Sandwisp Gossip (#edf6b5 to #ddf9a8)
Claire Keane
Sade Olutola
Monterey Bay Aquarium
One Nice Bug Per Day

titsay
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izzy's playlists!

tannertan36
AnasAbdin
we're not kids anymore.

Discoholic šŖ©
Three Goblin Art
he wasn't even looking at me and he found me
Sweet Seals For You, Always

#extradirty
will byers stan first human second
Show & Tell

oozey mess
DEAR READER
"I'm Dorothy Gale from Kansas"

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@biscuitnapper
Sandwisp Gossip (#edf6b5 to #ddf9a8)
Me: *getting paranoid when no one responds to me in the community chat* oh no maybe people just donāt like me?
Also me: yeah but is that rly so bad? *You* donāt like you
Me: oh yeah *sighs in relief* carry on!
Realising Iāve still āgot itā with respect to certain creative skillsets and determined to keep in nurturing and developing these abilities as much as I can.
Might mean less social media but thatād only be a good thing lol.
So there's a theory circulating around that Mizu's parentage is the opposite of what we've come to assume, which I'm sure many have already heard about.
When it was revealed that the "mother" who cares for Mizu was not her biological mother, but a maid who was paid off to hide Mizu away from those who'd kill her. So her mother might still be out there, somewhere. But what if her European heritage was maternal? That instead of being ashamed of having fathered a mixed bastard, one of the white men's wives/lovers decided to have an affair with a man in Japan, resulting in Mizu's birth and the threats to her life.
This could add so much more drama into the mix.
Because then the possibility is that both her parents might still be alive. Her mother returned to Europe, leaving behind money to Mizu's caretaker to ensure her safety. Her father might be in hiding, trying to distance himself away from Mizu and the White Men as to not endanger them all. He might even be plotting his own brand of vengeance.
Some have proposed that Mizu is the daughter of the late Shogun, who died in the flames. That he hid Mizu away due to the shame of his own hypocrisy; the law that bans Europeans from your shores would easily be undermined due to dealing with them in business, as well as having an affair with one of the men's own lovers. I'm a little shaky on this, but it'd be another neat way to complete the tritagonist status of Mizu, Akemi and Taigen.
Akemi is born privileged and now must climb up the hierarchy of the shogunate. Hers is a story of power, politicking, and the poison of court.
Taigen is born from nothing but rises high above his station, only to lose it all and try again. A tale of honor and self-actualisation.
And Mizu is a child born with immense wealth, but cast aside due to her heritage and appearance. Stripped of everything, now she only seeks satisfaction.
A simple, bloody road to vengeance.
Her father could just be a Ronin. A samurai in court. A farmer. Etc.
Whatever the case, it'd be a really sick twist if done correctly. That in the end, the vengeance she believes she's been chasing all this time has been all for nothing. Like painting but with missing colors, preventing her from fully grasping the true artistry of her goal.
Or this could just be a crackpot theory. Idk.
Things Real People Do in Dialogue (For Your Next Story)
Okay, letās be realādialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and āumsā? Hereās a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):
1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.
2. They Donāt Always Say What They Mean Real people are masters of dodging. Theyāll say one thing but mean something totally different (hello, passive-aggressive banter). Or theyāll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimesāit makes their conversations feel more layered.
3. People Trail Off... We donāt always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what weāre trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.
4. Repeating Words Is Normal In real life, people repeat words when theyāre excited, nervous, or trying to make a point. Itās not a sign of bad writingāitās how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.
5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.
6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying āI really think we need to talk about this,ā try āWe need to talk. Now.ā
7. Body Language Is Part of the Conversation Real people donāt just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what theyāre doingāare they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.
8. Awkward Silences Are Golden People donāt talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Donāt be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.
9. People Talk Over Themselves When They're Nervous When weāre anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your characterās nervous, let them ramble a bit or correct themselves. Itās a great way to show their internal state through dialogue.
10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.
11. No One Explains Everything People leave stuff out. We assume the person weāre talking to knows what weāre talking about, so we skip over background details. Instead of having your character explain everything for the readerās benefit, let some things go unsaid. Itāll feel more naturalāand trust your reader to keep up!
12. Characters Have Different Voices Real people donāt all talk the same way. Your characters shouldnāt either! Pay attention to their unique quirksādoes one character use slang? Does another speak more formally? Maybe someoneās always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.
13. People Change the Subject In real life, conversations donāt always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.
14. Reactions Arenāt Always Immediate People donāt always respond right away. They pause, they think, they hesitate. Sometimes they donāt know what to say, and that delay can speak volumes. Give your characters a moment to process before they respondāitāll make the conversation feel more natural.
Important note: Please donāt use all of these tips in one dialogue at once.
Artwork Copyright Ā© Tyler Spangler
Shop: shoptylerspangler.com
Canāt believe Iām in my mid-30s and I actually have friends wtaf
Sometimes Iāll just say āwho wants to do [x]?ā and at the very very worst Iāll get apologies which is infinitely better than silence.
Canāt believe Iām in my mid-30s and I actually have friends wtaf
I'll be honest it sucks that they made Joker 2 a musical and didn't even let him beatbox
Deep Fir Cardinal Pink (#001404 to #920687)
I feel like protocarnivore plants like this should be worked into more fantasu/sci-fi stories. Let your heroes be lured by a shepherd's purse, pitcher plant, or venus fly trap.
This further emphasises my love for Scavengers Reign tbh
Two girls enter the service of the Princess of All Blood. One is there to be loved, the other tormented, but strange circumstances have blurred the lines between the two.
described as "brutal", "cruel", and "terrifying" -- a fitting read as the nights grow longer ā£ļø
IN FAIR VERONA, only available from ShortBox Comics Fair
In time travel movies, when the time traveler asks 'What year is this?!?' they're always treated like they're being weird for asking.
When in reality, if you go 'What year is this?!?' people will just say '2024. Crazy huh.' and you go 'Wtf where has my youth gone.'
And if you ask 'And what month??' people won't judge you, they'll just go like 'SEPTEMBER!!! Can you believe it?!?!' and you go 'WHAT?!? Last time I checked we were in May?!?'
That is a great point. Especially if you time travel to a period of Big Historical Events, when everybody's looking a little wild about the eyes.
"Hey, what month is it?"
"January already, can you believe it? I swear I was just at Pompeii, but no one's going there again."
In the same vein:
Stumbling into a diner and asking "What town is this" isn't weird, the workers will think you're on a road trip
If you ask them "Where's the nearest Nano Deck?" they'll assume it's a shop they've never heard of and say "Sorry, I don't know where any of those are"
Going into a store and telling a cashier "I need pods for my comm device" will just get you a "Never heard of those, maybe try Radio Shack?"
I think the problem is that people who create sci-fi movies have never had to work customer service jobs
āā Doubtful āā #collage by Frank Moth
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&overthinking&overthinking&overthinking&overthinking Love has changed Everything.Ā
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Find it in prints and other great products below:
https://www.redbubble.com/i/canvas-print/Doubtful-by-FrankMoth/36644406.UZX4H
https://society6.com/product/doubtful1848587_print?curator=frankmothsku=s6-10448193p4a1v45
Train memorial graff for the 43 Ayotzinapa student activists disappeared by the Mexican state on the 26th of September, 2014.