Dahling you simply must explore the backrooms they're just brimming with all sorts of delightful little entities.
rarity tulpa i told you i dont want to explore the backrooms. i mainly created you to have sex
hello vonnie
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@andibanyandi
Dahling you simply must explore the backrooms they're just brimming with all sorts of delightful little entities.
rarity tulpa i told you i dont want to explore the backrooms. i mainly created you to have sex
Iâve seen a lotta people saying Kris doesnât like tenna, and tbh Iâm not sure. Kris is such a mysterious character and thereâs so many different factors at play here. Maybe kris doesnât dislike tenna himself but dislikes how they canât return to the past?? Idk idk. Like, tenna keeps bringing up times Kris desperately wants to return to but canât and thatâs probably gotta be hard for kris.
Anyway what r your thoughts on this? Do u think Kris likes, dislikes, or is neutral about tenna?
âŚ. Man, is that a million-dollar-question if I ever heard one.
Kris is already a very emotionally guarded person. Like, we are in a uniquely distant position, generally unable to hear their words or see most of their expressionsâŚ
âŚBut even the people who knew them all their life are often unsure of what theyâre thinking and if they even like them.
Including Tenna. Like, one of the folks who wonder if Kris dislikes Tenna is Tenna himself.
And this Sword Route dialogue does at least seem to confirm that, like, even with Kris' words and expressions being generally imperceptible to the Players, Kris was legitimately not smiling, laughing or giving Tenna any sort of positive feedback through Chapter 3.
My general read on the situation is that Krisâ emotionally withdrawn behavior is something they developed relatively recently, due to all the Shit going on in their life, while Tenna mostly remembers them as the more emotionally expressive child who used to regularly âlaugh and cryâ at his programming. So Tenna is very anxious about his inability to get that kind of reaction from Kris anymore, while folks who know Kris as they are now donât really get it. Kris is just kinda Like That and it doesnât mean theyâre not having fun.
But that doesnât necessarily mean they are having fun or like Tenna either⌠We really donât have enough data to make definitive statements. Kris doesnât seem to resist if we tell them to insult TennaâŚ
But if you tell them to compliment Tenna instead, Susieâs reaction doesnât indicates that they said it in an overtly insincere manner either.
So maybe it proves Kris is too indifferent to Tenna to really resist insulting or complimenting him?
Kris' damage output during Tenna's Boss Fight is another interesting detail. On a normal Route, Kris is holding back against Tenna, doing half their usual damage output, which might indicates a reluctance to fight himâŚâŚâŚ But if you do the Sword Route, Kris suddenly does a lot more damage than normal, triple the regular amount against Tenna instead.
So I'd guess this is less about Kris' personal feelings about Tenna and more about the Knight's plan. Kris and the Knight seem to be working together, Tenna's role in the Knight's plan is to stall the heroes while the Knight does their thingâŚ
So holding back in the fight as much as they can is Kris' subtle little way to try and help the Knight. Much like they also hold back in the fight against the Knight themself.
And then in the Sword Route, the thing that changed isâŚ
Now that Tenna had accidently spilled even the vaguest details about their deal in front of the Player, Kris wants to make sure he stays quiet⌠or maybe they're just really pissed at him. Either way it makes them far more aggressive and dangerous if you let them attack Tenna.
I think maybe this extra damage isn't born of an emotional dislike, just simple pragmatism for what is the best for Team Knight's goals... but that still implies a serious emotional distance from Tenna - compared to Kris' clear moral conflict when the Knight's plans seem to clash with what's best for Susie, a person they actually do unambiguously like.
There's also the two non-Spamton Check results you can get for the Tenna Boss Fight, the standard one which is just kinda⌠extremely mean to Tenna. This is basically the worst thing he could imagine someone thinking about him and especially if this Check is coming from Kris.
And the Sword Route One is really....interesting.
