Palmströms Log

palmström legt des nachts sein chronometer um sein lästig ticken nicht zu hören in ein glas mit opium oder äther morgens ist die uhr dann ganz herunter ihren geist von neuem zu beschwören wäscht er sie mit schwarzem mokka munter

[goth-queen]

[venusimleder]

Interview, November 1993.

Ph. Juergen Teller

[whitedogblog]

Italian Savoia-Marchetti SM.79 Sparviero (“Sparviero” is the Italian word for “Sparrowhawk”) bomber aircraft over North Africa in WWII

[milksockets]

robert giusti in blue book - brad benedict (1983)

[lostfunzones]

Bridgehampton, NY, 1978. Joe Maloney.

[gotankgo]

Sonic Youth “Pacific Coast Highway”

• Sister (1987)

[thephotoregistry]

Spain, 1992

Martin Parr

[lempiredelephemere]

[domlarkin]

[clawmarks]

Neues systematisches Conchylien Cabinet - 1769 - via Internet Archive

[godwantsit]

[blumarinelily]

altoids tin wallets

[nitramar]

From the series “After Season”, photo by Adam Wilkoszarski.

His tumblr.

[davidhudson]

Rainer Werner Fassbinder, May 31, 1945 – June 10, 1982.

Michael Friedel, R.W.F. beim Drehbuch schreiben vormittags in einem Café, 1970.

[kikenhanna17world]

“Seeing a Fassbinder retrospective is better than drugs, liquor and sex put together”. John Waters

Born on this day: inspired, despairing and uncompromising director, playwright, actor and turbulent New German cinema visionary, Rainer Werner Fassbinder (31 May 1945 – 10 June 1982) – a true titan of European art cinema. Expressions like “wunderkind,” “monstre sacré” and “enfant terrible” are all applicable here. All these decades later, his best films (off the top of my head, my favourites include Ali: Fear Eats the Soul (1974), Martha (1974), Fear of Fear (1975), Fox and His Friends (1975), In a Year of 13 Moons (1978), Veronika Voss (1982) and Querelle (1982)) still sting like a slap across the face. Fassbinder also elicited career-best performances from the crème de la crème of German actresses like Brigitte Mira, Margit Carstensen, Irm Hermann, Ingrid Caven, Hanna Schygulla, Barbara Valentin, Rosel Zech, Barbara Sukowa and Christiane Maybach. “Fassbinder had the reputation of being quite difficult to deal with in real life, but anyone who made as many films as his years on earth (especially if they’re all good) deserves the privilege of being a true monster,” John Waters concludes in his 1987 book Crackpot. “If Fassbinder ever got any sleep, maybe his genius would have evaporated.

[katiecandy]

[attraktor]

Die meisten Menschen suchen nicht nach der Wahrheit … sie suchen Trost in Illusionen.

[passareltemps]

By Joseph Häxan.