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@bahumurtidarshi
Drawings, thoughts and notes rescued from used notebooks making their way to the raddiwallah.
An attempt to put to use the stationery I obsessively buy and hoard. (Daily planner booklet from Muji and Colour pens and pencils from multiple places.)
Fresh Batch of drawings from ‘Chewing the Cud’ series
Day 22/ What I read: The chapter titled 'Desire' from the book 'Seeing like a Feminist' by Nivedita Menon, Co published by Zubaan and Penguin India.
Day 23 / What I read: Introduction to the book 'Unseen. The truth about India's Manual Scavengers' by Bhasha Singh. Published by Penguin.
Day 24/ What I read- 'Bitches, Bimbos and Ballbreakers: The Guerrilla girl's Illustrated Guide to Female Stereotypes' by Guerrilla Girls. Source Credit: Published by Penguin. Women Studies. (From the Tara Books Library)
Day 25/What I read: The chapter on public spaces from the book 'Why Loiter' by Shilpa Phadke, Sameera Khan and Shilpa Ranade.
Day 26/ What I read- The book 'Bitches, Bimbos and Ballbreakers: The Guerrilla girl's Illustrated Guide to Female Stereotypes' by Guerrilla Girls. Source Credit: Published by Penguin. Women Studies. (From the Tara Books Library)
Day 27/ What I read: 'We Need to Hear Voices From the People We Call Disabled.' An interview of Jerry Pinto by Shreya Ila Anasuya. Source Credit: The Wire. https://thewire.in/77864/we-need-to-hear-voices-from-the-people-we-call-disabled-says-jerry-pinto/
Day 28/ What I read: Progressive Millennial Indians, Let's talk about why we never talk about caste. Source Credit: Buzzfeed (shared by Rohini on Facebook) https://www.buzzfeed.com/ravikantkisana/our-caste-shaped-blindspot?utm_term=.copPOBKlG#.ajjQeJP5o
Day 29/ What I read: What Indians should know about war before demanding a military crackdown in Kashmir, Chhattisgarh. By Sushil Aaron. Source Credit: Hindustan Times. (Shared by Gargi Pandit on Facebook)
Day 30 / What I read : Here Is My Offer by Dalit poet Asang Wankhede. Source: The Wire. (Shared by V. Geetha.) https://thewire.in/141345/dalit-poet-adityanath-government/
Day 31 / What I read: The section on Andhra Pradesh from the book 'Unseen. The truth about India's Manual Scavengers' by Bhasha Singh. Published by Penguin
World War 3 Illustrated #47
World War 3 Illustrated is a comic magazine begun by Seth Tobocman and Peter Kuper with Christof Kohlhofer in 1980 as a response to the Iran hostage issue in the form of an anti war graphic magazine. It was among the first American magazines to treat comics as a medium for serious social commentary and journalism and continues to this day as an artist run collective.
Their latest issue WW3#47 titled Climate Chaos is out soon, and I was very very lucky to have my comic short 'One Step Forward, Two Steps Back' published alongside some wonderful artists. Cannot wait to get my hands on the printed copies! Thank you so much Orijit and Seth, for giving me this opportunity.
More info here: http://www.ww3.nyc/single-post/2016/11/05/WW3-47 (WWR#47 Climate Chaos Cover by James Romberger)
CHEWING THE CUD | 100 DAYS OF SOMETHING TO THINK ABOUT
Some more drawings from the 100 day project. [Link to project album]
Day 15: The TM Krishna column: 'I'm upper-caste and I'm proud of it – and that's where the problem lies'
Day 16: Mimemis by Palestinian poet Fady Jouday.
Day 17: The diameter of the bomb by Yehuda Amichai.
Day 18: Material issues are at the heart of Dalit politics by the Hindu.
Day 19: We should all be feminists by Chimamanda Ngozi Adichie
Day 20 : Kiti he marti, kiti he radti by Soyrabai (Translated from Marathi by Jerry Pinto and Neela Bhagwat). Source- Unbound: 2,000 Years of Indian Women's Writing. Edited by Annie Zaidi.