It's clearly referencing Kris' increased damage against Tenna and I kinda read it as almost goading the Player into letting Kris attack him, but maybe this 'sadly' can be read as sincere. If these Checks are influenced by Kris' own emotions and feelings (which feels likely to me, although it's also important to note that this is still unconfirmed and might change depending on certain Narrator Theories), it might be Kris expressing regret for the fact that they feel like they have to attack Tenna with all their (tripled) might? Although I personally did read this 'sadly' as kinda sarcastic, if I'm honest.
Kris also doesn't flinch when 'killing' Tenna in-game the way they do with Susie and Ralsei.
(And that was before most of their big friendship-building moments with Ralsei in Chapter 4, when they still were, as far as we could tell, at best just kinda okay with that guyâŚ)
And even the fact Kris and the Knight roped Tenna into their plans could potentially be a bad sign, considering, likeâŚ
But that really depends on how much the Knight and/or Kris are aware of this part of the Prophecy. A lot of people assume that the Knight, at least, knows the Full Prophecy, but nothing has really been confirmed yetâŚ
Still, none of these little details really bode well for Kris' feelings for Tenna, and that's without getting into the way that, like you mentioned, Tenna puts Kris into games that just remind them of their total lack of control over their life and also keeps bringing up stuff that's clearly uncomfortable to Kris to reminisce about.
(We can't hear (read?) Kris' half of this conversation, but Tenna's reaction seem to suggest they were Very Obviously Not Happy with what he said.)
Maybe they're emotionally mature enough to separate their dislike of the things Tenna say and how uncomfortable he often makes them from a dislike of Tenna as a person and also emotionally mature enough to recognize that they and Tenna share very similar trauma but just cope with it in very different ways. Their readiness to become BFFs with Susie seem to indicate they are capable of it, but...
With relatively little information or character moments that indicate affection towards Tenna, my interpretation is that they're indifferent at best towards him. They probably don't hate him or actively wish he was dead or anything, but he's more of a tool to their and the Knight's plan than anything.
Although⌠being treated like a tool to the Knight's plan might just be another thing that Kris and Tenna have in commonâŚ
Of course, part of the tragedy of Tenna is how, like, even in the best case scenario, even if Kris did find Tenna's personality fun and realized they were both working off the same trauma and honestly did not want him to come to any harm despite the Knight and their plans⌠Even if Kris likes Tenna, they're never gonna love him back the way Tenna loves Kris.
From Tenna's POV, he is a member of the Dreemurr Household just like Kris is. I make a kinda jokey post before about how he's technically Kris' 'Lesser Dad', but it's probably more accurate to say that Tenna thinks of his role as 'the Household TV' as it's own established familial role on the same level as 'uncle' or 'older brother'. In Tenna's eyes perspective, he and Kris are family, he lived with Kris all their life, watched them grow up, helped raised them by providing them with endless hours of fun and entertainmentâŚ
But for Kris, that was literally just the television, an inanimate object. There are a lot of very sweet Tenna fancomics showing him, like, comforting Tiny Kris during difficult times in their childhood, and these comics are wonderful⌠but it's important to remember they are depicting Tenna's perspective of these events. Or, well, Tenna certainly remembers that at the time he wasn't actually actively comforting and entertaining Kris in his Darkner form - he does know that he was just a Light World Television that was used to watch cartoons or play games, but for Tenna this feels equivalent to actively being a pseudo-parental figure comforting and taking care of Kris.
But from Kris' perspective, they were literally just watching TV. Maybe they have some nostalgic attachment towards the TV itself (AKA Tenna) for being an oasis of escapism during difficult times, or maybe they attach these emotions more to the actual specific shows and games they liked or to the people they shared those moments with⌠They just didn't experience these moments the way that Tenna experienced them.
They only got to meet Tenna as a person when they opened the Dark Fountain, so they're only about as familiar with him as any other member of the Fun Gang is. And characters in Deltarune do make bonds relatively quickly, but even in the best-case-scenario of Kris' feelings for Tenna, it would've taken them time to develop the same sense of familiarity and affection that Tenna feels towards them. And... that's not really Kris' fault for not anthropomorphizing their TV enough back when it was just a TV, it's just yet another tragic aspect about Darkners' whole existence.
