me when my disabilities disable me:
DEAR READER
taylor price
Cosimo Galluzzi

JBB: An Artblog!

祝日 / Permanent Vacation
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occasionally subtle
art blog(derogatory)
Misplaced Lens Cap

tannertan36
let's talk about Bridgerton tea, my ask is open

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#extradirty
tumblr dot com
will byers stan first human second

JVL
wallacepolsom

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dirt enthusiast
🪼
seen from United States
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seen from Singapore
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seen from Malaysia

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seen from India

seen from Germany
seen from Albania
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seen from Japan
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@augustnugs
me when my disabilities disable me:
When you first arrive at the Cantori Diamond, there are no banners hanging. But as you progress through the crows questline, they appear. Moreover, the cut conversations with Fletcher reflected each state.
Before A Slow Poison quest is completed, there's no banner hanging there.
If A Slow Poison quest is completed, Fletcher's banner can be seen next to their store. If the player saved Minrathous, it'll disappear later, along with Fletcher themselves.
After completing For the Love of Treviso quest, three banners of de Acutis (Neri and Noa's house) appear in the casino. I think it's because they were actively involved in that quest earlier.
And after completing A Time to Kill quest, the final two banners of Egrativi (Jacobus' new house) are hung.
Unlike Fletcher's banner, the city choice doesn't affect the others.
There's still some space left in the hub, but I don't know if that means there was supposed to be another banner here, or if it's just to make the crow statue at the entrance visible.
In the game, conversations with Fletcher are disabled, although there's still a change in the environment.
i desperately needed to see neve's romance scene with blue in lingerie. for mental health reasons 🙂↕️
Questions About Creating Your OCs
‘Cause sometimes the stories of how OCs come to be are just as interesting as the OCs, themselves. Tell me how your virtual kids came into the world.
What was the first element of your OC that you remember considering (name, appearance, backstory, etc.)?
Did you design them with any other characters/OCs from their universe in mind?
How did you choose their name?
In developing their backstory, what elements of the world they live in played the most influential parts?
Is there any significance behind their hair color?
Is there any significance behind their eye color?
Is there any significance behind their height?
What (if anything) do you relate to within their character/story?
Are they based off of you, in some way?
If they have an LI, how much of their character is tailored to be compatible to that person?
Did you know what the OC’s sexuality would be at the time of their creation?
What have you found to be most difficult about creating art for your OC (any form of art: writing, drawing, edits, etc.)?
How far past the canon events that take place in their world have you extended their story, if at all?
If you had to narrow it down to 2 things that you MUST keep in mind while working with your OC, what would those things be?
What is something about your OC can make you laugh?
What is something about your OC can make you cry?
Is there some element you regret adding to your OC or their story?
What is the most recent thing you’ve discovered about your OC?
What is your favorite fact about your OC?
Ok so I was thinking earlier about how just. Absolutely purposeful Davrin is once he learns Isseya's name. He always uses it, emphasizes it even. The way he tries to humanize her, especially if you get the feather with the information from the First Warden, is really moving.
But I'm also like. He's so attentive about her name. What would he be like when he learns Rook's name and starts using it?
And especially for Callie, who mostly uses nicknames and is fine with it, if he started using her full name? Saying Calliope in that very purposeful, insistent tone?
I think she'd melt on the spot.
“Well said. Perhaps I was mistaken.”
Happy twink, happy pride🎉
How it feels to be mutuals with someone for over a year
Are you excited? Because we’re excited. Lace Harding is excited.
Harding Week 2026 will take place from July 27th to August 2nd!
The hashtag will be #DATVHarding2026.
The prompts for the week are as follows:
Day 1 (July 27) – Compassion | Rage Day 2 (July 28) – Archery | Camping Day 3 (July 29) – Cheese | Mabari Day 4 (July 30) – Kal Sharok | Titans Day 5 (July 31) – The Stone | Lyrium | Isatunoll Day 6 (August 1) – Solo | Team Day 7 (August 2) – Free Day!
Check out the Rules & FAQ on our blog. If you have any questions, feel free to ask!
We’re so excited to see what you all do with these prompts!
in my crow pondering era
I got some great screenshots from the sequence Solas joins Rook in Minrathous. Look at this smirk!
I can't help but think- oh darkspawn aren't scary to you anymore, eh? You *never* went down like a chump in the Hinterlands.. not you 🙄 I remember, Solas. I remember everything.
The power is hot of course, but I miss that crunchy little level 2 mage.
NO MORE SHADOWS, NO MORE FEAR
