Bro, be honest, are you getting a little bit Genghis Khan?

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@beansproutking
Bro, be honest, are you getting a little bit Genghis Khan?
it's a well-known fact in the textile crafting community that "making objects from textiles" is an entirely separate hobby from "having a collection of materials to make things with."
crafters often refer to this collection as a "stash" or a "hoard."
it's normal to have, but sometimes comes with a certain awkwardness.
the problem is that it takes a very long time to make things from textiles - and it is extremely quick, fun and easy to get more materials.
Presents, impulse purchases, leftovers from other projects, things you bought FULLY intending to make something that you changed your mind about...
Another problem is that you genuinely DO have a plan for the materials! your intentions and desires are THERE!
and admitting that it isn't going to happen - or that your mind has changed, or you're no longer able to do them - can be really painful!
it's incredibly hard to say: "we are not the people who can do these things. we are not the people who WILL do these things."
but sometimes you need to.
it's a natural part of life. it might feel painful to let go of things that you really want to use, but won't. But clearing them out - and the attached guilt and shame - will make room for a lot more things in your life. Room for things you'll use. Room for the projects you'll do.
Room and space - not for hanging on to the shades of the ambitions and intentions and people you aren't - not being held for lives you don't have - but room and space for who you are today, and who you'll be tomorrow, and for the things you'll do.
Room and space to grow.
as someone who was on deviantart way too much in middleschool my relationship to the furry community is sort of like how athiest people still celebrate christmas.
a few of my faves from the replies:
happy birthday, gilbert baker. (june 2, 1951 — march 31, 2017)
Reblogging this manually. Op doesn't want credit for fear of being terminated.
A lot of criticism of delivery apps focuses on the fact that they offer convenience and variety, which I find much less compelling than criticizing the fact that the apps often send their contractors on fetch quests from Hell.
There are real labor problems here. Base pay is often insulting. Customer tips carry too much of the burden. Workers need better protections, more transparent algorithms, protection from arbitrary deactivation, and actual recourse when the app or a customer screws them over. Car-dependent delivery is also an environmental and infrastructural problem, though in a denser city I’d still be doing this work; I’d just be doing it by bike.
But when people talk about delivery work, I rarely see them talk to actual delivery workers. I see a lot of abstract arguments about convenience, consumer decadence, “hustle culture,” and internalized neoliberalism. Meanwhile, when I’m out working and waiting in restaurants for orders, the other Dashers I meet are usually people who only speak Spanish, people who read as neurodivergent, visibly physically disabled people, or some combination of the above.
I have not met this mythical Disco Elysium poor ultraliberal hustlegrinder-wannabe people seem to be arguing with. Maybe that archetype exists somewhere. If it exists among any kind of gig worker, it would probably be rideshare drivers. But most of what I see looks less like “rise and grind” and more like “this is one of the few forms of work available to people who need flexibility, low barriers to entry, limited managerial surveillance, or a way to work around language barriers, disability, burnout, chronic illnesses and injuries with symptoms that come and go unpredictably, caregiving, résumé gaps, or discrimination.”
That does not make the current system good. It means the current system is filling a real gap that a lot of supposedly better systems do not even acknowledge.
As a disabled person who is burnout-prone and demand-sensitive, contracting as a delivery driver has given me an unprecedented level of financial flexibility. I can work when I have capacity. I can stop when I’m deteriorating. I can build my day around my actual body instead of being trapped under a manager who thinks “reliable” means “able to perform the same way every day no matter what.” That matters. It does not cancel out the exploitation, but it is also not fake just because it is politically inconvenient.
And delivery itself is not some inherently decadent evil. Sometimes people live alone. Sometimes they are sick. Sometimes they are disabled, exhausted, overwhelmed, grieving, overloaded, or recovering from something else - perhaps the stress and fatigue induced by their own job. Sometimes they need medicine, groceries, or a meal that will actually unplug their sinuses instead of whatever generic community-care slop someone thinks they should be grateful for. Humans are allowed to need specificity. “Food” is not the same as “the food I can actually eat right now.”
A serious labor critique would ask how to make delivery work safer, better-paid, less tip-dependent, less car-dependent, less algorithmically punitive, and less precarious. It would ask what kinds of flexible, accessible work should exist for people who cannot thrive in conventional employment. It would ask how cities could support bike delivery, worker cooperatives, public infrastructure, and real protections without simply replacing one bad system with a moral sermon about how nobody should ever want takeout.
But a lot of the discourse does not do that. It treats convenience itself as suspicious. It treats wanting flexible work as false consciousness. It treats the needs of disabled people, immigrants, and other people who can't fit into traditional employment structures as details to be swept aside in favor of a cleaner political image.
I guess the opinions of delivery workers only count when they are politically convenient.
everytime i wear an outfit like this i think about this tweet
vampire consultant terrified of his job because he keeps hearing about stakeholders
we've heard of top surgery and bottom surgery, but what about charm surgery, strange surgery, up surgery and down surgery
resurrected dead wife watching her own montage: wow I looked so hot in that
genuine question, not trying to be unkind: in what way is “movies that are not made for children” an incomprehensibly complex idea
I don't know the full context of that conversation, but I can easily see why "movies that are not made for children" could be called an incomprehensible category.
It's because it could be defined in completely different ways, and includes content that cannot be meaningfully grouped together.
It can include movies that children are legally not allowed to watch (which is a shitty concept), movies made without children in mind, but that still attract children (like most action or horror movies), movies made by someone who's trying to be an edgelord on purpose because they believe "adult" media should be offensive (like a large part of cartoons that are marketed as for adults), movies that are considered too complex for children for some socially constructed reason.
In general, the idea that something is not made for children should invite skepsis and digging deeper.
The Brave Little Toaster (great movie btw) for instance is a good example of an animation that was targeted at teenagers and young adults but became popular with kids. It was picked up by an arthouse film distributor for the theatrical release and was nominated for an award at the film festival for being the best film there (it lost because it was animated).
So like, the brave little toaster is technically in the same category as A Serbian Film.
you did not seriously just compare an animated kids film called “the brave little toaster” to a Serbian film, about a pornstar in a snuff film, which has been banned in multiple countries and cited by many as the most disturbing movie ever made, because they were both art films.
I'm not, I'm just saying that there's a very wide variety in adult movies
In what way is brave little toaster an adult movie I am genuinely asking, because the book is intended for children, and the movie is intended for children. A kids’ film that chooses to treat its subject matter in the same way as a film made for adults isn’t a movie made for adults, it’s just a good kids’ film.
I'm crying, the brave little toaster is owned by Disney. Yes it was technically made by an independent studio but they needed Disney's permission and funding as Disney had owned film rights to the book for years by then.
is 5 too young for the dark crystal? i don’t want to scare my sister but i want to show her
I forgot that was the name of a film when I read this and thought you were desperate to show your 5 y/o sister some sort of cursed artifact
Losers try to tell me I emit "nuclear radiation", like thats my vibe idiot
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