Okay, wait, waitâŚ
So the Shadow Mantle originally belonged to Seam, a Card Kingdom resident, beforeâŚ. 'someone took it'...?
Only for it to mysteriously pop up TV World, which is the Dreemurr Household.
And notably, John Mantle themself never confirms that they stole the Mantle, only that theyâre the one currently holding on to it. And, like, moving from one Dark World to another without being physically carried by a Lightner is, right now, an ability that only Ralsei seems to possess.
But⌠TV World does actually have a lot of connection to other Dark Worlds, and Card Kingdom in particular⌠because Kris keeps nicking school property and bringing it back to their house.
So, like, is it possible that Kris is the one who stole the Shadow Mantle from Seam in the first place? And thatâs why it was found in their home for John Mantle to take?
Maybe they did it intentionally as part of... whatever long game theyâre playing⌠or, well, I guess that couldâve been an innocuous action depending on whatever the hell the Shadow Mantle is in the Light World and how long ago that was?
âŚOr maybe it was just stolen from Seam's Seap by one of the Pippins and then Kris took him to their home while it was still holding it?
Lost where the forest would grow, the children followed the pointed tail.
⌠You know, Iâve been seeing a lot of people assume that âwhere the forest would growâ must mean the forest surrounding the Shelter. I mean, it certainly makes sense considering this is a place we know the Dreemurr and Holiday Kids have explored in the pastâŚ
And the growing importance of the Shelter itselfâŚ
But I do think itâs not the only option right now. I mean, not only is the entirely of Hometown surrounded by a forest (not just the area near the Shelter), butâŚ.
The thing I keep coming back to is the words âwhere the forest would growâ. This is a âfuture in the pastâ tense, the grammar here implies that the forest grew after the children got lost in that area. But obviously, the forest around Hometown doesnât seem like something that couldâve grown after/during Krisâ childhood⌠those trees are decades old at least, right?
So for me that implies, like, maybe some sort of time-manipulation shenanigans, or something else that allows the forest to grow freakishly fast in just a few years? Or that the âpoor childrenâ are not actually any of the kids we know, and this is actually about something that happened to one of the previous generations of Hometown, much farther in the past? Something that inspired the creation of the Shelter in the first place?
Or⌠maybe we are talking about an entirely different Forest? One that we do know appeared fairly recently in the blink of an eye?
While weâve had all kinds of fields and castles and basements in the various Dark Worlds, this is the only âForestâ weâve gotten so far. That would give us an actual place that fits the description of âwhere the Forest would growâ.
And while it doesnât really make much sense to imagine kids getting lost inside a single classroomâŚ. Well, what about an earlier Dark World opened in that same location? Since every Dark Fountain makes a different Dark World, even in the same place⌠and this is often perceived by the Darkners of those Dark Worlds as the passing of eons.
So an earlier version of the Card Kingdom (opened up by Baby Kris and/or Tiny Dess, for example) couldâve lacked the Forest location of the Card Kingdom we know and thus be the place âwhere the Forest would growââŚ.
And, like, while I understand the logic behind people associating that line with FRIEND⌠it is important to remember that the one explicit connection the game has made so far for this Phrase is with the Forgotten Man.
Who has been consistently depicted standing behind a Card Castle Forest Tree, long after that Dark World has passed.
