Ain't that a bitch @bedwater - Tumblr Blog

satyriconmp3

sorry for being annoying. it will happen again

choco-pudding

Ibupikmin (I wanted it in a higher quality for my emojis)

Edit: Now with HRTmin.

i-am-a-freg

I think a giant 7ft scythe would greatly benefit my appearance

i-am-a-freg

I think a giant 7ft scythe would greatly benefit my appearance

birdandmoon

It's mushroom season! Here are all the types you will see.

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byjove

Me, fighting a yoga mom in the organic food market circa 2023: take your hand off that peach or I’ll vaccinate your children against polio

byjove

fascinating post I made in 2018

yennefer

"i don't like this thing and i wish i didn't have to see people talking about it all the time"

girl (gender neutral), you are on tungle dot com:

choose your fighter.

noblesquid

hershelchocolateart

Just to make a point, every time I finished a panel of this I would export it as a PNG on the perceptual setting and use it as a color reference for the next panel

IT'S BAD

PLEASE CHECK YOUR COLOR SETTINGS

EDIT: If you're still having problems, it might help to switch from "Save/Save as" to "Export (as a) Single Layer". Just. Make SURE the box labeled "Expression Color" is set to RGB. I've been messing with this all day, and it looks like this combination of settings will allow exported PNGs to maintain their colors perfectly. To you. So far both Discord and Toyhouse still only display desaturated images and I cannot for the life of me figure out why

hershelchocolateart

WHAT THE HELL DO YOU MEAN ITS NOT JUST A MAC PROBLEM

gl4ssfan

GUYS IT HAPPENS WITH KRITA TOO

darkdragonsouls

It's important that instead of making these changes as a kneejerk reaction that we understand why the setting should be changed for a digital artist, especially in this case because some people might use CSP for their physical prints they sell. Doing some quick reading on this, I came across this article that has a seemingly decent explanation of why the four options here do what they do. Also here is the explanation of this setting from Clip Studio Paint's website.

From CSP:

"Perceptual preserves the visual relationship between colors so that colors are perceived as natural even when color values are changed. Saturation compares the maximum highlight in the source color space with the maximum highlight in the destination color space, and shifts the difference. Relative Colorimetric tries to reproduce vivid colors, even at the expense of color accuracy. Absolute Colorimetric does not change colors that fall within the destination gamut, but changes out-of-gamut colors."

The article linked explaining the two options we are discussing (but also explains the other options on this drop down) :

Perceptual - A perceptual rendering intent preserves the overall color appearance by changing all colors in the source space to fit the destination space. The perceptual rendering intent is favored for images that contain many out-of-gamut colors.

Saturation - A Saturation rendering intent converts saturated colors in the source space to saturated colors in the destination space. It favors reproducing vibrant colors and will do so at the expense of reproducing hue or luminosity accurately. The saturation rendering intent is useful for reproducing graphics with high color impact.

TLDR, the options are to make it so that if you are to print the artwork to a physical copy, the colors are reproduced better and are still accurate to your art.

If you don't understand what color gamut is, its basically the colors that a printer is capable of reproducing and if you want accurate looking colors in print you need to consider how the piece is actually going to be reproduced by the printer.

Since your reference is something that you want the colors to be consistent on, you will want to change the setting as mentioned above. But if you are making a piece to actually print out then you might want to care more about this setting than just changing it and forgetting about it.

ezr4-com

HOMURAAA !!!! 💗

fulminata2

When you pick up a sword for the first time you will be slow and awkward. This is frustrating, but refuse the temptation to try and become a “faster” fencer. Chasing after speed is like trying to catch smoke. If you try and pursue speed, all you will accomplish is haste. Haste is the enemy of 1st class fencing.

Speed is a lie the untrained mind tells itself when it sees an action it cannot follow. The truth is a combination of timing, control, and fluidity. Fluid motion, even done slowly, will always arrive before a hasty strike. Control will allow you to move without wasteful motion that will slow you down. Timing will eliminate the need to move fast almost entirely. There is no need to get somewhere fast so long as you get there at the right time.