AZ Files

Books, movies, TV, occasional music, but mostly snark

[tzikeh]

More examples of the WORST mansplaining here.

[useyourblinker]

This might be my favorite

[lotsofcatsandcheapwine]

This is mine

[stockyardsyndrome]

[sailermoon]

this is how new yorkers @ mamdani

[sailermoon]

[futurebird]

The "B" is *not* for "buses"

Via mastodon(aka the fediverse)

[invisible-goats]

it's so fun for me every time this appears on my dash because not only did i walk past it irl several times, it's on what is widely considered the busiest bus route in europe

[lionofchaeronea]

I welcome all my bussexual and trainsgender friends.

(Sorry--couldn't resist.)

[sodiumvaporss]

i do have to say that no matter how shitty any sort of media is or how shitty your own creations are. always remember

[argumate]

LLM psychosis is simply the democratisation of being surrounded by yes-men and unctuous toadies, an experience previously only accessible to dictators and kings and cult leaders and venture capitalists

[longseasons]

[gwydionmisha]

Bonus: If I buy a book I get to keep it! The publisher can't turn up at my house at random and confiscate all the books I bought.

[thebibliosphere]

Every so often I catch a glimpse of the book drama going on over on the Insta/Threads sphere of the Internet, and it makes me so glad I’m considered too Tumblrina to sit at their tables.

What do you mean an author is railing against people using libraries/the Libby app because it’s “free” (it’s not. you as the author get money from the library purchasing the digital lending license) and meanwhile their book is on Amazon for free to try and get readers??? Hello????

[thebibliosphere]

“But if people read it for free they might like it want to buy the rest of my work!”

You mean like how people read books at libraries, and end up buying them if they like them?

“That’s not the same 😡”

Correct! Because again, libraries pay us. You putting your books up on Amazon for free means you get nothing.

[thebookewyrme]

I am staring directly into the camera like I’m on the Office in Librarian. Libraries are literally an author’s best friend. We get books to people they never would have known about otherwise, & create Fans out of disinterested bystanders. And! Libraries are often paying MORE for a book than the average user, at least for digital editions, because it is expected that the library will lend it to more people, so theoretically we need to pay more to compensate the authors! (This is not I think how it works in practice, it more often just benefits the digital lending company instead of the actual author but. Greed is ever thus). Also, in some countries (sadly not the US, boo hiss) authors get paid for every checkout of a book. So, you can literally get royalties on those “free” books. (Also, they’re not free, they’re paid for with tax dollars for the good of everyone). How some fool can think temporary freeness on Amazon Kindle is superior to libraries I cannot fathom. Like, how does this person even manage to function in the real world?

Anyway. Authors. Love your librarians. We love you and seek only to help you get more readers so you can write more books. We have a symbiotic relationship, each needs the other.

[thebibliosphere]

#I thought if you were self pubed#you basically couldn't get into the library#sounds like being mad at a club#that won't let them in

Just saw this in my notes and thought I'd reply. You can't get into libraries if you only use Amazon, but platforms like Draft2Digital, Ingram and Kobo Writing Life make it possible for self-pub authors to have their work made available to libraries across the global network.

You're sometimes more likely to get picked up by libraries if you list yourself as having a publisher, but as a self-pub author you can do that by registering as an LLC (which for me was $250 back in 2020, I don't know what it is now) and then listing the name you used as the publisher. But even that's becoming an unnecessary step with how prominent self-pub has become.

Really at this stage, this person is shooting themselves in the foot by opting to remain an Amazon exclusive author and being a twit about it on main, but that's their hill. They can die on it.

[softieskywalker]

i think the key difference between george lucas’s star wars and disney’s star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because that’s how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation can’t have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when you’re a giant corporation who only cares about selling to the widest audience possible, you can’t take sides. you can’t decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.

[david-talks-sw]

I have been looking for this post for years after I came across it and it’s finally here and I need to reblog this because it is absolutely and entirely accurate.