Iâm not dismissing the common Shelter-and-FRIEND interpretation of that line, far from it. I just think itâs important to consider alternative explanations, or at least that these two ideas could be combined somehowâŚ
Consider this (based on a conversation I had with some friends a while ago): Pride and Prejudice and Zombies for people who actually like Pride and Prejudice. LookâI tried to read Pride and Prejudice and Zombies and I got about 20 pages in before I came to the conclusion that the person who wrote it did so out of the belief that the original Pride and Prejudice was stuffy and boring. There were out of character vulgar puns. And the trailer for the movie did not convince me that I had missed anything by cutting short my reading experience. So, what Iâm talking about here is this premise: the world of Pride and Prejudice, but if you die, itâs highly likely, almost certain that your corpse will get up and try to eat people. But no one dies in Pride and Prejudice, you might say. In fact, few or no people die in any Jane Austen novel. This is true. But people do get sick with some regularity. Imagine the tension added to Jane getting sick after going to visit Bingley if there was the chance that she would become a zombie after she died. Becoming a zombie in an eligible bachelorâs house probably would have seriously wrecked any chances of any of the living sisters ending up with him. Imagine Mr. Collins, as a minister, having the duty upon someoneâs death of severing their head with a ceremonial plate or something that would prevent the corpse from rising. Obviously important, but this only makes him more self-important and obnoxious. And dangerous. For you see, in this version, Mr. Bennett, who stays in his office all the time, whose life is the only thing allowing Mrs. Bennett and her daughters to stay in the houseâMr. Bennett is definitely a zombie. He died at home, and Mrs. Bennett decided that, no way were they dealing with this, and soâŚjust started faking it. Jane and Elizabeth know. The younger sisters donât. In this universe, I think we have to go with zombies that are not any faster or stronger than the humans they were, and in fact tend to get weaker as time passes because their flesh is rotting. AndâŚhmm, okay, how about they are pretty violent upon rising, and for about a week afterward, trying to bite people and spread the infection (even though most people are carriers anyway, but getting a nasty bite from a corpse will give you other stuff that will have you die while carrying the virus). But then they calm down and basically just start sort of attempting to act like they did in life, that is, taking habitual actions with no consciousness, in a depressing and desiccated way. So Mr. Bennett is a zombie, and Mrs. Bennettâs number one goal is to get her daughters married before anyone finds that out. And this, actually, makes Elizabethâs refusal of Mr. Collins more frustrating for Mrs. Bennettâobviously Mr. Bennett didnât tell Elizabeth that she could refuse Mr. Collins, because Mr. Bennett is dead, but Mrs. Bennett canât say anything or the game would be up. Another question in this versionâdoes Mr. Darcy find out about Mr. Bennett being a zombie somehow? Does Elizabeth find out that he knows and didnât say anything and this is something that helps repair his earlier actions? Anyway, this is the Pride and Prejudice and Zombies that I was looking for.
Okay also: in the original, when Elizabeth walks through the rain all the way to bingleyâs to care for Jane while sheâs sick, itâs a very dramatic expression of both Elizabethâs love for her sister and her penchant for flamboyant rebellion, but consider, if there is a chance Jane will wake up a zombie and Elizabeth knows it, how does that change the dynamic? Elizabeth might be going to help take care of Jane, or to *take care* of Jane should things take a more morbid turnâŚby killing her zombie sister.
This works especially well if zombieism is communicable prior to death; if mr. Bennett is a zombie and only the elder Bennetts know, that means Jane has been pre-exposed and is almost certain to wake up as a zombie should she die in the Bingleysâ careâ which the Bingleys do not know. Elizabeth has to forge through the rain to be there in case things get ugly, because she knows that the Bingleys arenât prepared.
And I think you pretty much HAVE to make Mr. Bennettâs zombie status play a role in how and why Darcy separates Bingley from Janeâthe heavy implication behind Darcyâs line about the want of propriety shown even by her father hits Elizabeth like a ton of bricks as she realizes he knowsâhe knows, and he thought Jane lying to Bingley about it was evidence that Jane didnât love Bingleyâbutâbut Darcy must not have told Bingley that part of it. Bingley couldnât keep a secret on his life; if he knew, his sister would know, and word would already be out and theyâd have been ruined by nowâ
And of course, not only does the fact that Darcy, who owes their family nothing, has kept and continues to keep this secret for them even after Elizabethâs refusal deepen the gratitude she begins to feel for him after the letter of explanation, but it also liberates Elizabeth to fall in love with him. Because Elizabeth-who-wants-to-marry-for-love would never be happy marrying someone who didnât know the family secret in advance. She had resigned herself to spinsterhood because she couldnât be satisfied with having to hoodwink someone to have their hand, but also couldnât put her family at risk by trusting someone who wasnât bound to them by more than an engagement. (Maybe she was even tempted to confide in Wickham at one point, and hasnât Darcyâs letter proven she was absolutely right not to yield to that passing thought.) But Darcy figured it out himself, and heâs kept her trust, and she could fall in love with him without guiltâif she hadnât already turned him down.
