Papercraft pet portrait commission of the client's cat! String is this fantastic feline's favorite toy, so it seemed fitting to show him all happily entangled with it. ^_^ Isn't he cute!

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@alessandriana
Papercraft pet portrait commission of the client's cat! String is this fantastic feline's favorite toy, so it seemed fitting to show him all happily entangled with it. ^_^ Isn't he cute!
“Haha remember when murder-hornets were gonna be a thing? What a nothingburger.”
Yes, because the Washington state government activated like a sleeper-cell and ruthlessly, systematically hunted them down and annihilated them.
“Y2K came to nothing amirite?”
Yes because an army of software engineers working around the clock, losing sleep, and busting ass till the last minute prevented it from happening.
“Remember the hole in the ozone layer?”
You mean the one that was fixed through rigorous world wide government action?
One of the root problems of our society is a refusal or inability by media to articulate that all those “it’s gonna be an apocalypse” disasters were not disasters because we collectively did something about them.
The good news is this is actually quite correctable. I maintain my firm belief that we as humans are capable of solving almost all of our problems, when we decide to do so.
And I still think that’s going to happen. I don’t know when or how, but I do know that abandoning hope won’t help bring it about.
And I refuse to let the cynics own a chunk of my heart.
Goddamn. Okay
Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played.
There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know.
As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes.
A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye.
He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone."
Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found.
Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end.
"Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.
— Robert Fulghum, "All I Really Need To Know I Learned In Kindergarten"
"Learn the fundamentals first" seems like really sound universal advice, and as a former classical musician, I can vouch for it. You will have a more solid foundation for increasing complexity if you put in the time to study in a structured way. If you don't, you'll have a lot of shit to fix later.
As a former music teacher, I can also say that "learn the fundamentals first" is the death knell for a vast percentage of beginners, especially adult learners.
I've run into this with drawing several times, where some well-meaning artist has lectured me on needing to study anatomy properly or not use shortcuts like CSP brushes. And oh, believe me, I know. I know exactly how to learn an artistic discipline in a structured way. I just...don't want to!
The thing is, I'm not aiming to be a professional artist. I want to draw my gay little anime guys. I would undoubtedly improve at art much faster if I approached every gay little anime guy drawing as a study exercise. But I would also have quit drawing a decade ago if I couldn't just let myself enjoy drawing imperfect fucked-up little guys with whatever shortcuts I needed to body myself across the finish line.
With my adult piano students, my approach was always "What's your goal?" If their goal was to learn exactly one Elton John songbook to play at parties, then...that's what we did. We'd put tape on the keys to label the notes, and just fuckin go for it. Learning exactly one Elton John songbook is a good and noble musical goal, full stop.
Some of my students needed and enjoyed a more structured approach to learning; if they wanted to be able to play classical music, then yes, scales were going to have to enter the equation at some point. And yet others would learn the Elton John songbook, catch their white whale, and realize they wanted to explore more of the ocean. The scales were still there for them to learn!
Often the choice isn't between "learn art well" and "learn art imperfectly" - the choice is between "learn art imperfectly" and "don't do art at all." To which I say, learn imperfectly! Or, what the hell, don't 'learn' art. Just do, and enjoy the doing of it.
You have official permission from your local pretentious classical music snob: fuck the fundamentals. You can always unfuck them later (but only if you want to).
What if daemons in mdzs, and WWX is terrified of dogs, obviously
and JC's daemon that doesn't settle, not when they're in the Cloud Recesses, not when they're hostages of the Wens, not when he loses his parents or his core--
It's a bit old not to be settled, really. Especially if you're trying to rebuild your legacy, if you need people to take you seriously.
JC and his sulky cat daemon during the war, who hates being seen, who plays with WWX's crow daemon less and less - WWX's daemon often flies too high or too far these days, farther than anyone else - JC's daemon who hisses at JC
(JC and his daemon had furious whispered conversations once, and now they mostly have JC begging, begging his daemon to please hold on, a bit longer, and his daemon who always asks holding on for what, and JC never has an answer but she stays a cat where people can see her. She only changes when there's no-one else but Yanli, and with the years, even changing is less of a reprieve as it once was.
Don't, JC warns/threatens/begs his soul.
His soul scratches him.
Sometimes when she's playing with WWX's - less often - she looks like she might fight for real, not play fight. Sometimes it's scary seeing the cat with the bird. Sometimes JC thinks about telling her to take another form, they'll deal with the repercussions of people realizing his daemon wasn't settled, but she won't. The cat shape is a jail but changing jails would be even more painful after this time.)
It happens after the fake ("fake") duel; after WWX leaves.
Don't, JC gasps, like a prayer, like a curse--
Why? she barks back. He's gone, he's gone, it doesn't matter-- I wish I were a cat in truth! That I would not care. You're the one who still wants to protect him, and you still want to protect your disciples, you're so stupid, you made me into this, she snarls, and her teeth flash as big and white as a child's nightmares.
When JC brings his sister to visit WWX to announce her wedding, WWX's breath catches, his pupils dilate. His wide smile twists into a horrified rictus.
JC leaves his soul outside of the cave, so WWX doesn't get too scared to talk to them, and stays close to the door, so he doesn't feel his dog soul tugging on him.
gotta admit this sign did make me laugh
When you stay in a hotel room, do you unpack your suitcase into the provided closet and dresser?
always
sometimes (explain in tags if desired)
never
never been in a hotel room/bald/etc
hi 🥺
”I have this artistic idea but not the skills to achieve it to the standard I want.”
congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!
Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?
Don’t let the fear of it not being perfect on the first try stop you from being Weird About It!
Please view Hokusai's gradual working towards The Great Wave Off Kanagawa, over a period of 39 years.
An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.
A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.
This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.
And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!
Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.
And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.
