Hatter's @amadhatter13 - Tumblr Blog

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I haven't said as much on here but I'm participating in ArtFight for team Tragedy! I've already done a few attacks, gotten a few defenses, and revenge is going all around too!

These fabulous artists:

@smudgedrawsstuffz @gummi-bat @itspleu @fanaticsnail and https://plushsyndrome.carrd.co

#my art #art #artfight attack #artfight #artfight 2026 #team tragedy #af 2026 #artfight 26 #art trade #oc art

gummi-bat

Day 2 of Arfight!! So many wonderful attacks, I just couldn't keep up! I will always try to revenge back but a girl can only do so much until I pass out 😅 I still love every piece of art I've received, so don't feel bad if I don't revenge back!

@sistersrule18 @kofmeow @amadhatter13 @skelenby

amadhatter13

your little guys were too cute! I couldn't resist their little sweetness

#art figth 2026 #my art #digital art #art #artfight attack

wolfythewitch

Whenever I type out any kind of character analysis I wallow in shame afterwards LMAO. Like haha little idiot you don't know how people work this is clearly wrong

3motionally3xhausted

My contribution of PHM fanart that took me so much longer to finish than I wanted

ghiblin

HOWL'S MOVING CASTLE ハウルの動く城 2004, dir. Hayao Miyazaki

th0rns

via

scutesketch

I watched the newest episode of TADC, and have never been so speechless from a show before, and I’ve seen so many great shows.

I had this moment where I was chatting with other fans online, still feeling this sense of shock, inspiration, and feeling emotionally touched, when I realized: “I could create something like this one day, that connects to so many people”.

I empathize with the creator so much, and want so badly to create something that touches people emotionally, that has touched me emotionally, the way this show has.

This urge to create something so impactful filled me with this deep sense of purpose in the world.

And I simply, have never been more excited to live.

Thank you, @gooseworx, for inspiring me and millions of others.

I don’t expect you to respond, but thank you.

sketchy-raven

fallcaesar

Santa is on strike due to global warming. All presents this year will be delivered by Sasha the Christmas Tiger. Milk and cookies may not be sufficient.

thefingerfuckingfemalefury

“MUST BRING PRESENTS TO GOOD CHILDREN”

“Yes good”

“AND EAT THE BAD ONES”

“Wait no”

“EAT THEM”

“sasha no”

tolkientrash

@burstofhope the Christmas tiger is watching

thefingerfuckingfemalefury

She is making a list

It is not easy with her paws but she is making it

iguanamouth

shes almost here

miscriont

Okay fine this is the ONE Christmas thing I will reblog before Thanksgiving BUT THAT’S IT

craptaztic

SASHA’S BACK ON MY DASH!

mace-from-outerspace

Y’all better behave, you have two months

aseriouscomedian

You better watch out

ordinaryschmuck

Don’t forget Sasha ze Christmas Tiger.

She’s coming for you~.

The Drowned Halls

For aro/ace writers:

- you don't have to write sex scenes. Tolkien didn't

- you don't have to write romance. Lewis didn't

- you can write very close friendships that have nothing romantic nor sexual in them. Scott Lynch did

- you can write sexual relationships that don't involve romance. Sapkowski did

- you can write romantic relationships that don't involve sex. Pratchett and Gaiman did

Don't let anyone tell you that some kinds of relationships are impossible or that a story must contain some themes. It's your story, write it the way you want

tofupixel

⭐ So you want to learn pixel art? ⭐

🔹 Part 1 of ??? - The Basics!

Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.

My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.

This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!

eldritchscholar

So the other night during D&D, I had the sudden thoughts that:

1) Binary files are 1s and 0s

2) Knitting has knit stitches and purl stitches

You could represent binary data in knitting, as a pattern of knits and purls…

You can knit Doom.

However, after crunching some more numbers:

The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…

3322 square feet

Factoring it out…302 people, each knitting a relatively reasonable 11 square feet, could knit Doom.

benegesserwitch

Hi fun fact!!

The idea of a “binary code” was originally developed in the textile industry in pretty much this exact form. Remember punch cards? Probably not! They were a precursor to the floppy disc, and were used to store information in the same sort of binary code that we still use:

Here’s Mary Jackson (c.late 1950s) at a computer. If you look closely in the yellow box, you’ll see a stack of blank punch cards that she will use to store her calculations.

This is what a card might look like once punched. Note that the written numbers on the card are for human reference, and not understood by the computer.

But what does it have to do with textiles? Almost exactly what OP suggested. Now even though machine knitting is old as balls, I feel that there are few people outside of the industry or craft communities who have ever seen a knitting machine.

