âŞIâm not trying to write a tailored suit.âŹ
âŞIâm trying to write a hoodie warm from the dryer.âŹ
âŞThereâs an endless autumn in me and I write for my weather.âŹ
Monterey Bay Aquarium
đŞź
will byers stan first human second

Andulka
Cosmic Funnies

Love Begins
AnasAbdin
we're not kids anymore.

titsay
Stranger Things
Lint Roller? I Barely Know Her
Today's Document

Kaledo Art
Claire Keane
almost home
he wasn't even looking at me and he found me
I'd rather be in outer space đ¸
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

PR's Tumblrdome

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@all-the-devils-are-here
âŞIâm not trying to write a tailored suit.âŹ
âŞIâm trying to write a hoodie warm from the dryer.âŹ
âŞThereâs an endless autumn in me and I write for my weather.âŹ
Sit at the desk. Take a deep breath. Look my fear in the eye and tell it that it's my art and I can't ruin it. I can only make it. There is no supposed to be. There is only what it becomes. And there will be beauty in that.
Looking for a random cause of death for a character? Click here.
Looking for a random city? Click here.
Looking for a random city that people have actually heard of? Click here.
Need a random surname for a character? Click here. (They also give prevalence by race, which is very helpful.)
Helpful writing tips for my friends.
smallirishpotato
OH SHIT.
A couple more resources I have open constantly:
Random motivations for your characters here!
Need some character quirks? Here and here!Â
Having trouble with backstory? Here! (They have an option for fortunate and unfortunate backstories)
y e s
REBLOG TO SAVE A WRITER
@theblackqueen-ofmyheart Just cause
How to Finish
I drew this poster for Jon Acuff and his FINISH book tour. Big thanks to Jon for this collaboration, his book has some great ideas about how to complete creative and life goals.
Love this, but reblogging it specifically for âGet rid of secret rules.â Thatâs one of the most amazing illustrationsâand pointsâIâve ever seen.
me, having deeply fallen out of the practice of writing poetry: I canât write any more, I am now a Talentless Hack
the voice of my 11th grade journalism/12th grade creative writing teacher who rly did know everything: if you stop writing for a while the words will build up and stagnate. to clear the water, you will have to open the dam completely, and accept the fact that what initially comes out will not be palatable
This. This is so true. Starting again is more important than what you actually write. You are rusty. Youâll build up momentum again. All you need to do is start.
Why do people listen to the advice of those wannabe âwritersâ. I mean they are not even published?Â
Excuse you? People can still give out valuable writing advice even if they are not published. Besides, not being published does not mean someone is a bad writer.
Explain?
I assume by being âpublishedâ you mean through a publisher and not through self-publishing. Most publishers are for-profit. Meaning they want to make money. However, they donât like taking chances and spend money on publishing a book that might not sell well. No matter how good of a writer you are, the chances of hearing âSorry, there is no market for your bookâ, are extremely high unless you have something to show for it:
Followers on social media, success of your self-published book, email subscribers, website traffic, etc. Anything that shows the publisher that your book will sell increases your chances of being published dramatically. Many times, writers are approached by the publisher!
I have had this conversation with many of my writer friends, and some of them think this is unfair. What you often see is famous people writing a mediocre book and using their fame to have it become a best-seller. Except I donât think itâs unfair. Itâs business. As a writer, you are your own business. Many writers seem to forget this fact!
Letâs take Lang Leav as an example. You might have heard of her as she was dominating the poetry section on Tumblr in â13 and â14. She amassed many followers on Tumblr by sharing her poetry. She then self-published her book âLove & Misadventureâ and promoted it on Tumblr.
âHow did you get published?
âI self-published my first book, Love & Misadventure. As soon as it was listed for sale, my book began to top best-seller charts and caught the attention of two literary agents in New York. I signed up with Writers House and was promptly offered a publishing deal by Andrews McMeel.â (source)
My honest opinion about her work is that itâs poetry for the masses and that she is not necessarily an astounding or great poet. However, her first book has 38,943 ratings on Goodreads (source)
Key to success? Posting her work online, good branding, nice poetry, building a loyal following.
Letâs take fifty shades for example. (YES)
E.L. James used to write twilight fanfiction. Many people loved her Twilight fanfiction so a publisher called The Writerâs Coffee House contacted her, they changed all the names in her work, and the rest is history.
I hope this explains it a little. Publishers mitigate the risk of their investment not being profitable by publishing books that have a high chance of being successful. There are many great, unpublished writers out there sharing valuable advice. Those people not being published has more to do with them not knowing how to increase their chances of being published, rather than being a bad writer.