Day 21: Introduction to the book 'Bitches, Bimbos and Ballbreakers: The Guerrilla girl's Illustrated Guide to Female Stereotypes' by Guerrilla Girls Source: Published by Penguin. Women Studies. (From the Tara Books Library)
Some recent Sketchbookery
Week 3 of CHEWING THE CUD | 100 DAYS OF SOMETHING TO THINK ABOUT
Failed miserably to keep up with the daily doodles during my trip to Bangalore with only two artworks the entire week. Hoping to get back the rhythm as I settle into my new job at Chennai.
[Link to project album]
Day 13: Aesthetic Consumerism and the Violence of Photography: What Susan Sontag Teaches Us about Visual Culture and the Social Web
Day 14: Of freedom fighters and forgotten heroes: How India airbrushes its past to whitewash its present
Week Two of Chewing the cud | 100 days of something to think about
Body Shaming. Culture. Death Sentences. Dignity and Humiliation. Migration. Beefban..Lot of food for thought for week two.
[Link to project album]
Day 07: Why we really shouldn't laugh at those naked Donald Trump statues by Parker Molloy
Day 08: A Culture That Dominates Is No Culture At All: T.M. Krishna’s Magsaysay Address
Day 09: A Hanging by George Orwell
Day 10: A discourse called Dignity: notes from Kashmir by Pushpendra Johar.
Day 11: Leaving home and reclaiming self by Chayanika Shah
Day 12 What Mahatma Gandhi said to those who wanted beef banned in India by The Wire Staff.
A late night reflection
July was mind numbing. (And I finally feel ready to talk about it)
I returned from a very memorable trip to Shrinagar only to wake up to the news that Burhan Wani, the militant hero whom I had heard about during my stay there, was killed in an encounter with the Indian Army.
The picturesque valley saw an overnight transformation as thousands of people took to the street in protest. The Facebook feed was overflowing with heartbreaking news of assaults, casualties and an army imposed curfew.
With all the trouble brewing in the city, it felt shallow and somehow wrong to splash my Facebook page with joyous moments from my time there. But then, every sketch brought back to me the faces of the locals I met, the memories I made and friendships I formed. The Kashmiris, forced to live a decision not of their own, were so much more than what the mainstream media wanted us to believe.
And my experiences with the locals was so much in conflict with the narratives painted by the news coverage. The hateful, extremely insensitive posts and comments that followed from the mainland junta were bile inducing.
After much contemplation, I put up my stories from my trip along with the sketches. (Original post here) I was quite happy to receive the first few likes and comments from my friends but the growing response was totally unanticipated and overwhelming.
As the likes and shares multiplied, and my inbox got filled with messages from random strangers, I began to feel a sense of discomfort. Don’t get me wrong, I was glad that these stories resonated with so many people, I was relieved to find that there were so many who did not swallow mainstream narratives blindly or spoke the language of hate, but I was also overcome by guilt.
I didn’t deserve all this attention when the flaws in my drawings clearly popped out to me. I shouldn’t be getting featured in newspapers, when there were so many other artists much more skilled than me. I shouldn’t be celebrating when people were dying in Kashmir. I didn’t want to sound like a self righteous jerk who pretended to understand the conflict in all it’s complexities.
It wasn’t modesty. No. Far from it. It was rather a deep seated insecurity, a fear of being judged, a self centered need of not being misunderstood, the apprehension of stepping upon a landmine of opinions.
It took me a while and a few friends to convince me that if my drawings, with all its faults could become a medium to reflect an alternative reality, I shouldn’t hold them back. The realization was humbling.Maybe my sketches were accidental heroes. Maybe the timing and context in which they were published played a significant role in its popularity.
But it doesn’t matter anymore, because sometimes, art is not about only about the shape and form of the lines. Sometimes, it is about the borders it can cross or bridges it can build.
I am trying very hard to believe this.
Kashmir in Sketches
Dal Lake, Shrinagar (19 June, 2016) Early morning Shikara ride to the Floating market
Lidderwat Base Camp, Aru Valley, Kashmir (23 June 2016) Trek to Tarsar Lake. Exciting and exhuating in equal parts.
Relaxing cups of tea and some silent time at Chai Jaai, Shrinagar (27 June 2016 )
Shahi i Hamdaan Mosque, Downtown Shrinagar (28 June, 2016)
Jamia Masjid, Downtown Shrinagar (June 30, 2016)
Hazratbal, Shrinagar on the occassion of Jumatulvida (July 1, 2016)
People in my head
Be it on a scrap of found paper or a tissue in a restaurant or notes from lecture or a meeting, I almost always end up drawing faces. For some it is leaves or flowers or spirals or eyes. For me, it is always faces.
