Dan Fagerholm's stereographic drawings
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let's talk about Bridgerton tea, my ask is open

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@assangistawithacause
Dan Fagerholm's stereographic drawings
http://dainfagerholm.blogspot.de/
[Today in History] December 20, 1996: Author, cosmologist and astrophysicist Carl Sagan dies.
I loved his documentaries. Legendary!
A Lesson in Dictatorship
.
Who used to live - as I did - in a Communist dictatorship knows the movies of "our brotherland" Democratic People's Republic of Korea (a.k.a. North-Korea). These movies are characterized by much wailing, crying and heroic suffering. It is a special kind of art in this land, brought to perfection, it is Bollywood without the colors and no dancing. Now I understand why. If you run a dictatorship than do it like North Korea. On first look you would think it is a mistake. Because when you ask too much, give decrees that are too much, than people will feel inner repulsion and denial for this. And North Korea is a country of very totalitarian form. But!! They ask their people to suffer and waile and cry like the heroes in their movies. And now the reaction is - right - denial and repulsion. So the North Korean that is obediant will wail for the loss of their leader. And the freedom-loving North Korean will deny himself bitterness, crying and suffering. Because it was prescripted. Wow. Best of two worlds for the dictatorship.
It is a perfect perfidity, a genius invented this! Macchiavelli is astonished, he didn't think on this!
Kim Jong Ils death 2011
Kim Il Sung dies in 1994.
The way to ...
Spirituality - a word that is so often used in a way I would never mean, but I have no better word for it, so I'll use it as a placeholder.
I am no Atheist, no Agnostic and neither a Believer. Maybe I can give room for God, but I don't think he needs me and I deny myself to needing him.
I detest the saying: I believe that there is SOMETHING. It is so cheap for me, who I used to believe in God, it would be treason to him, or my former me who took so much solace in faith.
C.G. Jung said that the lack of faith of our times is as wrong as the blind faith in a God. I agree. C.G.Jung said that there is this spiritual feeling of something that is in ourselves, in our souls, not outside, in heaven or hell. I agree with this, too. Spirituality is for most people the echo of faith. I don't see it like this. It is the other way round: Faith in a God is the echo of the innate feeling of "spirituality". Some people need the big one, the clear one, the black/white one. That is faith, that is the believing in God(s). Why not.
But the real honest ones who try to go deeper have to deny it. Because the root is in us. It is something numinose and clear at once. And God(s) is just the peak of the iceberg. But are you allowed to know this? Are you far enough in your way to learn about it? I will silence my knowledge. Although it is not knowledge, not a trusted truth. It is only ...there is no word for it. (I hate the word "feel") One can sometimes only go to Truth by learning what it isn't. By taking only representations of it. And maybe it is far more than something we call "Truth".
I really LOVE his expression :3
Original Art by lenakotova on DeviantArt
Ohhhhhhhh myyyyyyyyy this is my favorite one by far. Oh my.
Asking is tricky
Raymond Smullyan was a revelation for me. As mathematician, especially as logician. His puzzles about knights (always tell the truth) and knaves (always lie) and about Cretans (always lie, too) made me understand a philosophical truth: if you want to know something deeply true, you better ask indirectly.
For example:
You come to the town of knights and knaves and you meet one guy. If you want to know if he is a knight you can't ask him if he is one or ask him if he tells the truth (because it is the defining attribute and interchangeable with the question about his knighthood). Better you ask him some petty question, like: is the sky blue? Then you'll know your primal answer.
Now if you want an information from him that is not related to his knighthood, you can ask him two questions: first the one to find out if he lies, the second you ask about what you have to know.
There are far more complicated tasks Smullyan takes to you with his knights and knaves. For example you want to know if the part of the city you entered is one inhabited with knights or with knaves (different quarters). You can't ask directly, you will be deceived or it is simply not reliable. But you can ask: Are you living here? And on "yes" (either in truth or as lie) reveals to you that it is the quarter of knives. On "no" of course it is the knaves' quarter.
So far to Smullyan's puzzles. But it is a deeper wisdom in it. People are not so compulsary in their behavior as our knights and knaves. But they have socially or psychologically inscribed mechanisms that forbid them - so it seems - to tell you the truth about themselves, when asked directly. You have to ask a different kind of question, something that is indirectly connected to the information you want to have. Never ask: "Do you love me?" The answer will be in most cases "Yes" or "No" for different causes than the relation to the truth: be it of respect, fear of being misunderstood, because they hate these questions etc. But ask for example: "Can I call you at night, when I'm sad?" Maybe this will be more reliable for your underlying question, if the person loves you.