Currently on a bus from Nice to Paris. Itâs a 13 hour drive so I am going to dump a lot of information for people who want to sell a book right now or ten years from now. The sooner you start using this strategy, the more successful you will be.
First of all, if you have a lot of reach (audience), meaning that you have a few thousands of followers on social media, and a publisher contacts you, you always want to ask them if you can self-publish first! Always! If they refuse, you really want to think twice about signing their contract. Why? Because publishers are using your followers to sell your own book to. Self-publishing gives you around ~70% profits. Publishers often offer you a contract giving you 20%. Shady af. I donât like that shit and I so often see small authors being used like that. Yes, publishers do help with editing etc., but depending on your reach, itâs up to you to decide if hiring an editor yourself isnât a much better option. So, always SELL to your own fans first self-published if you can. THEN, if the publisher thinks your book has potential beyond your followers, work with them and sign the contract. Donât let them profit off your fanbase and then leave you hanging.Â
If you are going to write a book, you need to talk about it! A lot. At least 6 months in advance. Preferably two years. You need to build up some anticipation among your followers. You need people to be aware of it and WANT it. Itâs like a book. You donât just tell your readers the plot in 5 sentences and thatâs the book. You need to build up the story. And then BOOM, Karen just turned page 170 and she doesnât know whatâs coming for her, but sheâs gonna be shook and love it. Same with promoting your book. Nobody is gonna give a shit if you say: âoh hi, you didnât know but I wrote a book. You can buy it hereâ. You gotta talk about it long before you publish it.
Chances are, you donât have a following at all. In this day and age, social media is all the hype. There is this misconception that you need millions of followers to make a living online. Not true. Let me introduce you to 1,000 True Fans, an article written by Kevin Kelly in 2008. Read it. Itâs eye-opening and practical!
âA creator, such as an artist, musician, photographer, craftsperson, performer, animator, designer, videomaker, or author â in other words, anyone producing works of art â needs to acquire only 1,000 True Fans to make a living.â
How to get 1000 fans as a writer (also works for artists)
Your main focus should be on creating content and growing your reach (audience). Focus on building an email list and a simple website. Why an email list? For the same reasons everyone else always asks for your email when you sign up for something: so they can reach you.
Many content creators struggle with two things: algorithms and platforms dying. Instagramâs algorithm makes it so that if someone doesnât hit âlikeâ on your content for a while, your content gets pushed all the way to the bottom of their feed. Why? Because IG wants you to stay on their app as long as possible and thus shows people the content they interact with the most first. The second reason is, at some point people are not going to use their Myspace, Tumblr, Wattpad, or Instagram account anymore. Someone might have a million followers on Myspace, but right now, if they update their profile, maybe a thousand people will see it if they are lucky. So, how do you keep reaching the people who followed you in the first place? EMAIL.
Email is fantastic for two reasons:
There are no algorithms. People see your email based on the time you sent it.
People do not change their email as much as they do social media.
So, if you ever shoutout your book or art store, you are guaranteed that everyone on your email list sees it.
I recommend MailChimp for sending batch emails. Itâs free for up to 1,200 email subscribers, and thatâs plenty for small businesses.
But how do you get people to sign up for your email list? Well, there are a million ways to that, but first, we need our website and we need to actually reach people!
Letâs first focus on reaching people
Create a social media account on each platform that makes sense to you. Opt for the same username everywhere to strengthen your brand. Then post your content to each and every single one of these platforms, but add in a call to action. Write a personal caption on Instagram, or write things in the tags on Tumblr. The best advice I can give to writers on Tumblr is to reblog writing prompts and write a story and include a âREAD MOREâ.
Many people donât like to make the commitment to read something long without knowing what itâs about. A writing prompt is the perfect intro and increases the number of people reading your story.
By including a âread moreâ people have to visit your Tumblr blog. Have a nice bio, and end your story with something personal and a call to action, this skyrockets the number of followers you will get.
Now the problem is: getting people to reblog your story. You could try DMing bigger blogs, but chances of them reblogging your story are slim. DM your followers instead and ask them to reblog your story if they want. If you donât have followers, go through a tag of your choosing. Filter on ârecentâ and DM those. You need to hustle a bit. It doesnât matter if you wrote the story today or two years ago. If you think itâs good content, then you can self-promote it until it gains traction.