Here’s a flatbed knitting machine (as opposed to a round or tube machine), which honestly looks pretty damn similar to the ones that were first invented in the sixteenth century, and here’s a nice little diagram explaining how it works:

But what if you don’t just want a plain stocking stitch sweater? What if you want a multi-color design, or lace, or the like? You can quite easily add in another color and integrate it into your design, but for, say, a consistent intarsia (two-color repeating pattern), human error is too likely. Plus, it takes too long for a knitter in an industrial setting. This is where the binary comes in!

Here’s an intarsia swatch I made in my knitwear class last year. As you can see, the front of the swatch is the inverse of the back. When knitting this, I put a punch card in the reader,

and as you can see, the holes (or 0′s) told the machine not to knit the ground color (1′s) and the machine was set up in such a way that the second color would come through when the first color was told not to knit.

tl;dr the textiles industry is more important than people give it credit for, and I would suggest using a machine if you were going to try to knit almost 3 megabytes of information.

darkersolstice

@we-are-threadmage

systlin

Someone port Doom to a blanket

rolypolywardrobe

I really love tumblr for this 🙌

isnerdy-deactivated20190101

It goes beyond this. Every computer out there has memory. The kind of memory you might call RAM. The earliest kind of memory was magnetic core memory. It looked like this:

Wires going through magnets. This is how all of the important early digital computers stored information temporarily. Each magnetic core could store a single bit - a 0 or a 1. Here’s a picture of a variation of this, called rope core memory, from one NASA’s Apollo guidance computers:

You may think this looks incredibly handmade, and that’s because it is. But these are also extreme close-ups. Here’s the scale of the individual cores:

The only people who had the skills necessary to thread all of these cores precisely enough were textile and garment workers. Little old ladies would literally thread the wires by hand.

And thanks to them, we were able to land on the moon. This is also why memory in early computers was so expensive. It had to be hand-crafted, and took a lot of time.

dollsahoy

(little old ladies sewed the space suits, too)

butts-for-days

Fun fact: one nickname for it was LOL Memory, for “little old lady memory.”

costumersupportdept

I mean let’s also touch on the Jacquard Loom, if you want to get all Textiles In Sciencey. It was officially created in 1801 or 1804 depending on who you ask (although you can see it in proto-form as early as 1725) and used a literal chain of punch cards to tell the loom which warps to raise on hooks before passing the weft through. It replaced the “weaver yelling at Draw Boy” technique, in which the weaver would call to the kid manning the heddles “raise these and these, lower these!” and hope that he got it right.

With a Jacquard loom instead of painstakingly picking up every little thread by hand to weave in a pattern, which is what folks used to do for brocades in Ye Olde Times, this basically automated that. Essentially all you have to do to weave here is advance the punch cards and throw the shuttle. SO EASY.

ALSO, it’s not just “little old ladies sewed the first spacesuits,” it’s “the women from the Playtex Corp were the only ones who could sew within the tolerances needed.” Yes, THAT Playtex Corp, the one who makes bras. Bra-makers sent us to the moon.

And the cool thing with them was that they did it all WITHOUT PINS, WITHOUT SEAM RIPPING and in ONE TRY. You couldn’t use pins or re-sew seams because the spacesuits had to be airtight, so any additional holes in them were NO GOOD. They were also sewing to some STUPID tight tolerances-in our costume shop if you’re within an eighth of an inch of being on the line, you’re usually good. The Playtex ladies were working on tolerances of 1/32nd of an inch. 1/32nd. AND IN 21 LAYERS OF FABRIC.

The women who made the spacesuits were BADASSES. (and yes, I’ve tried to get Space-X to hire me more than once. They don’t seem interested these days)

synebluetoo

This is fascinating. I knew there was a correlation between binary and weaving but this just takes it to a whole nother level.

moiraecrochet

I’m in Venice, Italy several times a year (lucky me!) and last year I went on a private tour of the Luigi Bevilacqua factory. Founded in 1875, they still use their original jacquard looms to hand make velvet. Here are the looms:

Here are the punch cards:

Some of these looms take up to 1600 spools. That is necessary to make their many different patterns. Here are some patterns:

How many punchcards per pattern?

This many:

Modern computing owes its very life to textiles - And to women. From antiquity weaving has been the domain of women. Sure, we remember Ada Lovelace and Hedy Lamarr, but while Joseph Marie Jacquard gets all the credit for his loom, the operators and designers were for the most part women.

the-fibre-stuff

I’ve seen this cross my dash a few times, but I’ve never watched the video before. Maybe I just didn’t pay attention when I was a kid, but I don’t remember ever seeing just how the Jacquard loom works. I just knew that the punch cards controlled which threads were raised. It’s cool to see the how, not just the what.