AND THEN LYDIA HAPPENS. And Darcy realizes immediately that Mr. Bennett canât do anything to recover herâand if Mr. Bennett doesnât do anything about Lydia, Mr. Collins might become suspicious, or even just officously involve himself, so find out the while thing. When Darcy blames himself for not revealing Wickhamâs character, itâs with a much more immediate sense of urgency. Itâs not that the other sistersâ marriage prospects being ruined may impoverish them down the roadâit might immediately drag them all into destitution. Thatâs why he rushes off to go look for Lydia himself.
Iâve got another Mario universe headcanon, even more pointless than usual.
So, thereâs been a couple people who have tried to figure out what happened to Luigiâs electricity powers after Superstar Saga since Mario still has access to fire powers. Sure, there are more thoughtful and reasonable analyses out there especially around Luigiâs abilities related to machines, but Iâm here to offer a silly one.
1. Most touch screens actually work by detecting the electrical current between your fingers and the screen, hence why typical insulating gloves make them unusable, even if itâs a thin layer. (Itâs also why getting water droplets on touchscreens makes them harder to use.)
2. Luigi is seen using objects with touch screens (most often whatever modified gaming console E. Gadd has provided him that basically acts like a cell phone) without taking his gloves off. Just ignore the obvious animation reasons for this; Watsonian analysis is more fun than Doyalist for stuff like this.
3. Itâs unlikely that heâs got work gloves modified to conduct electricity. (Though if that was the case, that would be an interesting choice for other reasons.)
Conclusion: the most common way Luigi uses his thunderhand powers post-Superstar Saga is to use touch screens without bothering to take his gloves off. Honestly, if I gained the ability to manipulate electricity, I would be tempted to do the same on cold days.
I'm imagining a world where RPGMaker somehow made it as the de facto codebase for software and you have to navigate your banking app by walking around in a huge room full of NPCs named "make deposit" and "make withdrawal" etc and there's loud as fuck stock music playing
Every time I remember the map of Dioâs mansion has a room labeled the âengine roomâ I lose my fucking shit. Like, what does that even mean? Why does the mansion have an engine room? What the fuck does that mean? Could Dioâs mansion potentially just. fucking blast off like the end of Vampire Hunter D or some shit Iâm dying what the fuck
Howlâs Moving Castle 2: If You Thought Howl was an Asshole and a Drama Queen Get Ready to Fucking Shit Yourself
My favourite translator said that when she was an ambassador for Hungary she took all these Japanese politicians on a tour and she was trying to circumtranslate âmerry go roundâ cause she didnât know the Japanese word for it by calling it a âhorse tornado for childrenâ and they had no blessed idea what she was saying and she finally started running in circles going up and down and they go âohhhhh, in Japan we call those âmerry-go-roundsââ
I refer to the protagonist of fallout 4 as NateNora because both the man and woman versions of the character are essentially the same person.
Because they gave this game a voiced protagonist, Bethesda has invited me to analyze the sole survivor NateNora as a person and my analysis says that because it doesnât really matter much which spouse you choose to literally fridge that theyâre one of those couples who have been together since high school and as a result are basically two halves of the same braincell.
Same sense of humor, same homicidal tendencies, same compulsion to collect random magazines.
If you knew Nate and Nora before the apocalypse you probably couldnât invite one without inviting the other and both of them probably kept the exact same pictures of baby Shaun in their wallets. Not exactly the same person per se, but theyâve been together for so long that if you remove one of them the other basically doesnât know who they are.
