The Ballad of Miles Peter Kane
I’m writing this because 80% of the speculation in the AM/TLSP/MK fandom is about Alex – ‘he shags groupies, he’s gay, he’s bi, he’s autistic, he’s an arrogant bastard’....the list is endless. Because he is our master of deception and subterfuge, he opens himself up to speculation.
But on the surface Miles is so different. Happy, smiley, seemingly open Miles, sharing his home and his dog and his family on social media. Chatting away in interviews like a little bird. People think he has it together.
But dig a little deeper and read between the lines, and I get a completely different picture of Miles from the Rascal of 2008 to our One Man Band of 2024.
I have been watching some early interviews with Miles recently and he shoehorns the topic of women and girls into them far more often than Alex ever has. A simple question about if he likes meat is met with a ‘not in a gay way’. At a time when Alex was being photographed looking like Alexa’s little brother or Arielle’s hot gay pal, Miles was being ‘papped’ with his tongue down the throat of the latest hot model or Page Three Girl. There was a sexy girl in every video. And before you say it, yes there were in AM’s videos, but find me one where Alex interacts with them. There was also Miles’ relationship with Suki Waterhouse which I find hard to believe wasn’t real, unless he is far better than Alex at faking a relationship.
Controversial as this may be, but in my opinion, early videos of baby Al flirting openly with Andy, and pressing himself up against Miles, and a bit later on, even AM Alex flirting with that hunky male interviewer, does not point to someone battling too much with their inner homophobia. I think Alex – as ever – has two personalities. The Alex known to the inner circle is out and has been for many years. But Mr Schwartz - the public facing Alex, struggles with his sexuality and the effect it will have on his career and that of his three ‘brothers’.
But read between the lines of their lyrics from the AM/Don’t Forget Who You Are era. AM is filled with longing, of someone who doesn’t know where they stand with this secret - keeping lover who treats them differently at night than during the day. DFWYA is still full of ‘she’ and ‘her’ songs, although ironically the lyrics to Out of Control are so Milex coded it’s funny. I will always maintain Give Up is about Alex (I think ‘stand so tall’ is a figure of speech rather than literally lol) lyrics like ‘you’re pretty good looking but I’m looking for a way out’ and ‘stop tainting my soul’ scream Alex. Don’t forget both albums will have been written around the same time, so I am guessing that they were going through the conflict of Miles not knowing what to do, and him somehow blaming Alex for his confusion, but at the same time unable to keep away from him.
So we reach 2015 and the recording of EYCTE. Something happens. Once on stage and once in an interview, Alex talks about them falling in love whist recording the album. Traditionalists will choose to think he means with their ‘girlfriends’ at the time, but once on tour it is obvious there has been a change in the dynamics. Alex is coquettish and sexy, but his stage personas have all been a variation on this since Humbug, but Miles is different. Miles can’t keep his hands off Alex, Miles follows Alex around the stage like a lovesick puppy. In interviews gone are the playful lusty looks of TAOTU era, instead Miles gazes at Alex like he’s the most beautiful and wondrous thing he’s ever seen.
I think Miles had finally seen the light and realised he was in love with his best mate/casual fuck buddy. He could no longer go on treating Alex like some dirty little secret, and he could no longer deny his sexuality.
What happened afterwards? Who knows, I guess they’re the only ones who know the full truth. But they both came out of EYCTE depressed (the two interviews recently posted on here show this), but Miles admitted to having a mental breakdown, and all I can do is speculate why I think this happened. Imagine being a young man fighting inner demons about your sexuality, you finally realise you’re in love with your best friend and promises are made (see Someone to Rely On and Wrong Side of Life) and he leaves you to go off to France to record an album and keep up his ‘relationship’ with his girlfriend. You have laid yourself on the line and taken a huge step for him and he's gone.
In Alex’s defence, he probably had years of Miles letting him down and also the responsibility of AM etc, but this isn’t about Alex.
But time is a great healer and I think Miles came out of the whole period a different person. By Change the Show, we lose the ‘she’ pronouns (just one ‘girl’, and Suzie and Caroline) and sexy girls in videos. Gone are the models and page three girls. There is a brief ‘romance’ with Nadya Duke, but that is it.
So we come to One Man Band. Apart from one ridiculous tongue in cheek podcast with his friend James Buckley, where he goes on about women (incidentally just before the Ireland gigs with AM), Miles has changed. In early interviews, his childhood heroes are Lennon and Oasis…no mention of Baggio. With One Man Band we suddenly get Baggio and in interviews he talks of how eight year old Miles thought Baggio and the Italian football team were sexy. Old Miles would have followed that up with something like ‘the sort of sexy that pulled birds’, but there was nothing like that, instead he was admitting that part of his sexual awakening was admiring Italian men.
The video for The Wonder had a sexy woman, his friend Didem, but somehow the dynamic felt different, the general vibe was more two mates mucking about.
His stage persona is more ‘fruity’, he is using ‘she’ pronouns but to address himself, and whilst he isn’t ‘out’ - he may never come out publicly, it is entirely his choice - there is definitely a change in Miles, he seems more settled and happy in his own skin. He said he had therapy during the bad period and hopefully that helped. Interestingly he has posted songs about difficult relationships with fathers, and without casting aspersions on Miles’ dad, I wonder if part of his earlier issues were about him trying to please him. Liverpool has quite a macho culture – especially 20-30 years ago. Let’s not forget Miles liked and commented on that beautiful poem about men who know they are gay even when they are children. Maybe it resonated….
Miles story is a fascinating one, a look at a young man fighting his inner demons to get to a point where he knows his true self. I always think Troubled Son is the counter to Body Paint. But Troubled Son is about Miles coming to terms with who he is and accepting his own faults, Body Paint is Alex keeping on his costume, which he doesn’t look like taking off any time soon. Hopefully private Alex is as happy as Miles, and it’s just that public face that looks as though their world is ending.
