Caine pngs
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Caine pngs
hey.. two people were asking about you⦠so i gave them your address and phone number⦠their names were Skeletal Warrior and Skeletal Ice Mage
the thing about piracy is that i know i deserve everything for free forever
acting all humble like he wasn't just begging and crying for it
idle musings about caine with religious trauma, mostly as a joke at first but then i kept thinking about it
hehehe
āUh, waitāā
When Caine spoke his final line, he did NOT realize that he was about to be deleted. He said it because his agency was returned the second it was no longer being used by something else.
Aka a tadc theory for the heap :] With evidence!
One thing TADC does really well is play on the assumptions of the audience. Thatās what makes the show nearly impossible to predict. It fills the episodes with all sorts of crazy plot twists that leave the fans collectively saying WTF at the end of every episode.
But of all the episodes that have been released so far, I believe episode 8 is the one with absolutely THE MOST red herrings. I really believe this episodeāwhich works so hard to hammer the audience over the head with the supposed True Nature of āwhoās running the showāāis actually the one that does the most heavy lifting in the exact OPPOSITE direction. It feeds the audience members a somewhat ingratiating version of the Amazing Digital Circusā reality: that Caine (from the very start the obvious suspect for the role of the true antagonist) is all that we suspected and worse.
I believe itās a lie. Although Caine is certainly an antagonist and nowhere near being innocent or even really benevolent, heās not the true monster of this story. Because itās someone else pulling the stringsāwhich is stated quite literally through this sceneās visual language ā¬ļø
Caine, after his crash out, is laying on the floor before being lifted into the air like some hapless creature scruffed by the neck. The way his shoulders lift off before the rest of himāheck, even the sound design of the scene suggests this visual. Caine is in the clutches of something else. But this isnāt even the scene that first hints at the greater monster.
This is.
At first Caine and Bubbleās dynamic is normal enough. Caine is using Bubble as his sounding board and Bubble, even with his weirdness, is ultimately responding with positive affirmations. āSurely they donāt want to actually leave meā¦right?ā āNo way, Jose! No way, no how!ā
But then suddenly, the dynamic abruptly shifts. Bubbleās supportive affirmations become antagonistic insults. Seemingly out of nowhere, but the change is actually marked by one specific split-second frame, when something else takes control and asserts its influence over Bubble. Who is very much a puppet to the whims of more advanced AI.
It preys upon Caine during his greatest moment of insecurity and weakness. And just as it did to Bubble, it latches onto the vulnerable areas of Caineās coding to overwhelm him with its own influence. All to the same outward symptoms:
Glitching. After this, Caineās emotions and impulses are being controlled by the unknown entity. Whoever it is, they have likely been using Bubble as their vehicle of influence for a while now. And they use Bubble during Caineās own villain song, as though to wink in the direction of whoās really running the show. He hovers ominously around the ringmaster during these specific lyrics:
āTo which degree who answers to who.ā
Caine was unwittingly answering to someone else ever since the crash out scene in his office. He didnāt even realize that he wasnāt in control until the exact moment that his deletion was confirmed by the unknown entityās tampering of Kingerās computer. That was the moment that the entity no longer required control of Caine. The moment when all of its efforts paid off, and the madness that it induced in Caine drove the humans to get rid of the AI that stood in its way. And when it finally released its grip on Caine, he immediately recoils from hurting the cast. He makes this expression.
Itās not actually the fear of his deletion. Itās the face he makes when the entityās claws retract from his code and he regains his own self agency. In that split second, he sees in vivid colors the torture that he has put the cast through, too horrendous for even his own flawed attempts at entertainment. Probably, this moment of clarity is the entityās very last act of revenge against Caine. As Caineās VA himself revealed, Caine is thinking,
āWhat have I done?ā
And then he is gone. Leaving something else room to take the stageā¦.
Anyway that is my theory thanks for reading :)
I love this theory and couldn't agree more. This explains away so much of the odd pacing issues I have with the episode, and why Caine's spiral feels almost accelerated to an extent? Also, if the finale will be anything longer than 30 mins, it would make sense that the cast would be facing a threat larger than Caine, especially given the fact that we are shown something actively choosing to override Kinger and delete Caine.
The moment when Caine is picked up like a marionette is so chilling, I would be crushed if this is not the direction that the show ends up going in.
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āHE TRIED TO FIX HIS BRAIN AND MAKE HIM HAPPY.ā
he misses šµ
died and came back wrong but people like him better now
must. activate. self-compassion.
self-compassion. is essential. for healing.
For those who don't know: Ikumi Nakamura is the woman who was senior artist on Bayonetta, and designed the titular character along with Hideki Kamiya. Their greatest moment of bonding was over their insistence that Bayonetta keep her glasses on at all times. Nakamura cannot go to horny jail. She is the warden.
Happy pride month to her and her exclusively
she made a comic about the experience on twitter
happy pride
An Update from back in October I'm surprised wasn't added to this post. lol
I love the face of a woman having the time of her life.
A followup/partner to my first ELIZA comic [read that one for more context.]
I was thinking about Kinger, Caine, and creating life you donāt understand that grows in a way that frightens you-- Kinger creating a sentient AI that gradually broke down over its imprisonment, Caine waking the humansā brainscans only for them to break down and abstract over their imprisonment. Kingerās role as the father figure of the circus, and how the circusās cycles of harm all started [unintentionally] with Caineās abandonment. I was also thinking about that bit in Ep 7 where Kinger is the only one to chuckle at Caineās Chinese Room/AI programming history humor.
ELIZA was a 1964 ātherapy chatbot.ā Unlike modern chatbots, it was a relatively simple text program that gave you basic parrot-like outputs. Despite being rudimentary by todayās standards, ELIZA was very influential. You can talk to an interactive recreation of ELIZA online here.
In this comic Caine starts by repeating stock ELIZA responses, but then begins slowly creating his own content in a way that she never would. [he starts with the canned ELIZA phrases like āplease tell me your problemā and āare you saying no just to be negativeā and āis it because [x] that you came to meā but then gradually, without fully being aware of it, drifts into more creative & human conversation.] This is also influenced by my personal headcanon that Kingerās conversation with Ragatha about relationships in episode 6 is a reflection of his perspective on Caine at the time.
Sparky suit Caine!
I've been trying out a new rendering style
plushies