For she who trusts in the Maker, fire is her water. As the moth sees light and goes toward flame, She should see fire and go towards Light.
ok so this is another long shot but a few years ago there was a twitter post (in japanese i think?) that had measurememts for how to make this book stand thing out of cardboard that you could use to double up books and use up more space on shelves
back then i made a bunch of these but by now i lost the pic and dont know how to find the original post anymore
if it comes down to it i can just take one apart and get the measurements from there but i would be very grateful if anyone happens to have the original post or something similar??
don't mind how long it's been since i made this post, anyway i realized that i don't even need to take one apart to get the measurements when i can literally just unfold it and refold it /FACEPALM
so anyway here is the diagram for anyone else who is interested!!
this requires pretty big carboard pieces, if you have a really big box or something you can make it from one piece, but if you don't, you can also just make each of the pieces individually and then tape them together
and then in the end you put it together like this!!
and then when you make a bunch you can put them all next to each other and stack your books like crazy
EVERYONE START GETTING MORE USE OUT OF YOUR SPACE NOW!!!!
hey. you have to love your trans brothers of color okay. and your trans sisters of color. and your nonbinary siblings of color. you have to okay. its simply non-optional
Catching up on these shipping prompts, reading other people's shipping prompts, reading people's headcanon and lore and world building. This is my version of reading the newspaper in the morning over coffee and I love it. What a way to start a day, through creativity. Thank you all for being playful.
Can you talk more about Harding just happening to be lucky that she joined a morally good group? Like the more I listen to Inquisition and Veilguard dialogue with her in them, I can’t help but think you’re onto something.
“Me? I’m no one. Lived near Redcliffe all my life. Herded sheep for my neighbor. When the Inquisition came through my village, I helped by telling them everything I knew about the area. Then I signed on. Wanted to see the world before it was swallowed up by… that thing out there.”
anyone can offer you a chance to see the world. adventure, beautiful foreign sights, respect for your skill, status when you go home, community and camaraderie among your fellow fighters. chances that you might never usually get as an ‘ordinary’ person, in this case living in a rural area as a (fantasy) minority. honestly for me the whole “get out there and see the world!” thing specifically evokes the real world evil of like, classic military recruitment rhetoric. it’s all a big adventure! never mind what you’ll be doing and who you’ll be doing it to.
and our first sight of harding is a confident smirk when she kills. (which we’re supposed to feel fine about and maybe think that she’s a #girlboss, because remember the mages and templars are Crazy, so killing them indiscriminately is fine. but let’s imagine dai is a serious game.) she obviously took very easily to violence in the inquisition’s name before she’d met any of the inquisition’s leaders, before the inquisition had a real direction, and before they had a simple-to-justify, no-longer-human enemy like corypheus. if she could be convinced to do all that by the inquisition’s scouts, then why not anyone else offering the same things? why not an inquisition that was actually, you know, an inquisition?
despite leading with wanting to see the world and not even mentioning any kind of moral motivation, harding definitely perceives herself as a good person and i don’t think she would go for anything that didn’t have a veneer of righteousness. she takes pride in the inquisition and what she believes to be its purpose. but any organisation can say they’re doing it for the good and order and stability of the world, right. any organisation can pass you that message through a recruiter who at least sounds like they believe it. and as a scout on the ground you’re so far from the war table that you will never really know why the people directing you are making their decisions. and you opt to kill whoever they tell you to kill anyway. even in some impossibly hypothetical world where those decisions are all just and measured and necessary, can it ever possibly be moral to just hand over your conscience like that? to kill blindly because those are your orders?
i feel like harding’s narrative veers so closely to real world recruitment rhetoric that i don’t just find it uninteresting to be like Yay It All Worked Out :), i find it Bad. this is not heroic when it happens in real life and i don’t think it should be heroic here. i know i’m in the genre where Pure And Honourable Warfare Of Our Innocent Boys And Girls Against Inhuman Monsters or Perhaps The Inherently Evil Foreign Horde of Baddies is virulently everywhere but i think that’s precisely why we should be aware and critical of it and thinking around it not just accepting it as fact you know
and harding would be a better character for this setting if we engaged with the blood on her hands. she is essentially a killer, it’s the first defining thing we see her do! she doesn’t have to be stuffed into a “cute wholesome moral compass we don’t have to take seriously” box just because the writers can’t even imagine a dwarf being taken seriously let alone a dwarf woman