[comebackali]

#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40’s adventure serials#but disney are making a ‘star wars film’ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)

[narrativelydoomed]

@swshows Week: DAY 6: Favourite Dynamic - Disaster Trio/Lineage

"We'll be fine, as long as we stay together."

[jabberding0]

Art by Luo Li Rong

[everythingfox]

Bilingual

[sayhelloanimalfriends]

no music 🐔

[i-am-the-guarding-dark]

i just think it really says something about Sir Terry's view of the world etc. that every time he puts a character in front of you and posits them as The Good One, it's never the character who always thinks good things. it's the one who has grit in their soul and thinks bad things but never lets the inner bastard win.

Carrot is a force for good without a doubt, but he is not the Good Man in Ankh-Morpork. Vimes is. Vimes who is deeply suspicious of just about every group in the city, Vimes who constantly has to reexamine his beliefs and prejudices, Vimes who really really wants to kick the shit out of the bad guys but never lets it happen. If you'd do it for a good reason, you'd do it for a bad one.

And it happens again with Granny Weatherwax - the one who wanted to be evil, who can feel the evil nagging at her every day, who nevertheless holds the line.

idk something about how being a good person doesn't mean being perfect or idealistic or even particularly nice. it's just about doing The Right Thing, over and over again. it's about who watches the watchmen? that would be me. ah, but who watches you? I do that, too.

[discworld-heritage-posts]

Discworld Heritage Post

[teaboot]

Wait what's a buildings fire evacuation plan if you aren't supposed to use the elevator to get down

[lazodiac]

You go down the stairwell/fire escape. Is that weird?

[teaboot]

But what if you have a walker or a wheelchair??

[durpacerangerrogjro]

in america at least, in this situation, there isnt one. either your loved ones or the firemen can get you out using the emergency fire escapes or stairs, or you die 

[teaboot]

That's fucking horrific, thank you

[official-lucifers-child]

“fun” little story:

last summer my friend who is an amazingly talented artist and i were in this super tall building, and she’s in a wheelchair and i’m pushing her around the room. it’s an art exhibit and some of her art was chosen to be showcased there and so it’s all fine and dandy until suddenly an alarm starts going off

a FIRE ALARM

everyone starts running for the stairs and my friend just looks at me with this forlorn look on her face

“i can’t go down the stairs”

but i’m a stubborn bitch “i’ll carry you”

“what about my chair? it’s too expensive for me to be able to get another one if i can’t get this one back”

“i’ll carry that too”

and i did. we went to the stairs (by then most people from our floor were gone) and i lifted her up in a fireman’s carry over my shoulder and then lifted her chair up and used the ridiculous amount of adrenaline that was coursing through my veins to make it down approximately 20 half-flights of stairs until we met some people exiting lower floors, one of which who kindly took the chair. I changed positions so i was holding my friend bridal-style which was, somehow, easier and the person who took her wheelchair (with her permission to handle it of course) accompanied me to the ground floor and then out the doors

basically there is no real protocol for people who can’t use the stairs in an emergency. it’s up to the people with them, if anyone, to help them or the person to somehow make it down the stairs alone, unassisted

thank fuck that it was just a faulty alarm system, because if i was unable to carry her down those stairs and the building was on fucking fire???? then i don’t know what would have happened to her, but i don’t think it would have been very good.

it’s fucking ridiculous and ableist to the absolute max.

[girlfriendsofthegalaxy]

I use a cane. When I did a day-long fire safety training at my northeast American university (UMass Amherst), I asked that exact same question: “what am I supposed to do if the fire alarm goes off and I’m in my lab on the twelfth floor?” 

the fire marshal hemmed and hawed for a while and then said to take the elevator- you’re supposed to leave it free for the fire department to use and they want able-bodied people out fast not waiting for elevators. if the fire alarm has just gone off the building probably hasn’t suffered enough structural damage to make using the elevator dangerous, and modern elevator wells are heavily reinforced. many large and high-trafficked buildings on my campus have fire rated elevators that link in with the fire alarm system so they won’t let you off on a floor with a possible fire. 

