The Stonewall Inn
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@astronomotion
da-don’t even think about talking to me if you can’t keep a perfect 180bpm beat
you miss out the best part
Who the fuck ripped this fat vape at silent hill I’m trying to find my dead wife
i hate the meme that nook is evil and greedy sm. he canonically donates 90% of the proceeds from his businese to an orphanage.
I…didn’t know that. I was more than willing to defend Tom Nook for his “loan” with 0 interest, no deadline and no pressure or need to pay, but I’m impressed he still makes cash somehow and just donates it, while maintaining his “slimy businessman” reputation like some sort of furry The Boss…
“I thought it was bullshit they wouldn’t even give us a couple drink tickets. But check this out,” said bassist Britta Clark, demonstrating a whirlwind double-punch spin move with a band of fierce, orange light pulsing from her body. “It really comes in handy when a song calls for a sort of pyrotechnic flourish, or for stunning a common field troll.”
(Source)
i literally CANNOT and WILL NEVER get over that one Sad Pic with the story of how a girl and a guy were on a motorcycle and he noticed a wall in front of them so he stopped to let her off and then he drove into the wall and died
IT WAS A CAR NOT A MOTORCYCLE IM. STILL LAUGIHMG YHOUGH
Here’s the thing about the air nomads.
I introduced a friend to ATLA a few nights ago, and they had only known two things about the entire show: the cabbage meme, and that Aang apparently wants to ride every large and dangerous animal he can possibly find. We got through the first five or so episodes, and my friend noted that Aang is exactly what a 12-year-old would be like if given godlike powers, and that this is literally just what he could do with airbending. He can’t even wield any of the other elements, and he’s one of the most powerful people on the planet, because he’s an airbender.
And that got me thinking.
This snippet from Bitter Work is one of the few pieces of concrete information we get about the airbenders, at least in ATLA. Iroh is explaining to Zuko how all four of the elements connect to the world and to each other.
Fire is the element of power, of desire and will, of ambition and the ability to see it through. Power is crucial to the world; without it, there’s no drive, no momentum, no push. But fire can easily grow out of control and become dangerous; it can become unpredictable, unless it is nurtured and watched and structured.
Earth is the element of substance, persistence, and enduring. Earth is strong, consistent, and blunt. It can construct things with a sense of permanence; a house, a town, a walled city. But earth is also stubborn; it’s liable to get stuck, dig in, and stay put even when it’s best to move on.
Water is the element of change, of adaptation, of movement. Water is incredibly powerful both as a liquid and a solid; it will flow and redirect. But it also will change, even when you don’t want it to; ice will melt, liquid will evaporate. A life dedicated to change necessarily involves constant movement, never putting down roots, never letting yourself become too comfortable.
We see only a few flashbacks to Aang’s life in the temples, and we get a sense of who he was and what kind of upbringing he had.
This is a preteen with the power to fucking fly. He’s got no fear of falling, and a much reduced fear of death. There’s a reason why the sages avoid telling the new avatar their status until they turn sixteen; could you imagine a firebender, at twelve years old, learning that they were going to be the most powerful person in the whole world? Depending on that child, that could go so badly.
But the thing about Aang, and the thing about the Air Nomads, is that they were part of the world too. They contributed to the balance, and then they were all but wiped out by Sozin. What was lost, there? Was it freedom? Yes, but I think there’s something else too, and it’s just yet another piece of the utter brilliance of the worldbuilding of ATLA.
To recap: we have power to push us forward; we have stability to keep us strong; we have change to keep us moving.
And then we have this guy.
The air nomads brought fun to the world. They brought a very literal sense of lightheartedness.
Sozin saw this as a weakness. I think a lot of the world did, in ATLA. Why do the Air Nomads bother, right? They’re just up there in their temples, playing games, baking pies in order to throw them as a gag. As Iroh said above, they had pretty great senses of humour, and they didn’t take themselves too seriously.
But that’s a huge part of having a world of balance and peace.
It’s not just about power, or might, or the ability to adapt. You can have all of those, but you also need fun. You need the ability to be vulnerable, to have no ambitions beyond just having a good day. You need to be able to embrace silliness, to nurture play, to have that space where a very specific kind of emotional growth can occur. Fun makes a hard life a little easier. Fun makes your own mortality a little less frightening to grasp. Fun is the spaces in between, that can’t be measured by money or military might. Fun is what nurtures imagination, allows you to see a situation in a whole new light, to find new solutions to problems previously considered impossible.
