I’M GONNA KILL YOU IF YOU DON’T BEAT ME TO IT
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Cosimo Galluzzi
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macklin celebrini has autism
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@babynicoleblogging
I’M GONNA KILL YOU IF YOU DON’T BEAT ME TO IT
i'm so hungry. won't someone use !tortellini to feed me delicious pasta
!cursedoak
“it isnt something you have to read critically” well 😭
this technically is true but I think this also perfectly encapsulates why I am inherently distrustful of like. “”cozy”” “turn your brain off” fiction lmfao. like okay WHO gets to turn their brain off and who has to suffer through bigoted caricatures of themselves while everyone else is having cozy silly no brain time 😐
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
you are only alowed in my room if u love me
"no rapping tonight"
why?
"you rap about the skeletons from undertale everytime, it's embarrassing"
ok
[after one beer]
uh oh y'all i think ive got a virus
how it genuinely feels
Some spider attack animations~
No death cab for ugly? Ugly has to walk?
When I was a little boy, girls used to just do random cartwheels for no reason. Then one day, they stopped. Now that I am a man, no women randomly do cartwheels. This is because society is evil and killed the cartwheel impulse in their soul. They don't even spin horizontally anymore. It's fucked up.
this says a lot about Society
It was important to me that she puts emphasis on the TOK
I Remember The Carrots Ada Limón
Sound asleep. Health Habits. 1925.
Internet Archive
An Archive of Our Own, a project of the Organization for Transformative Works
I just updated this Anden/John fanfic that I started writing in 2019! This is the first new chapter since 2022 since I’m trying to get back into writing; it would make me very happy if anyone who is interested would give it a read!
I've seen a bunch of "fandom etiquette" posts on my dash today and I'm going to say something that is maybe going to be unpopular but;
The absolutely pervasive mentality that unwanted criticism or critique shouldn't be given and should be ignored is why fans of color don't stay in fan spaces.
And I am not going to mince words here:
A lot of you are racist. A lot of your fan works are racist.
That might have been difficult to hear. And if it was, you should probably reflect on why that was.
"Fandom etiquette" has created a space where fans of color either bite our tongues and eventually leave or say something, get dogged on, and then eventually leave.
So much of "fandom etiquette" seems to be about insulating creatives from Feeling Bad and hostility to any kind of negative feedback is a pretty big contributor to why bigotry festers in these spaces.
#imo the potluck analogy applies- it would be rude to critique someone's icing technique at a potluck bc it wasn't as good as at the bakery #but if they had decorated their cupcakes w hate symbols it wouldn't be rude to tell them that's gross and gtfo #in fact it would be inappropriate to NOT say anything in that situation #or to complain that another guest who did point it out was 'ruining everyone's potluck' #and pointing out racism in fan works is 100% the second thing not the first! (via destructions-daughter)