if the elevator isn’t working, wait in the stairwell and call the fire department to let them know where you are. modern stairwells are also heavily reinforced- it might not be pleasant but modern building code usually requires fire-resistant stairwell doors in office and big residential buildings, also to help firefighters get in and out safely. older buildings’ stairwells may or may not be retrofitted with fire-resistant doors but a stairwell is generally the safest place to wait if you can’t get out. 

what happened to your friend was horrible, and i’m very glad you were there to help her out, but you can absolutely use the elevator to evacuate if it’s not shut down. those don’t-use-the-elevator rules are for abled people.  

[tisfan]

This is GOOD TO KNOW. why do they not tell people this??

[ravynfyre]

Okay, firefighter here. If you are not physically able to use the stairs, and the elevator is NOT compromised, use the elevator. But you MUST be ABSOLUTELY CERTAIN that the elevator is NOT compromised before you get into it, because there is always the chance that once you get into it, you may not exit it. Power could go out. The elevator may actually BE compromised and you just couldn’t tell from where you were until you were in there, and it suddenly shuts down on you. Something else could happen. 

Understand that once you enter the elevator, you could POTENTIALLY be taking your life into your hands there.

It is NOT LIKELY, to be perfectly honest. It’s only in a pretty catastrophic scenario - think the Twin Towers, USA, on September 11th - that the elevators will be compromised and out of service. But there is a NOT ZERO PERCENT CHANCE and you need to understand that and accept it.

As for leaving the elevators free for the firefighters, okay, here’s the deal. Unless your nearest fire station is literally right next door? Your first on scene fire truck is NOT likely to be there on scene and needing that elevator before you get to the ground. It takes us TIME to find the address, gear up, and drive to the building. Then we need to hoof it into where the elevators even ARE, so YOU HAVE TIME to use the elevator to get down to the ground floor... BUT ONLY IF THERE’S NOT A RUSH ON THE ELEVATOR! And THAT is WHY we don’t tell people this shit. That’s WHY we tell people to NEVER USE THE ELEVATOR... because every self-entitled asshole will use it because they don’t feel like walking, and then put YOU in danger by delaying the elevator’s arrival to you.

IF, however, the elevator IS compromised, or you just can’t get it to come for you, or whatever, and you either don’t have anyone with you who has the adrenaline fueled BALLS to be able to toss you over their shoulder and hoof it down the stairs with you - because, let’s face it, that is RARE AS FUCK, then HERE IS WHAT YOU DO:

You call 911 and tell the call taker that you are in the building that has a fire alarm going off, and you are not able to evacuate because of a physical disability, and you tell them what floor you are on, and EXACTLY what stairwell you are waiting at. And the very FIRST thing that the firefighters are going to do once they arrive, if it is, indeed, a REAL emergency, and not a false alarm, is come get your ass and bring you down. Whether that means carrying you down the stairs, or whether that means locking out the elevators so that no one else can override them and coming to get you themselves, they WILL come get you FIRST THING if it is a real event. And if it is a false alarm? You will probably be the first person who is not involved with the building to know, because the call-taker is going to stay on the line with you until you are under someone’s care and out of danger, or until the scene has been sorted out as real or false, and you are out of danger that way.

These are pretty standard operations in the fire service throughout the United States. There may be some minor variations based on specific municipalities, but, for the most part, this is pretty typical: LIFE BEFORE PROPERTY. So, as long as SOMEONE knows where you are - hence why you call 911 - Firefighters will come get you. You are NOT alone, and you have NOT been abandoned. I PROMISE. It’s like, our whole reason for doing the shit we do: to save lives and to break shit. Sometimes, we get lucky enough to do both at the same time.

High rise fires suck ass, and I always hated them. But the very FIRST thing I asked anytime we got one was if we had “any entrapments” - which is what we call anyone who could not self-evacuate for ANY reason. We ain’t leaving you behind. And yes, your friend who doesn’t have the stamina to carry you down can stay with you, too. Because I would never ask that of someone, honestly. 

