Okita Sougo x Kagura by 11dingdong
Today's Document

Kiana Khansmith
ojovivo
Lint Roller? I Barely Know Her
Jules of Nature

Kaledo Art

oozey mess
Monterey Bay Aquarium
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d e v o n
KIROKAZE
he wasn't even looking at me and he found me

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Sade Olutola
dirt enthusiast
Misplaced Lens Cap
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YOU ARE THE REASON

Janaina Medeiros
seen from Türkiye
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seen from United States
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seen from Türkiye
seen from Singapore
seen from United States
seen from United States
seen from Peru
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seen from United States

seen from United States
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seen from United States
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@basaltdriver
Okita Sougo x Kagura by 11dingdong
My favorite lovable idiots on standby
I think I like when it rains.
Zenin Naoya ✧ Jujutsu Kaisen S3 ep. 01
The Neurodivergent Writer’s Guide to Fun and Productivity
(Even when life beats you down)
Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.
So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.
Focus on having fun, not on the outcome
This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.
I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.
But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”
So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.
Rewire my brain: writing is fun and I’m good at it
I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.
I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.
Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.
I didn’t even track how many words I wrote. Not relevant.
I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.
Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.
I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.
Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.
Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.
It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.
I lowered my definition for success
When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.
A side note on high expectations, imposter syndrome, and perfectionism
Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.
I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.
Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.
The more I do it, the more I do it
The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.
Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.
Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.
The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.
Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.
No pressure
Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?
These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.
Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)
Don’t wait for inspiration to hit
There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.
Accountability and community
Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.
The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.
Your toolbox
The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.
After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.
Do you have any other techniques? I’d love to hear about them!
I hope this was useful. Happy writing!
feudal slice of life 🌸
just worked with @theclovercrate on this commissioned drawing of #TheInnerCircle characters from the #ACOTAR series by @SJMaas I’m having a giveaway on my INSTAGRAM, in case you guys want to participate xoxo hope you like the artwork <3
A dating service where matching is based on people’s search history exists. You’re a serial killer. You go on a date with a writer.
Serial Killer: metaphorically, if you were to kill someone, how would you do it?
Writer: Air shot between the toes, it’ll look like a heart attack.
Serial Killer who is obviously in love already: *sucks in a breath* ok
Writer: how long would it take to die if you were to potentially stab someone in the guts
Serial killer: anywhere from 2 to 30 minutes
Writer, already bringing a ring out: *shaking* thanks
A++ addition
Writer: *shows the serial killer the murder scene they’re writing* babe, i’m not sure if this would actually work?
Serial killer: *kisses writer on the forehead and leaves, comes back later, a suspicious scent of blood coming off them* it works baby, you’re doing great
I LOVE THIS
Oh no, murder comedy is my jam
I love this, I love all of this, but quick question, does the author know? Like are they aware that their significant other is a serial killer or do they just think that they have a morbid sense of humor? It’d be even funnier if the author had no fucking clue, like how Aurthur Conan Doyle was apparently stupidly gullible, and on top of it they’re a horror or crime novelist. Like the serial killer works at a butcher shop or something so it’s completely normal for them to come home smelling like blood, no murders going on here, no sirey. Just my darling coming back home from a long day at work.
Now fast forward a bit and the author has managed to get their first book published, with loving support from the serial killer who helped them fine tune all the murder scenes, and it’s a big hit. Enough so that a detective with the local police department has noticed some disturbing similarities to several active cases, including details that were never released to the press. Obviously he brings this up to his superior and convinces him that there’s something to the theory, but it’s all circumstantial right now. He stakes out the author’s home and is super convinced that the author is the murderer, but they don’t seem to do anything??? Like they literally are at the house all day, that’s it. Most they do is leave for groceries.
So you get this dynamic of the serial killer mining the author for creative murder schemes, the author being lovingly encouraged by the serial killer, and finally the detective who is just so sure that the author is the killer and that if he sticks it out long enough he’ll FINALLY have proof.