Fun is what makes a stranger into a friend, rather than an enemy.
Fun helps you see past your differences.
Fun is what fuels curiosity and openmindedness.
Fun is the first thing to die in a war.
OP went and ended hard with the last line.
“We can’t fight Firebenders with fun!”
“You should try it sometime.”
I was gonna put a caption in the middle but honestly this just stands on its own
yo since there’s been some people in the tags who don’t get it, this aesthetic is actually called Grind Fiction and there’s an entire forum essay someone wrote on it here and it’s incredibly 2008 but who cares it’s great.
it was originally given the name “animemo” (yes, as in anime and emo) and before you wince let me just get the last paragraph but edited to have the new name + grammar n shit so you can just fully appreciate why this genre matters
At the end of the day, Grind Fiction can be surmised in five words - “Youths Having Fun Being Fantastic.” In all essence, Grind Fiction is almost like an anime where the characters think they’re in an anime! It’s okay that you grew your hair out long and look like some Final Fantasy character or ‘70s rock, punk, gangsta star. It’s okay that you wear a huge trench coat or a Tron-esque cloak or some outlandish garments, or even just some jeans and a coat you grabbed out of your closet. It’s okay that you combine martial arts or wrestling with cyborg enhancements. It’s okay that you love spray painting walls and streets and helicopters. It’s okay that you have a light saber or a sword or know how to manipulate and levitate things with your mind. It’s okay that you like fighting off equally garish opponents in a Tokyo/Paris/Mediterranean city street/alley. It’s okay that you have a street punk name. It’s okay that you love jumping off buildings and onto other buildings, or platforms, or planes. It’s okay that you like how the sunset on a winter day dyes the world in crimson. It’s okay running off the beaten path, away from the sidewalks, in the middle of a city, just to find what’s around the corner. It’s okay to like the fact it’s okay. It’s okay to take pride in liking this fact. It’s okay that you like having fun, expressing yourself, and kickstarting a revolution. That, my friend, is what Grind Fiction is all about.
pardon my pretentiousness, but the core tenet of existentialism is that we define our own experiences and give our own lives meaning. life is unfair, the world is cold and uncaring, and everything is pulled around by the wills of a bunch of fools on a journey winging it at this whole “life” thing and sorted out by random physics, saying “I am” and defining “I” is an inherently radical action, as well as a totally rad one. In this world that says “it’s hopeless” and tries to define you by that, well… what’s more punk than defying that? this genre is about taking that concept and giving it a look and a sound. there’s that post about the person’s dad who’s upset that the revolutionaries of this day and age don’t have a “look”. but I think we do have one and it’s as vibrant and colorful as the future we’re fighting for. that’s my take on it anyways.
you don’t have to save the world to have meaning in life, and you don’t have to actually be some anime character to feel the freedom of one. you don’t even have to literally be young to be that youth having fun being fantastic - “young at heart” generally only ever really means “doesn’t have a stick up their ass” to most people, and all too often deviating from the norm and expressing individuality is considered childish or stupid by people who are mad that you aren’t as jaded as them and don’t feel the same obligation to play the part you’re “supposed” to just because it’s more acceptable. you just need to know who you are and what you’re about. yeah I know it sounds like the fucking lion king in here but that’s just how it is. every kids movie ever says “be yourself” as lip service but doesn’t really elaborate on that because, I mean, “kids react to existentialism and the inevitability of death” yknow, but for real. particularly in times like these, self-realization and “having fun being fantastic” is one of the most radical acts of rebellion you can do.
i mean if we’re being absolutely, 100% objective about it all, THE best greentext story is “you know how it is with spaghetti”
wrong
ARE YOU SURE ABOUT THAT?
**ahem**
Pokemon Kick animations in 1998 and 2018
this is so damn funny
what ice-t could have meant by “TV is make believe” when told he ate a bagel on law & order:
-a stunt double of some kind ate the bagel
-the bagel wasn’t actually a bagel; was perhaps a donut
-the bagel was cgi
-he ate the bagel but considers it his character eating the bagel and not him