For Instagram: Never use popular tags. Avoid them like the plague. I would even go as far as to not use tags at all. But if you use them, only choose niche tags. Why? Bots. There are so many of them. You NEVER want bots following you on Instagram. Every time you post something new, your post gets âtestedâ in batches of followers. 20% (this is not proven, but I feel pretty confident about this number) out of the first few people who see your post need to like it, or else Instagram stops pushing your content out to more people. Bots never like your posts. If your post fares well and stays above the 20% it gets pushed out to more people, and it will eventually land on the explore page. I donât have much experience using tags, but if you use them, make sure bots do not target them.
Post your content everywhere. Writing on Wattpad. Art on DeviantArt etc., and always link to your website! All your socials must link to your website, this is key to build your email list.
Also, quick tip for IG, if you want to grow really fast, make sure your content is well received. Most of your post should have a like/follower rate of 20%. In the beginning, the increase in followers is barely noticeable. But once you have 1k followers, it snowballs! Furthermore, some Instagram pages, often businesses, have a terrible like/follower ratio. Less than 1% of their followers like their content. Why do they even bother with Instagram? Only a small portion of their followers see their content since so few people like it, and so it doesnât get pushed to the feeds of the rest of their followers. Why do they bother? Email. Many businesses, big or small, use their Instagram account as a funnel to get email subscribers. Email is always more important to a business than followers for email lasts much longer and isnât subject to algorithms, except the spam filter. However, if you are on Instagram as an artist or writer, strive for both: high engagement and collecting emails.
Now that you are having your email list, website, and your social media accounts are growing, it is time to promote your newsletter (email list) beyond the links to your website on social media. We are striving for 1k email subscribers. Itâs not a lot. My advice is to message all your followers. Copy paste the same message asking them if they want to subscribe. Make it personal. I want to know who the artist or writer is. I always enjoy someoneâs content more if I know the person behind it. I want to know who you are.
But, at this point, you might be wondering: why would people subscribe to my email list? What to send emails about in the first place? Think long and hard, put yourself in your followerâs shoes. If you asked me:
If you are a writer, I would love to have some bonus material send to my inbox.
Updates about your WIP.
An occasional blog post about your life.
Early bird discount on your book when it comes out.
If you are an artist:
I would love to know about the art process and what inspires you.
Read your blog and learn more about you.
Know when you are open for commissions again.
Get updates about your art store.
Obviously, not everyone is going to sign up for your email list. But try your best to make something special. The goal is to:
Build an email list. You will always reach those people. No algorithms or platforms dying (unless email dies, but not in the foreseeable future)
You can build a relationship with your email subscribers. This is important. By reading about your life, I will become more invested in your writing or art.
You are not selling the cheapest shoes or pens in the world. You sell art and books. Build a relationship with your audience!
I am against using extra incentives that have nothing to do with what you do to have people subscribe to your list. If you do giveaways, then make sure itâs something you sell yourself. Donât give away a bunch of books you didnât write or a laptop. You will get people signing up because they want the laptop, not because they are interested in you. Instead, as an artist, do a commission giveaway (people who want your art will sign up) or give a discount for your Esty shop etc., Writers: out of the people who sign up, one person can give you a prompt for a short story, for example. Or give away your book if you have already written one!
(By the way, I see some artists doing amazingly well with commissions on Tumblr already! My advice would be, if you want to keep doing this for a long time, go start your website and email asap. So that âifâ Tumblr dies, (at this point I am not sure if itâs even possible for this site to die) you can still reach your audience and keep doing commissions.)
Prioritize your website and email list over your Patreon
Patreon is great. As a creator I love it. However, when does someone become a Patron? For me: first, the rewards need to be good. But second, I need to care about you as a person. You canât promote everything at the same time. Itâs best to focus on one thing for a period of time. I suggest you first build up relationships with your email subscribers, so they get to know you better and give an f, then plug your Patreon.
Email subscribers are more likely to become Patrons compared to the rest of your audience because they already showed you they want to hear more from you by signing up to your newsletter/email list.
You get to collect VALUABLE email addresses first. Those are easier to obtain then having someone become a Patron. People need to pay to become a Patron, your newsletter is free.
This might look a bit counterproductive to some of you. After all, you want to go from A (content) to B ($$$) as fast as possible. But I highly recommend you implement this extra step if Patreon is one of your sources of income. You will end up with more Patrons.
Starting a website and collecting emails
You need a domain name. Preferably a .com. Name it after yourself or your brand/store. There are many ways to go about starting your website.
Here are three:
Bluehost: Bluehost uses WordPress. Take the cheapest package. You donât need more than that yet. Might be difficult to set up for computer illiterate folks. Though GEN Y and Z should have no problems with it.Â
FastComet: Also uses WordPress. They claim to be the fastest. Might be hard to set up but itâs very cheap.