Which is my theory as to why one of the possible first thoughts they have upon being unfrozen to a dead spouse is violence. You killed their other braincell, Kellogg. That was all of their impulse control and youâre about to pay the price for that. They actually have to develop a personality now and itâs all your fault.
One might make the argument that with Nate being a former front lines soldier that it makes more sense for him to be violent and proficient with weapons but my argument is that Nora was a lawyer in an era of extreme corporate espionage. You need to keep your head on a fucking swivel and have your pistol loaded and in your purse at all times if you wanna fight nuka cola in court.
Everybody expects prewar people to be soft but they arenât expecting somebody thatâs been dodging soda company snipers for months while pregnant. Being a corporate lawyer and being a front lines soldier are basically equally dangerous in this universe.
in absolute tears about the pride module at my work
HOLY SHIT GUYS, I WAS INSPIRED BY THIS POST TO TRY MAKE THE SONG AND YOU WOULD NOT BELIEVE THE SCREAM I SCRUMPT WHEN I DRAGGED THE TRAINING AUDIO OVER THE BACKING TRACK AND IT LINED UP PERFECTLY
Tempted to actually put this on spotify so I can secretly stream it at work...
Tagging @batshit-auspol because as an Australian you're the only big account I know who might share (sorry).
happy first day of pride everyone
This is insane. But understandable that a corporation would be like, "Yes. Let's pay someone money to make a vocalised list of words we can't say. This is reasonable."
Rocky's body is a machine that turns one (1) praise into 10,000,000,000 praises đđđ
all the other weird fucked up cats are safe and happy and healthy btw
i often see people bring up âwhy does popstar have a reputation as a peaceful backwater planet where nothing happens despite it getting attacked by evil wizards and dark matter and white people aliens and sapient art supplies every other weekâ and thatâs a very good point. and the answer is because kirby of the stars does his JOB!!!!
early on in their friendship kirbyâs like âi protect popstar from threats!â and magolorâs like âpopstar has threats? oh man, thatâs hilarious. what, did an elderly nruff get loose and start eating some waddle deeâs blue ribbon pop flowers?â and the entire dream team just turns around to give him a Look so deadly that he goes airplane ears.
strongly evocative of the jp version of super star [ultra] where the narration is like âkirby lives a carefree life with no worries :)â and kirby turns to the camera like
A âgun wizardâ is:
A wizard who casts spells through guns
A wizard who casts spells on guns
A wizard who turns things into guns
A wizard who has a gun
A wizard who is a gun
A âwizard gunâ is:
a gun that shoots wizards (as bullets)
a gun that shoots wizards (with bullets)
another object that has been transformed into a gun by a wizard
a gun owned by a wizard
a gun who is a wizard
celestia is such a funny character like she's constantly manipulating twilight and friends to do shit instead of just asking and you could arguably frame that as being bc she's a "god" and pushing fate to her design or whatever, except that she engages with the group like a normal and relatable person, which makes it more like villainous machinations, except 90% of this manipulation goes towards things like "I don't want my party to be boring shit again. put my little country girl blorbos in there with zero prep so they fuck it up bad"
you think you've fucked anything up around princess celestia and she's like heh. no worries. all according to keikaku
Celestia instantly makes more sense as a character when you ignore the princess stuff and remember that she's a 1000+ years old wizard. Of course she does manipulative trickster stuff to teach moral lessons and/or cause chaos to amuse herself, that's classic wizard behavior. Of course sometimes she's actually socially awkward and bad at personal relationships and has bad ideas that she thought were good that result in her eating shit embarrassing style, that's classic wizard behavior. Of course she lets the aristocrats and nobles run around being assholes she's still running on wizard advisor programming, she's basically trying to merlin the entire upper class of equestria instead of just a king and some knights. "Yeah uuhhh we'll release the incarnation of chaos himself from his ancient prison because we think this shy girl can be friends with him", terrible plan if you're thinking like a ruler, amazing plan if you're thinking like a wizard. Just look at Canterlot 'Castle' for five seconds and ask yourself if that's in any way a castle. No. Wizard tower, yes. Wizard.
You are so right actually