Maybe because of having a huge joint family in my early childhood days or commuting in the crowded Mumbai locals. Maybe its just me. But something about faces intrigue and excite me and this habit of doodling them has extended to the digital pen.
When I am bored or need a break from serious work, I open a new Photoshop page and a stranger drops by on the blank canvas to say hello:-)
What do you doodle most often?
Chewing the cud | 100 days of something to think about
After much procrastination, I finally began my 100 days project. It is a tiny attempt to daily reflect upon subjects that I find meaningful and want to develop a better understanding about through long form nonfiction essays, news articles, podcasts, lectures, documentaries etc.
Here’s what I plan to do: Read/Watch/Listen something everyday, doodle the lines that stand out to me or summarize the issue and share.
Drawing enables slowing down the eye that is tempted to skim through text and move on to the next tab and will hopefully, also help in sustaining my interest in the project over time.
Here are some drawings from Week One. Missed one day, but otherwise going good.
Day 01: The Instigator: A Portrait of Nivedita Menon by Neha Dixit.
Day 02: Religion: Opium of the Masses by Khushwant Singh, published by Orient Paperbacks
Day 03: How ‘Empowerment’ Became Something for Women to Buy by Jia Tolentino
Day 04: Caste on Your Plate by Parul Agrawal.
Day 05: Gaza goes back to school by Jehan Bseiso from ‘A rose breaking out of steel and blood’ Palestinian poems published by Parikalpana Prakashan.
Day 06: The Secular Bikini: The beachwear and the Republic by Mukul Kesavan.
Cover Illustration for Teacher Plus September 2016 Issue.
Fiction Special! Contributors get imaginative with their classroom stories. This is my second attempt at using the paper cut technique (first being a pitch for a installation that never saw the light of the day)
My first published short comic!
‘One Step Forward, Two Steps Back’ was an outcome of attending a workshop ‘Digging Deeper’ conducted by Orijit Sen under Goa University’s VRPP Programme in September 2015.
I was fortunate enough to share this story with the world through First Hand, which is an anthology of non fiction comics. I finally got my hands on the printed copy yesterday evening, and needless to say, I am overjoyed!
The 12 page comic shares my experience of visiting Pissurlem, a village in Goa whose lush beauty began to disappear when mining companies were allowed dig beyond the permitted depth - resulting in dried wells, lost livelihood, and lakes choked with silt.
Walking through the abandoned mine, I strangely felt both underwhelmed and overwhelmed. The shock or anger I had anticipated never came but I remember feeling overcome by a sense of despondency. In a way, the first draft of the script was more a rant than a story. I guess my protagonist was born out of the confusion I experienced back then.
The cover page to my comic:
A few pages:
.
I have a long list of people to thank, so please bear with me:
Vidyun Sabhaney for giving me the opportunity to contribute to the anthology.
Orijit Sen for patiently mentoring me through the project along with Isa Hinojosa, who shared a lot of interesting resources.
Mr Ramrao Wagh and Prof Badiger for facilitating my attendance of the ‘Digging Deeper’ workshop at their college in Sanquelim, Goa.
Mr Manav Gadgil for sharing inspiring stories from his work as an environmentalist. Mr Hanumant and Mr Ravindra Velip for walking us around Pissurlem and Caurem and giving us an insight into the effects of mining in Goan villages.
My wonderful bosses at Therefore Design, who let me go away for three whole weeks and my colleagues who shared inputs.
My friend Ramya, who joined me for the workshop, for giving me continuous feedback and pushing me to finish the comic (and every other project I have ever taken up). My fellow participants- Nikhil, Ved, Kiran, Angela, Raviraj as well as other students from the college and for sharing ideas and inputs, letting me use their photographs as references and for being great company.
The people at the Old Quarter cafe in Panjim for letting me use their space. A large part of the comic was conceived there.
Amanda Palmer’s audio book ‘The Art of Asking’ that gave me company when I tried to finish the rest of the comic back in Pune.
And to end it on a rather cheesy note, a small thank you to my friend Azam who gifted me a copy of The Pao Anthology in 2013 with this little note, which I had, back then, laughed off in disbelief.