Wix: You probably have heard of this one. I suggest you choose the Combo package. Itâs free to use, but you do want to upgrade in order to get rid of the blabla.wixsite.com at the end of your domain name. Also, do not buy straight away. They send you a â50% discountâ by email after you created a website within 2-14 days. Easiest to use in my opinion.
There are plenty of others out there, but these I have used and are reputable. Feel free to add your hosts to this post.
For email marketing automatization I recommend MailChimp. There are many options, but MailChimp is by far one of the most used and has therefore many one-click-install website integrations, making it is easy to set up. By the way, sending 2-4 emails a month to your list is more than enough.
Hope this helps some of you out. Itâs simple but not easy. Also, give it time. You donât get 1000 email subscribers overnight. The sooner you start the better. And, yeh, you have to put in some time and energy. In my opinion, itâs worth it. Spend 90% of your time creating, the other 10% doing the less fun stuff. If you want to increase your chances of success, being published etc, this is a good way to start. My advice would be: Donât rely on being discovered or going viral. Rather, increase your chances of being discovered or going viral by strengthening your foundation for success. Â
Reading material
https://optinmonster.com/email-marketing-vs-social-media-performance-2016-2019-statistics/
https://www.lyfemarketing.com/blog/why-email-marketing/
https://kk.org/thetechnium/1000-true-fans/
https://www.theme-junkie.com/add-read-more-link-tumblr-post/
I just finished reading the first link of the reading material and what stood out is that email is seven times more likely to convert someone into a customer than social media! Thatâs insane! Thank you, dear person, for posting this. Going to make a website this weekend!
@elizxa-beth you really should! I think your art is amazing. A friend of mine from college does this. She has ~3k followers on Instagram and only ~400 email subcribers. She gets 90% of her comissions through email. About 12 a month! And thatâs a lot since she charges anywhere from $75 to $200 for a comission. You could do the same! (:
I think I will! Thank you <3
So I created my own website with Wix today and here are some tips for anyone who wants to start a website using Wix:
1. Let Wix build a website for your first with ADI. Play around with it and publish your website. Then edit it again. Go to âsiteâ and select âGo to Wix editor.â Now you have full control over how your website looks. 2. There is a small learning curve. It might be complicated in the very beginning but donât give up. Get some snacks and work on your website. Itâs actually fun. It took me around 3 hours to create mine.
3. Wix has a built-in email sign up form and email marketing tool called âShoutoutâ. So you donât need mailchimp. You can still connect mailchimp to Wix if you prefer.
4. Do wait with upgrading your website until they send you the 50% discount coupon to your email.
5. Signing up for Wix is free. If you upgrade you get a free domain as well!Â
This is solid advice, but OP forgot to mention the two most important reasons as to why you should have your own website and create an email list. 1) a dot com domain without [.tumblr].com or [.blogger].com in front of it looks professional and conveys trust. 2) You own the website and email list. Tumblr and Instagram accounts are being deleted left and right without warning. Even some creators on Patreon have gotten there accounts banned for no reason at all other than staff messing around. No one can delete your website and email list. You have full ownership.
PSA: you are allowed to reblog this super long post to help out artists and writers!
This is some great advice
@copperbadge , still figuring out your title?
Holy fuck this might actually have helped me fix the title.Â
I renamed Samuel/Sam to Wilder/Wild. WILD FAITH might be the thing.Â
Is it actually useful to dig bullets out of your own arm in a public restroom in an emergency situation, or is that something that just happens in movies?
About self-surgery in the bathroom of the local Exxon Station⌠Psychologically we all feel that getting the bullet out will help the problem but generally speaking it is best to let sleeping dogs lie and to bastardize Hamlet, âGet thee to a surgery.â The greatest concerns immediately post gunshot are circulation and airway. You are probably not going to have a breathing problem other than hyperventilation from fear, if you are shot in the arm. Your big concerns are bleeding and nerve damage. Have your character dorsiflex (hyper extend) his wrist, make an âOâ with his thumb and index finger, spread his fingers apart, and then smile when he realizes everything is still hooked up. He flexes his arm a few times to see if blood is spurting or just oozing. If its just oozing, cover with a wad of moist paper towels, tear of a shirt sleeve and wrap tight enough to apply pressure to the wad of paper towel, but not tight enough to constrict. Have the character check the pulse at his wrist and note the color and temperature of his arm. If the arm is cold, pale white, numb or the nerve check is bad, your character has problems and needs to find his/her buddy who is an EMT.