And now look at facebook or on this or that forum, where questions are posed. Don't give a damn of WHAT the people answer, but look about it, HOW they do. And you will know different things: their education, their ideology, their wounded souls.
Wisdom will occur to you if you find the right Smullyanic question to find out Truth.
Awsome stuff!
Fuck normality. it's only good for a while.
prestonsmadness:
Steve Jobs by ~RoachGrace
Resquiat in pacem
langst:
alt of ctrl - MSCJT (by mathiole)
Loose caps... out of control
Yes, you!!
Give me kicks, baby
Out we jumped in the warm, mad night, hearing a wild tenorman bawling horn across the way, going "EE-YAH! EE-YAH! EE-YAH" and hand clapping to the beat and folks yelling, "Go, go, go!" Dean was already racing across the street with his thumb in the air, yelling, "Blow, man, blow!" A bunch of colored men in Saturday-night suits were whooping it up in front. It was a sawdust saloon with a small bandstand on which the fellows huddled with their hats on, blowing over people's heads, a crazy place; crazy floppy women wandered around sometimes in their bahtrobes, bottles clanked in alleys. In back of the joint in a dark corridor beyond the splattered toilets scores of men and women stood against the wall drinking wine-spodiodi and spitting at the stars - wine and whisky. The behatted tenorman was blowing at the peak of a wonderfully satisfactory free idea, a rising and falling riff that went from "EE-yah!" to a crazier "EE-delee-yah!" and blasted along to the rolling crash of butt-scarred drums hammered by a big brutal Negro with a bullneck who didn't give a damn about anything but punishing his busted tubs, crash, rattle-ti-boom, crash. Uproars of music and the tenorman had it and everybody knew he had it. Dean was clutching his head in the crowd, and it was a mad crowd. They were all urging that tenorman to hold it and keep it with cries and wild eyes, and he was raising himself from a crouch and going again with his horn, looping it up in a clear cry above the furor. A six-foot skinny Negro woman was rolling her bones at the man's hornbell, and he just jabbed it at her: "Ee! ee! ee!"
Everybody was rocking and roaring. Galatea and Marie with beer in their hands were standing on their chairs, shaking and jumping. Groups of colored guys stumbled in from the street, falling over one another to get there. "Stay with it, man!" roared a man with a foghorn voice, and let out a big groan that must have been heard clear out in Sacramento, ah-haa! "Whoo!" said Dean. He was rubbing his chest, his belly; the sweat splashed from his face. Boom, kick, that drummer was kicking his drums down the cellar and rolling the beat upstairs with his murderous sticks, rattlety-boom! A big fat man was jumping on the platform, making it sag and creak. "Yoo!" The pianist was only pounding the keys with spread-eagled fingers, chords, at intervals when the great tenorman was drawing breath for another blast-Chinese chords, shuddering the piano in every timber, chink, and wire, boing! The tenorman jumped down from the platform and stood in the crowd, blowing around; his hat was over his eyes; somebody pushed it back for him. He just hauled back and stamped his foot and blew down a hoarse, baughing blast, and drew breath, and raised the horn and blew high, wide, and screaming in the air. Dean was directly in front of him with his face lowered to the bell of the horn, clapping his hands, pouring sweat on the man's keys, and the man noticed and laughed in his horn a long quivering crazy laugh, and everybody else laughed and they rocked and rocked; and finally the tenorman decided to blow his top and crouched down and held a note in high C for a long time as everything else crashed along and the cries increased and I thought the cops would come swarming from the nearest precinct. Dean was in a trance. The tenorman's eyes were fixed straight on him; he had a madman who not only understood but cared and wanted to understand more and much more than there was, and they began dueling for this; everything came out of the horn, no more phrases, just cries, cries, "Baugh" and down to "Beep!" and up to "EEEEE!" and down to clinkers and over to sideways-echoing horn-sounds. He tried everything, up, down, sideways, upside down, horizontal, thirty degrees, forty degrees, and finally he fell back in somebody's arms and gave up and everybody pushed around and yelled, "Yes! Yes! He blowed that one!" Dean wiped himself with his handkerchief.
(Jack Kerouac On the Road)