It's all there; Mt Fuji, the ocean, the wave. The boats are gone, but replaced with birds, flying with the wave instead of fighting against it. It's not as famous as The Great Wave Off Kanagawa, but that's not what motifs are for -- each successive work does not have to surpass the previous in terms of success, especially in terms of external success. They're there for you to keep playing with, keep remixing and re-experiencing, for as long as you think you have something to say.
you were almost turned into a vampire, but before you could be fully turned, the vampire was staked. This left you with a vampire weakness, while still being human.
Spin the wheel to find out your weakness!
How much does this effect you?
Nothing changes
It's inconvenient but I can deal with jty
It will be hard to adjust but I'll figure it out
I don't know if I'll be able to live like this
Maybe I can find another vampire to finish the turning?
I might just kill myself
Results/other
thanks @theemmjay for submitting this poll idea!! Seriously it's such a cool concept I love it so much
TIL the reason you don’t find much Lyme’s Disease in California is not because we don’t have Ticks, or Lyme Disease Vectors; but rather: because the Western Fence Lizard (if you live anywhere in California this is your regular Garden Variety Lizard) has adapted a passive immune response that makes their blood lethal to Lyme Disease Bacteria. Any Tick that feeds on one gets its gut cleansed of Lyme Disease as a side effect.
Fucking neat.
There is a new vaccine going into Phase 3 trials from Valneva and Pfizer as well as a monoclonal antibody-based prophylactic treatment being researched at UMass!
"the only cure for this weird disease is the special lizard blood" is a Star Trek TOS plot that escaped into the real world
Not for the first time, either-- Ozempic and similar drugs were developed from gila monster spit.
That CDC link, by the way, now says that "LB6V (formerly VLA15) ... recently completed Phase 3 human trials."
I got curious and looked into the ‘you can only have sex one day of the year’ movie more and holy shit
for those not as invested in this shit as I am, the movie ends with the protagonists not having sex and deciding people who like having sex are shallow and weird. Yknow. Agreeing with the facist government banning them from having sex.
If you think about it for more than a second, yes it is.
[ID: Meme using a screenshot from Toy Story 3. Barbie looks through Ken's clothing as Ken is tied to a paddle ball toy, stripped to his underwear. Barbie is labeled, "me doing my chores," and Ken is labeled, "the pathetic fictional man who is stuck in my thoughts so i can keep going". /end ID]
[ID addition: I think it’s very important to note that the underwear in question is a pair of heart boxers. /end addition]
Is it just me or do a lot of people in our/my generation use the whole... "the world is fucked, everythings terrible, nothing will ever get better, and we'll all burn alive in the climate crisis or die by nuclear bomb" mentality as, well, a cop-out to avoid thinking about their futures?
Girl you are not dying tragically young as a victim of societal collapse. Start taking your education seriously, make a long-term plan for how you want to achieve your personal, financial, and career goals with realistic expectations, and research different types of retirement funds 💀 "late-stage capitalism" is not going to kidnap you in the night and take away all your power over the scary things in life to turn you into a passive victim of circumstance any time soon
"But this time its different!" Its really not. The Cuban missile crisis almost had the world blow up, and it didn't. The cold war that set the stage for it existed in a constant state of the threat of nuclear annihilation.
Our world map today looks completely different from how it looked a thousand years ago. Nations and empires have risen and collapsed. Wars have been waged over petty bullshit that changed names and borders. Empires that were once thought invincible and perpetual crumbled to dust within a peasant's lifetime as they tilled their fields and worried about crop failure. The invention of flight, motion pictures, and the automobile chased the coattails of WWI and the great depression. Children played mischief games and elders complained about kids these days being too soft and sensitive during the fall of the Roman empire.
Our generational struggles are not uniquely terrible compared to any other generation's. Your life will not come to a dramatic and cinematic end to all of humanity and the world as we know it any time soon. The world will change and evolve as it always has throughout all of history and all of its constant perpetual bullshit, and you will continue to live on regardless of the outcome. Yes, even if you're queer. Yes, even if you're trans. Yes, even if you're neurodivergent. Yes, even if you're racialized. Set up your 401k and find ways to guard against becoming senile not if, but when you grow old.
My mother is going to be 63 years old this year. She was born in 1963. She lived most of her life under the threat of the world ending.
I know this, because when I was nineteen and despairing I broke down crying in her arms one day, and I asked her what the point was. Why carry on, when there’s so much wrong in the world? Why keep going, keep trying, when it feels like every battle is insurmountable, and that even when, by some miracle, you win, you don’t get to rest, you just get to fight again? What’s the point, when everything just gets worse all the time?
And she told me, yes, it’s hard. I never thought I’d be forty, let alone fifty. I never thought I’d see retirement. I thought the world would have ended by now. And I thought I had two choices. I could spend whatever time I had despairing, or I could choose to live, in whatever time I had. So I fought, and I lost more battles than I won. But I’ve been happy, too. I’ve had two careers, two children, and a husband I love. I’ve had friends and adventures. I’ve seen the pyramids the coliseum and the place where two oceans meet. I’ve lived. And it was worth it. It’ll be worth it for you, too.
And I thought about that, and what I know about my mum — and you need to know, my mum is cool. She is. She’s a stone cold badass — she protested Thatcher. She went to Pride when it was still a riot because she understood the solidarity even if she didn’t understand the people she was marching with. She went door to door for the Brexit remain campaign.
And, sure. We left the EU. But when she had a daughter who turned out to be a son she showed up for me every time. She toasted Thatcher’s death with a glass of milk and stayed up late telling me stories of her protesting days.
She retired three years ago. She’s in France right now, sending me pictures of hikes she’s taking with my father, and the patisserie she’s going to eat after.
She lived, and it was worth it. It’ll be worth it for us, too.