The only indication for digging out the bullet would be if the bleeding is uncontrollable, otherwise, the bullet may actually be tamponading the tissue and slowing the bleeding at this point. Infection is later concern. The wound will ultimately need attention and the character will need antibiotics, but he has a few hours to worry about that.
If the bullet does need to come out, no probing with a pocket knife. Consider having him pour rubbing alcohol over a pair of âneedle noseâ pliers (from the nearest convenience store,) and then gently probe the wound path until he feels the metallic click of the plierâs tip on the bullet. He can then try to open the pliers, grasp the bullet and retrieve it. Apply firm pressure for 5 minutes and observe. If no bleeding he can do the towel and shirtsleeve thing. If significant bleeding, have him apply as much direct pressure as necessary to stanch the bleeding.
If your character is in the habit of being shot, he may carry a âBloodstopperâ product. They are small, useful, and I have them nearby all the time. The powder can be sprinkled on and will help with clotting. There is a product that you can insert directly into the wound track, âouch,â that has the same chemical. They can buy your character some time.
Writers, hereâs a fun resource: a real life doctor helping writers with medical details in their novels-in-progress.
âAs for âWrite what you know,â I was regularly told this as a beginner. I think itâs a very good rule and have always obeyed it. I write about imaginary countries, alien societies on other planets, dragons, wizards, the Napa Valley in 22002. I know these things. I know them better than anybody else possibly could, so itâs my duty to testify about them.â
â
Ursula Le Guin
(via
kazechama
)
on originality in fanfic:
iâve seen a lot of fanfiction authors, including myself, worry about the redundancy of our work, either because we feel itâs been done before or someone more popular beat us to a certain plot point we thought no one else had thought of or just because writing is hard and other writers are scary.
1. fanfiction is rooted in canon, and everyone is working from the same canon you are. even if one person is writing a bakery au and the other is writing a serial killer space opera, the point of origin means there might still be elements in common. itâs okay. (this goes double for canon aus, because the closer to the canon your au is, the fewer elements there are to vary.)
2. in larger fandoms, there are so many fics! so many. the sheer number of authors means that sometimes people are going to have the same idea. you donât read one fic and then never read any fic like it, right? just do your thing.
3. fanfic isnât being written in a vacuum. surrounding the original canon is the matrix of fandom memes and headcanons and metas. the ones that become popular take on a life of their own. all of the other authors are exposed to the same content you are, so donât worry if you both borrow the same things.
4. if you took two authors and gave them the same outline, with the same plot points, and told them to write, theyâd still probably produce distinct works. no one can write the story in your head but you. keep writing!
ALL OF THIS
Beautiful fanfic writers - remember this
so Iâm looking at short story publishers (fantasy)
Tor, cream of the crop. 25 cents a word. Stories can be read for free (YES). Slowish response time at ~3 months. Prefer under 12k, absolute maximum is 17.5k. Donât bother if itâs not highly professional quality. SFWA qualifying.
Crossed Genres. 6 cents a word. Different theme each month (this monthâs is âfailureâ). Submissions must combine either sci-fi or fantasy with the theme. Response time 1 month. 1k-6k, no exceptions. SFWA qualifying.
Long Hidden, anthology from CG. 6 cents a word. 2k-8k, no exceptions. Must take place before 1935. Protagonist(s) must be under 18 and marginalized in their time and place. Must be sci-fi/fantasy/horror. Deadline 30 April. Response by 1 October.
Queers Destroy Science Fiction. Sci-fi only right now, author must identify as queer (gay, lesbian, bi, ace, pan, trans, genderfluid, etc, just not cishet). 7.5k max. Deadline 15 February. Responses by 1 March. You can submit one flash fiction and one short story at the same time. (My network blocks the Lightspeed site for some reason, so I canât get all the submission details. >_>) Probably SFWA qualifying?
Women in Practical Armor. 6 cents a word. 2k-5k. Must be about 1) a female warrior who 2) is already empowered and 3) wears sensible armour. Deadline 1 April. Response within three months.
Fiction Vortex. $10 per story, with $20 and $30 for editorâs and readersâ choice stories (hoping to improve). Speculative fiction only. Imaginative but non-florid stories. 7.5k maximum, preference for 5k and under. (I kind of want to support them on general principle.)
Urban Fantasy Magazine. 6 cents a word. 8k max, under 4k preferred. Must be urban fantasy (aka, the modern world, doesnât need to be a literal city).Â
Nightmare. 6 cents a word. 1.5-7.5k, preference for under 5k. Horror and dark fantasy. Response time up to two weeks. SFWA and HWA qualifying.
