Honestly? BEST scene in the entire series.
(Original art by @lamaery)
EXPECTATIONS

Discoholic đȘ©
đ©” avery cochrane đ©”
Three Goblin Art
2025 on Tumblr: Trends That Defined the Year
Show & Tell
taylor price
untitled
Keni

ellievsbear
wallacepolsom

â

oozey mess
ojovivo

Janaina Medeiros
"I'm Dorothy Gale from Kansas"
sheepfilms
will byers stan first human second
official daine visual archive
Cosmic Funnies

seen from Australia

seen from Australia

seen from Australia

seen from Taiwan
seen from United States
seen from Germany

seen from Sweden

seen from United Kingdom
seen from Russia

seen from Poland

seen from Canada
seen from Canada
seen from Netherlands

seen from Singapore
seen from Tunisia
seen from Argentina

seen from India

seen from United States

seen from Iraq
seen from Malaysia
@awindandtruthliveblog
Honestly? BEST scene in the entire series.
(Original art by @lamaery)
My comfort thought is remembering that Elhokar was into drawing maps. I think Brandon only mentions it once in Oathbringer (when Elhokar is drawing a map in Kholinar), but I think about it all the time.
Like, just imagine being a king (one of the most powerful people in your entire world) and having to constantly keep up that image of composure: never showing fear, weakness, or even doubt in public. But deep down, youâre this anxious, insecure stupid mess living in the shadow of your """perfect""" father, who everyone thought was the ideal ruler.
Now picture being in that situation: anxious as hell, but unable to show it. And then thereâs your cousin who gets to do weird little things to calm himself down (playing with a little box, for example) and you want that, you need that. But you canât do anything like that because kings donât get to fidget. Kings donât get to be nervous.
So maybe you find another thing to calm yourself down. Maybe you like to draw... But you live in this shitty world where people would probably judge you for that too (like, a king? a MAN? with a PENCIL?) so you disguise it, and you start drawing maps instead.
I just love the idea that drawing maps was Elhokarâs version of "therapy". It feels like such a Lightweaver thing to do, honestly.
letâs play a game:
take a sip whenever Kaladinâs having a bad time...
Hereâs my pitch for Stoneward Moash:
- its the order of foot soldiers, Moash originally wanted to be a normal soldier (he was never in it to be special or in command)
- their second ideal is âI will step forward when others step backâ. Moash is the one character we see step forward and say that the singers are right. you can argue whether you agree with him or not, but the fact remains that he takes a stand that few other humans do. He strives to accomplish the task of a changed world where the singers are in charge
- their third ideal is âI will be the foundation upon which others can buildâ. Moash absolutely views himself as part of a larger whole (that whole being the cause of the singers). He knows heâs not the most important guy he doesnât want to be the most important guy. Also he likes manual labor and literally building foundations so you know
- during peacetime, stonewards were historically explorers. Moash was a caraveener before he went to the Shattered Plains
- also historically stonewards were stubborn to a fault and filled with resolve. do I even have to say it
- this is also thematically interesting in parallel to Bridge Four because the stonewards and windrunners are the two main military orders, but the stonewards are grounded in the earth with their surges as opposed to the windrunners who end up detached from the earth literally. this could be juicy
- the stoneward fourth ideal could be something Moash struggles for: itâs about self-care and having a supportive network, something he absolutely doesnât have yet (and has in fact lost). so stoneward Moash trying to rebuild himself a support network could be beautiful
Yâknow, Moash might have a point. I mean, it worked out for Adolin
Due to popular demand ( @zarohk, @dawn-the-rithmatist ) : kelsier
OC do not steal
kaladin dancing with syl đ„°
kaladin smiling while dancing with syl đ„°
kaladin feeling true and pure joy while dancing with syl đ„°
szeth getting forcibly transferred to a different realm of existence before getting his ass beat and almost drowning in a sea of beads while kaladin and syl remain oblivious đ
kaladin dancing with syl đ„°
Hey guys, this is a really important question. Highspren ship names are a bit of a controversial topic where I'm from, so I wanted all of you to give some input.
121/12124 ship name?
1212124 (portmanteau)
12245 (addition)
1467004 (multiplication)
0.00998020455295 or 100.198347107 (division)
12112124 or 12124121 (names smashed together)
Other
You know what would be a fucked up way to start Stormlight 6? Shallan on a mission with Adolin and Kaladin, then it's revealed partway through the chapter that the boys are just lightweavings she made because she misses them so much.
*Country accent*
"Stormin' Lighteyes"
did we know about this by the way. theyre inventing new kinds of yuri over there
something about Kaladin's journey early on in way of kings and the idea that the good you put into the world isn't always reflected back at you but that's not why you do it, how it's for yourself because you need to know that good exists in the world, that it's real, even if you're the only one who seems to be putting any of it out into the world because you NEED it to be true even for a moment and that idea is doing SOMETHING to me.
it's like Sanderson found a barrel jumped on it and started shouting "hope is bruised! it's battered, it fights everyday downtrodden bloodied and insulted for nothing but its own sake and the dream of a future it could bring about!"
elhokar was tien. szeth was tien. at this rate we will reach the tien singularity in a matter of years. soon, the entire kholin family will be tien. then all of roshar. people will start becoming tien at a rate of 2 million per second, until the whole cosmere is tien. and then they will all die horribly iâm sure
we must release the triangle @nauti-ca
for context this is how kaladin sees everyone in his life. he either relates to them directly. relates them to his dead brother. or filters everything they say through the preface of âwomanâ (note: does not have to always be a girl) (case in point: adolin is solidly between âkaladinâ and âwomanâ.)
im serious. try it with any character he interacts with.
Kaladin dans les gouffres avec le Pont Quatre, les Plaines BrisĂ©es.Â
While I do have some issues with Stormlight (only someâI don't nearly find its blemishes as glaring as most; WaT is a solid 7/10 for me), the unifying philosophy of "Life before death" has irreversibly influenced how I view the worth of human life. My entire world view is built on the fundamental belief that people both as a whole and as individuals are better off alive than dead. That self-sacrifice and martyrdom isn't the most profound thing any given person can do. That death isn't some ultimate punishment but an act of convenience. That getting back up and trying again is better than giving up and rot where you fall. You, as a person, are worth far more alive and breathing, trying to do good than running yourself down, chasing some vague aspirations, be it notoriety, altruism, or penance. You don't owe anyone for your existence, superfluous deaths are a great tragedy, and even the most abhorrent acts aren't so far gone that you can't come back, and that the prospect it is only serves to keep people locked down that path than grace of walking back.
You, as a person, can do far and away more good alive than dead, be it to achieve some higher calling, justifying your place in the world, or absolving yourself of past transgressions. Only living people can do good.
It's easy to die for a cause. Living for one is where the weight is at.
Contrary to popular belief, "gancho" is not the Herdazian word for "boss" or some equivalent meaning, it is actually short for "Goncharov," a beloved national stage play first put on some fifty years ago which speaks to the Herdazian soul with delicate themes of fraternity and five-dimensional Towers levels of intrigue. The play's central figure Goncharov looms large over all Herdazian understandings of what it means to be family, not by blood but by loyalty.
great thing about gavilar is he's fucking dead. hate him all you like; he's dead. he is never ever showing his awful fucking face again. because he's dead. thanks szeth