Also, just a little FYI... MOST fire alarms are false alarms. Not to make anyone complacent or anything, but, yeah. Most of them are either system malfunctions, someone accidentally hit a pull station, or someone burned popcorn in a break room. So don’t let a fire alarm freak you out until you need it to - by smelling or seeing smoke or flames. 

[gentle--riot]

i have had multiple nightmares about this very thing because NOBODY BOTHERS TO ACTUALLY TELL WHEELCHAIR USERS THIS STUFF

[downwiththebad]

I am loving these additions!

If you're disabled, this is worth the time and focusing energy to read through!!!

[kyraneko]

Short version:

If disabled and the fire alarm is just happened, you're allowed to take the elevators down but there's a small possibility you could get stuck if the elevators are compromised.

If you can't use the elevators or don't want that risk, go to the stairwell which is reinforced against fire, close the doors, and call 911 to let them know you are in that particular stairwell and can't get down.

Fire will strongly prioritize finding and rescuing people who might be still in the building during any actual structure fire. This is a major component of their job.

Fire people won't arrive in the course of one elevator run and actually half the deal with "don't use elevators" is supposed to be "leave it for people who need it in the emergency" which is both fire AND disabled people.

[identittycrisis]

a fire is my worst nightmare as a disabled person, thank you to everyone who helped put this post together

[seachick]

"The way that we did that was you take a filter out of the camera that's blocking the IR light and it made this beautiful pinkish-reddish color. We put Ryan on a stage surrounded by a bunch of chicken wire filled with infrared lights that were, like, sparkling. And then we had Greig [Fraser, Director of Photography] build an aquarium, a double glass window with a hose dripping water through it in front of a handheld camera and then he would stand around Ryan who going like this [reaching out and touching astrophage floating around] in a chicken cage, but he couldn't see anything because the lights are invisible to the naked eye."

-Phil Lord and Chris Miller on The Big Picture Podcast discussing the hardest scene to film

[dracula61]

[camellia0x0]

流れるままに

[mjalti]

[david-goldrock]

Smart woman next to an unbelievable achievement is a picture niche that will never get old

[awnerd]

Then you’re gonna love this photo of Annie Jump Canon.

Working at Harvard in the late 1800’s and early 1900’s as a “Computer”, Annie Jump Cannon cataloged stars using their spectra from photographic plates, in an effort to understand the mysteries and peculiarities of stellar spectra.

This was hard, detailed, nuanced work. By 1889, three years into her work, she had classified over 1,000 stars. By 1913, she could classify 200 stars an hour. She could classify three stars a minute, just by sight. Using a magnifying glass, she could classify stars down to 9th magnitude, 16 times fainter than the human eye can see. And she did this all with exceptional accuracy.

Over the course of her career, she personally classified more than 350,000 stars, accounting for a mind-boggling 98% of all contemporary stellar spectra classifications, a feat that wouldn’t be bested until the 1990’s with automated digital sky surveys.

Cannon used these classifications to develop the Harvard spectral classification system (O–B–A–F–G–K–M), organizing stars by surface temperature and physical properties.

It is hard to overstate just how foundational her work was to modern astronomy and astrophysics. Her classifications have enabled more than a century of breakthroughs in stellar structure and evolution, including the understanding of how stars change over time and how temperature, luminosity, and composition are related. The system underpins the Hertzsprung–Russell (HR) diagram, one of the most important tools in astrophysics, and remains embedded in modern research, from stellar population studies to galaxy evolution.

The immense scale of her work was itself a massive contribution to astronomy. For comparison, before Cannon, star catalogs contained between 600 and 4,000 stars. Her work single-handedly proved that large-scale stellar classification was both feasible and scientifically valuable. She helped establish systematic star catalogs as a core method of modern astronomy and laid the groundwork for astrophysical research on stellar structure, evolution, and populations that continues today.