Apex Magazine. 6 cents a word. 7.5k max, no exceptions. Dark sci-fi/fantasy/horror. SFWA qualifying.
Asimovâs Science Fiction. 8-10 cents a word. 20k max, 1k minimum. Sci-fi; borderline fantasy is ok, but not S&S. Prefer character focused. Response time 5 weeks; query at 3 months. SFWA qualifying, ofc.
Buzzy Mag. 10 cents a word. 10k max. Should be acceptable for anyone 15+. Response time 6-8 weeks. SFWA qualifying.
Strange Horizons. 8 cents a word. Speculative fiction. 10k max, prefers under 5k. Response time 40 days. Particularly interested in diverse perspectives, nuanced approahces to political issues, and hypertexts. SFWA qualifying.Â
Fantasy and Science Fiction. 7-12 cents a word. Speculative fiction, preference for character focus, would like more science-fiction or humour. 25k maximum. Prefers Courier. Response time 15 days.
Scigentasy. 3 cents a word. .5-5k. Science-fiction and fantasy, progressive/feminist emphasis. Fantastic Stories of the Imagination. 15 cents a word. 3k maximum. Any sci-fi/fantasy, they like a literary bent. (psst, steinbecks!) They also like to see both traditional and experimental approaches. Response time two weeks.Â
Beneath Ceaseless Skies. 6 cents a word. 10k maximum. Fantasy in secondary worlds only (it can be Earth, but drastically differentâalternate history or whatever). Character focus, prefer styles that are lush yet clear, limited first or third person narration. Response time usually 2-4 weeks, can be 5-7 weeks. SFWA qualifying.
Clarkesworld. 10 cents a word up to 4000, 7 afterwards. 1-8k, preferred is 4k. Science-fiction and fantasy. Needs to be well-written and convenient to read on-screen. Appreciates rigour. No talking cats. Response time 2 days. SFWA qualifying.
Orson Scott Cardâs Intergalactic Medicine Show. 6 cents a word. Any length. Science-fiction and fantasy (along with fantastic horror). Good world-building and characterization. Clear straightforward prose. Response time three months. Yes, OSC is editor-in-chief. SFWA qualifying.
Interzone. Sub-pro rates if anything (but highly respected). 10k max. Short cover letter. Science-fiction and fantasy.
Oh man, guys, I really like this book Iâve written.
I had to reread that because I have never seen a writer say that ever and as a writer I envy you.
WHAT
There are so many comments on this post to this effect.
Dude! writers, artists, do what you need to do to gain objectivity and feel satisfaction for what youâve done!
Art as pain and pain as art and the Eternal Dissatisfaction of the Poignant Creator⢠is so 19th century.Â
Creating the art you wish you could see in the world but donât, and then being fucking PSYCHED when youâve done it⢠is very 2018.
My love for this post tripled when I noticed who the op is.
Does anybody have any writing tips for adhd writers?
@quousque Do you have any helpful tips or resources?
@bookcaseninja @kingarthurscat hmmmm depends on what Iâm writing, but I do have a bunch of methods that Iâve worked out that really help. Since most of what I write is academic papers (thanks, college), thatâs what I have the most developed method for, but I do have strategies for fiction writing, too.
General tips:Â
#1 tip is meds. Itâs nigh impossible to write anything when you canât focus for longer than like 8 seconds. Me without meds = 2 sentences per hour. Me with meds = four hours writing continuously, end result is 20 pages of Iliad Sci-Fi AU.
#2 is, if you happen to hit that Hyperfocus Highway, and youâre writing something thatâs vaguely close to what youâre supposed to be writing, ride that train until it fucking dies. A 25-page data-driven research paper isnât quite the 7-10 page research-based persuasion essay I was assigned, but hey, itâs a complete assignment, and turning something in is better than turning nothing in.
#3, kill the perfectionist, or at least dodge them. Donât have the perfect way to phrase something? Use parenthesis, or a different font color, and paraphrase what you want to say. My rough drafts are full of things like âhurrr something about how the prospective aspect /= imminent futureâ and âcharacter x says something heartfelt here that makes character y madâ.
#4. Environment. Pay attention to what distracts you when you write, and design an environment where those things arenât present. I have a really hard time writing anything in my own home or on my own computer, so I use google docs and the library for everything. This works really well, especially since I canât remember by tumblr password so I canât log on on the library computers, lol. There are internet blocking apps that block certain webpages or the entire internet for a set period of time. I once found a program that, once opened, wonât close or minimize until youâve written a set number of words.
Random environmental tips that work for me:Â
-standing desk, or sitting on an exercise ball.
