that you mention it at every opportunity and do not shy away from saying, "The slave trade is why this museum, this city, this country, this continent, why all of it is the way it is"? Or do you move one statue to a new location, put a little sign up about how one man's wife's family owned slaves a long time ago, and say "That's enough, we've dealt with the slavery issue now"?
Agatha's Inspiration Blog @agathainspiration - Tumblr Blog | Tumgag
origamiaround
turnnoffyourmind
2087
jacobvanloon
vaporwave
theartofmadeline
dailybridgerton
ellievsbear
areudirty