Plot twist, The serial killer and detective use to go out so it gets sub what personal.
“You need to stop seeing them. I think they are a serial killer.”
Serial killer breaths in. “Look-”
…perfect
I don’t like actual murder mysteries, but this is perfect
THE ORIGINAL POST HOW DID I GET SO LUCKY
Oh my god I would watch/read the hell out of this shit
age 20-25 is like i am a baby i am a grown woman i am but a small girl i am the oldest and wisest woman alive i just began to exist i am but an embryo
widely detested female character my beloved
sometimes a family can just be a girl, her gf, and their werewolf butler she found on the street
follow up to this
Ok minor detail but ...
So I noticed in A:TLA, and it’s carried over in LoK, that Airbenders always seem to have an advantage in a fight. And at first, it felt like plot armour, particularly in A:TLA.
But when Aang fought Bumi, he lost most of that advantage. And I realised that this wasn’t just plot armour. Someone had sat and worked it out: nobody has had to fight Airbenders for generations.
None of the other nations have had to train to face them, or practised sparring with them, or anything. Apart from Bumi, no bender in the show has ever even met an airbender before Aang comes along. And in LoK, for the most part people still haven’t. We never see fights between those who have (for e.g. we never see Tenzin and Lin fight); when Korra and Tenzin use airbending, its a unique fighting style that people aren’t trained to manage.
It’s a really small detail, and it fundamentally works to give the heroes an advantage (and make up for Aang’s young age and lack of combat experience), but I love how it’s an advantage in combat for completely logical reasons.
The detail in these shows is amazing.
You can see the same principle in play whenever somebody fights somebody who uses a completely unfamiliar style. Combustion benders and lavabenders aren’t straight up more powerful, but they’re pretty much always something you haven’t dealt with which presents unique challenges. That red lotus lady with no arms is just a perfectly ordinary waterbender, but using forms and styles nobody else has seen before. Jet routinely smacks around benders and soldiers, but loses hard to the first person he met who had actually studied diverse styles of swordplay. When Toph invents metalbending, nobody can deal with that, but seventy years later the counters are pretty well known among people who might have to fight the cops.
And it’s why Azula, a genius prodigy who has thought long and hard about how to counter every kind of magic and martial arts out there, keeps getting messed up by a kid with a boomerang.
it’s also a detail from the second ever episode
aang straight up says to the fire nation guards on zuko’s ship “you’ve probably never fought an airbender before”, because he in-universe figures out that, if what everyone around him is saying is true, and airbenders have been extinct for a century (or at least have gone to ground enough to make people think that) then he is a totally unknown figure in anyone’s calculations
this has been brought up before but it’s also one of the reasons why hama is so thrown in her fight with katara - waterbending is about energy exchange, keeping things flowing, throwing your opponent’s power back at them and we see katara and hama do this in their fight. however, when katara is faced with a powerful blast from hama, she stands her ground and blows it apart:
[image ID: a gif of katara in the puppetmaster. she is a teenage girl with dark skin and hair and blue eyes, wearing a red outfit. she turns and throws her hand out, stopping a blast of water and turning it into a huge shield. the background is a dark forest. end image ID]
why do i bring this up?
because it’s a move - and a mindset - influenced by earthbending, which hama has never faced (she went from the south pole, to prison, to the fire nation). it’s an indication not only of katara’s skill and power, but also how she’s learned from her travels, and from toph
one of my favorite details of atla is how the main characters’ fighting styles adapt as they take on new enemies and make new friends with other bending styles. iroh straight up tells zuko about how he developed a technique for redirecting lightning by studying waterbenders, but if you watch closely especially in the last season, there’s a lot of this sort of thing happening unspoken with the gaang, using the bending forms of other elements like katara does above. it really shows the strength in differences and diversity coming up against a fascist regime that wants everyone to conform.
to this day i cannot BELIEVE aang called up and blew off like nine avatars just because they didnt offer any vegan options to ending the war
roku: my best friend assaulted me as a senior citizen :(
kyoshi: sometimes some murder is OK
kuruk: just punch people that disagree with you
aang: okay i’m starting to think that none of you took this avatar thing seriously
You're not wrong
Aang when he is told he’s the Avatar at age 12: *has a melt down because he understands the seriousness of this function and the consequences his new responsibilities will have on his personal life*
other Avatars at age 16: I’m the avatar? Cool! Hey look it comes with a glowing eyes feature!
aang: fuck this noise, i’ll get advice from the last air nomad avatar
yangchen: i gave up that hippie bullshit first chance i got, i love murder
[ID: Tags reading “#LMFAO #aang is that one kid in the group that actually does the project and everyone else fucks around. #we know this ‘cause in korra he straight-up gives her the avatar state and everyone’s like ‘shit wait spirit avatars can do that??’ #well yeah, if they’re competent. #aang was a four point oh student stuck with four people on sports scholarships to help him save the world.” /End ID]
(some spelling and grammar has been changed so it can be better understood by screen readers)
I was hoping for this ya know~