-white noise. Thereâs tons of white noise generators online.
-egg timer. If Iâm having trouble with distractions or spending too long on one thing, having the constant soft ticking of the egg timer really helps, since the sound isnât too distracting, but is just distracting enough to remind me that time is a thing that is actively passing.
#5. Donât know what words to write next? Talk out loud. Or whisper, if youâre in the library. Seriously, read aloud what youâve last written and then continue on with whatever you want to say next, letting yourself phrase it however it comes naturally. Write down what you say, even if itâs full of umms and likes, even if itâs shit, and edit it later.
#6. set tiny, tiny, goals, and do them one at a time. Iâll write out overviews of scenes, or, when Iâm writing papers for classes, of individual paragraphs. The overview is basically one sentence or sentence fragment that states the main point, and a list of everything I need to make sure to include in that scene/paragraph. Then, I take each goal individually, one at a time. I donât have to write a paper proving x thesis, I just have to write a paragraph explaining what I mean by âScylla is a vagina metaphorâ. If I do that enough, I suddenly have an entire paper.
My process for writing academic papers:
#1. Word vomit.
Open a new document and type everything you can think of onto the page. Talk about the prompt, your sources, your thoughts and opinions, whatever comes to mind. Opinions, especially, since thatâs usually where your thesis ends up coming from. Get mad about it. Work yourself up. Yell about why everyone else is wrong about this topic, or why youâre right.Â
#2. Thesis and outline:
Read over your word vomit. Chances are, thereâs a thesis somewhere in there. Your thesis is whatever youâre trying to prove, and your outline is why youâre right. Unless youâre completely pulling things out of your ass, âwhy youâre rightâ will be rooted in the text/sources youâre supposed to use. Now, write your thesis (aka your opinion), and make a list of reasons why youâre right.Â
E.G. âObviously, x character is really feeling like (y) at this point in the book, because way back in chapter one, they said (blah blah blah), and later on they did (whatever), and when you put those two together, itâs like (this), and also because of (another reason).
That is a thesis, and four-ish sub-points. This is your outline. It doesnât need to be any nicer than that. Make a new document, and put your thesis/outline there.
If youâre having trouble organizing it, figuring out what order your subpoints should come in, or even what your thesis really is, talk it out. Out loud. If you canât find a willing victim to talk at, rubber duck it (i.e. grab a rubber duck or similar and explain it, out loud, to the duck).
#3: writing the body
Open a bunch of new documents, one for each sub-point in your outline. Copy-paste one sup-point into each document. Now, all you have to do is write several individual paragraphs explaining your subpoints. Youâre not writing a whole essay (which is haaaard), and you donât have to worry about what comes before or after each paragraph- thatâs why you made an outline. Each document is its own isolated little task, and all you have to do is read that sentence, and spend a paragraph or two explaining what you mean by it. If you have any quotes or sources you think youâll cite, copy/paste them into the document when you start.
#4. put it together
Once you have all your paragraphs written, copy/paste them into another doc, in order. Read it through, and add any transitions you need to make it flow. You might need to add a few more paragraphs or explanations, depending in how solid your outline was. Once youâve done that, write your conclusion, then your introduction.
#5. Editing: Print your essay, and go at it with a pen/highlighter. Yes, you have to print it. Doing it physically makes it so much easier. While editing, I always create a to-do list, which includes things like, insert citations, format essay properly, make sure to re-phrase (x) paragraph, etc.
Read it out loud. Itâs much easier to catch typos and awkward phrasing that way.
#6. While writing: keep the flow of writing. Donât break it. If you know you need to cite a source for a certain statement, but canât quite remember which one, just type (CITE) in place of a citation. Youâll come back in and fill it in later. Use ( ) or different text colors to mark where you think you need to go back and change later, but skip over whatever it is for now and just keep going.
Donât let those random ideas die, or distract you! If you have an idea/thought, or think of something you need to do, but donât want to break what youâre doing right then, either note it down in a separate doc as a to-do later, or change the font color to red and note it right in the middle of your draft.
#7 if you get stuck
ask yourself:
-What, precisely, am I stuck on? The phrasing of a sentence? The organization of this part? Some small task, such as looking up a quote? Framing your obstacle out loud in words can make it seem smaller and more conquerable.
-What is the next thing I need to do, right now, to make progress on this essay?
-If Iâm truly stuck here, what other useful thing can I do, right now, to make progress?
Tips/strategies for writing stories:
My overall approach is basically a watered-down, less rigorous version of how I write academic papers. I word-vomit all about the story/idea I have, aiming to get at least a general plot overview. Then, I write a plot outline of the story, and break it into scenes. I make a new document for each scene, and put a bulleted list at the top of things to make sure to include in the scene, so that I can write each scene as its own individual unit, without having to constantly think about the whole product. Then I write!
I tend to produce pretty good prose on the first go-round, and I donât spend a lot of time editing, because if I did, Iâd never post anything. As my dad says, delivery is a feature! An imperfect product that is posted is infinitely better than a perfect product that no one ever sees.Â
I write good fiction prose because I read a lot of fiction prose, so I have a good innate understanding of what the kind of writing I want to produce looks like. When I want to describe something or narrate something, I have a general idea of what those parts of a story look like, so itâs easier for me to produce them on my own.
That being said, when editing, the #1 tip is still to read it aloud! Youâll easily catch any awkward phrases that way.
Motivation: ADHD brains are motivated by Interest, Challenge, Novelty, and Urgency. Waiting until the last minute to get that sweet, sweet Urgency Boost is not fun or healthy, so try to use one of the other ones. Interest is usually your best bet, especially when writing stories! Before you sit down to write, try to get excited. Read what youâve already written, remind yourself why you wanted to tell this story in the first place, emotionally invest yourself in your characters. Read your outline/plan for the next scene, and get yourself excited to write it! If you canât get excited about a scene, thatâs a sign that that scene might just be boring- your readers probably wonât find it very interesting, either. Cut the scene, and try to fit any necessary plot info into a different scene (or just skip it altogether- readers are really good at filling in the blanks!)
Another way to motivate yourself is Tiny, Doable, Concrete, Time-Oriented Goals. I generally use this one more for academic papers than for stories, but it works for both. Set a small concrete goal with a solid endpoint (âgenerate preliminary outlineâ or âwrite this paragraphâ is better than âwrite all body paragraphsâ) Then, set yourself a time limit. 40 minutes is usually the max time limit that I find actually motivates me. Yours may be different (fyi the size of your tasks should be tailored to whatever time limit actually motivates you). Then, your only problem in life is to finish that task by the time limit, at which point, youâll come up with the next task and a new time limit.
Ultra God Mode is creating an artificial sense of urgency to motivate yourself. I accomplish this with my Google Calendar, which I update twice a week (full disclosure: this is only possible for me because I have an ADHD coach, who sits me down and makes me update the calendar). I list everything I have to do for the week, generously estimate the time itâll take, and literally schedule each individual thing on the calendar, including eating, laundry, etc. When Iâm having trouble starting on or focusing on a task, I look at my calendar, and I can physically see the limited time that I have. There are big, colorful blocks filling up the whole page, and that makes it real to me that, if I donât write this essay (thatâs not due for a week) right now, in this block of time I have it scheduled for, there is literally no time for me to write it later, since the rest of the time is filled up with other stuff I have to do. So sometimes, I end up feeling that âdue in five hoursâ urgency, a week before something is due!
Lastly, and perhaps most importantly:
ACCEPT AND CELEBRATE IMPERFECTION. I know Iâve talked about this above, but it really is true. This applies to everyone, but especially to people with ADHD. The sad reality of ADHD is that it is a disability, and our ideals and our goals will always be higher than what we can realistically achieve. And, since ADHD brains are incapable of emotional regulation, we are especially affected by feelings of failure. If you allow yourself to think of every missed goal or imperfect product as a failure, itâs gonna suck. Really hard. Allow yourself to re-define success. I might not have written the 50,000 word emotionally deep epic that I wanted to, but I published three chapters of a story that I wrote in my downtime, and Iâm proud of that. I might not have updated that story in a month, but hey, I still published it. Be proud of what you do achieve, instead of beating yourself up for what you donât.
On a more general note, the writing process is a physical thing that takes place on the page in front of you, especially for ADHD people. No one formulates the perfect writing piece all in their heads and then deposits it onto the page in the first go. Writing a whole bunch of shit says precisely nothing about you as a writer. Writing is a skill, and youâll get a lot better at it by practicing a bunch of shit and meh writing, than by laboring to occasionally produce one perfect piece.
TL;DR: The general themes of all of my advice is break it down into tiny chunks, and get excited about it so youâre actually motivated to write, and learn how to call an imperfect product âgood enoughâ.Â
Woot Woot!! I knew you were the one to ask! Thanks :D
I needed this todayâŚ
âIâm writing a first draft and reminding myself that Iâm simply shoveling sand into a box so that later I can build castles.â ~Shannon Hale
Yeah, thatâs pretty much it.
The Shapes Of Ideas [Illustration]