Gone to the Forest by Katie Kitamura

oozey mess
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DEAR READER
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occasionally subtle
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if i look back, i am lost

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Gone to the Forest by Katie Kitamura
Darkfever by Karen Marie Moning
A Little Life by Hanya Yanagihara
In three words: meandering, devastating, raw.
My rating: ★★★☆☆
"Friendship, companionship: it so often defied logic, so often eluded the deserving, so often settled itself on the old, the bad, the peculiar, the damaged."
A Little Life is one of those books that is hard to read both because of its subject matter and simply because it is so long. It follows the lives of a group of friends - Jude, JB, Malcolm and Willem - from college till their later years, and while each of the four does get parts dedicated to them, there is one person that this story centres around. The reason this book is so difficult to stomach is that this person has had an incredibly traumatic childhood, the mental and physical effects of which he still lives with, and which affect the lives of those around him too. The characters were all well drawn and fleshed out, and the deep friendship they shared was beautifully conveyed. Because we follow them for several decades, you do get a sense of getting to know them, and I think Yanagihara did this very well.
As well as the POV of the central four, we also get sections written in the first person, and it's not immediately obvious who this person is and what their relationship to the group is. This kind of leads me to my main complaint, which was that although I did enjoy reading Yanagihara's writing overall, I was constantly frustrated by how unclear it often was and kept having to double back to figure out who the 'he' in a sentence was referring to. Yes, in some cases it was pretty obvious, but there were plenty of points at which I had to pause, and this ruined the flow for me. To add to the confusion further, the plot meandered quite a lot; past events were remembered by a character and then covered in a fair amount of detail, and we also had that extra POV I just talked about, in which it would go from being 'he' to 'I' and 'you'. I tend to struggle with following jumps between time periods anyway, and I much prefer it when periods are clearly defined (e.g. Chapter X, 1991; or Chapter X, 5 years ago).
While this book is definitely emotionally devastating (Yanagihara doesn't shy away from graphic descriptions of abuse, self-harm and that one character's desperately painful childhood), I didn't actually cry. I teared up a few times, but I didn't properly cry even though I had expected to! I didn't really become invested in the story till I was a few hundred pages in (this book is over 700 pages long), which I think was partly because I was reading two other books at the same time (pro tip: I don't recommend being a book polygamist with A Little Life!) and also the unclear/ambiguous writing was irritating me.
Recommended for: ... well. It's kind of hard to recommend A Little Life, in a way. This book has so many triggers that I can imagine it wouldn't be appropriate for certain people. If you do pick it up, be prepared to be hit hard by emotions - there are happy points in the book, but I'd say they are few and far between. It's also a book to give your full attention to, rather than reading snippets of it here and there.
Harry Potter and the Goblet of Fire by J. K. Rowling
The Handmaid's Tale by Margaret Atwood
In three words: chilling, compelling, poetic.
My rating: ★★★★☆
"How easy it is to invent a humanity, for anyone at all."
The Handmaid's Tale had been sitting on my shelf for absolutely ages, and, after hearing there was going to be a TV adaptation, I thought I should probably get round to it soonish. I had thought the adaptation would take a while to be broadcast in the UK though, meaning that when it actually started showing a few weeks ago, I still hadn't read the book! My next plan was to just read it after I'd finished the show, but it turned out that the book was a great pick for the 'slipstream fiction' option for July's #ColourMeReadChallenge, so I thought I'd pick it up anyway.
The story is told by Offred, who, as a fertile woman in a society where many women are unfertile and the birth rate has plummeted, has one purpose: to produce children for rich and powerful couples who are unable to have children themselves. Women have no rights in the Republic of Gilead, and I found this deeply disturbing; this novel was written in the 1980s but still feels hauntingly modern and believable. How Gilead came to be is revealed bit by bit in Offred's memories. The story flits back and forth between pre-Gilead and post-Gilead as Offred tells her story and breaks it up with snippets from her past. I'm not the biggest fan of stories that jump around so much like this; it's easier when I have clear chapters or sections that cover one time period. However, I followed it perfectly well in The Handmaid's Tale, and I think it's because I'd been watching the show. I found that the visuals the adaptation provided helped me to follow the timeline better, even though events in the book didn't always happen in the same order in the show.
I'd read a few reviews that describe this book as 'dry', and I must say I quite agree. The prose has an emotionless quality, but I found it was still poetic and actually really enjoyed reading it. Some of my favourite lines included "This is one of the things I wasn't prepared for - the amount of unfilled time, the long parentheses of nothing." and "Late afternoon, the sky hazy, the sunlight diffuse but heavy and everywhere, like bronze dust.". All in all, I'm really glad I read this one, and I look forward to seeing how the TV shows ends (and seeing the direction they take it in for series two).
Recommended for: people who want to read a haunting and starkly powerful novel.
Howl’s Moving Castle by Diana Wynne Jones
The Dark Tower: The Gunslinger Born by Peter David, Robin Furth, Jae Lee (illustrator), and Richard Isanove (illustrator)
Halfway to the Grave by Jeaniene Frost
In three words: easy-to-read, dense, slow.
My rating: ★★☆☆☆
"'There is only one way to fight, and that's dirty. Clean gentlemanly fighting will get you nowhere but dead, and fast. Take every cheap shot, every low blow, absolutely kick people when they're down, and maybe you'll be the one who walks away.'"
I might have liked this better if I knew what it was going to be like (and if I was in the mood for that sort of thing), but I went into this book thinking it would be as amazing an urban fantasy as the Fever books and therefore ended up feeling rather disappointed.
One of my pet hates is when characters in books and shows don't have any attachments. Here, we have Cat, whose mother was raped by a vampire, thereby making Cat half-human and half-vampire. Since she was a teenager, Cat has been hunting and killing vampires in the hope of one day finding her father and taking revenge. However, this apparently seems to be it; Cat's only associations appear to be her mother and immediate family. Therefore, when a hot vampire* named Bones comes along and they end up working together to kill the undead, Cat's world very quickly becomes all about him. Sigh. (*Unfortunately, I just did not find Bones very attractive from his description...)
Halfway to the Grave is heavy on the paranormal romance and very light on the urban fantasy; if you want great world-building, I wouldn't recommend this book. I thought things were very sketchy and lacked depth, but what there was a healthy amount of was sex scenes. I can't say I've really read a lot of them in other books before, but the ones in this book just didn't feel very... sexy? Maybe it's because there was just no tension at all to their relationship and I didn't really feel anything for them individually nor as a couple.
The humour was OK. It thought it felt quite forced a lot of the time, and Bones' accent and use of British slang (blimey, luv, pet, bollocks, etc.) got a bit boring after a while. Halfway to the Grave was an easy book to read though, and while I'm in no hurry to pick up book two, maybe I'll borrow it next time I want to read something that won't tax my brain too much!
Recommended for: people who want to read an entertaining enough start to a paranormal romance series. Just don't make the same mistake I did and pick this up thinking it's an urban fantasy with great world-building, because I don't think it is!
Leviathan Wakes by James S. A. Corey
In three words: gritty, gruesome, thought-provoking.
My rating: ★★★★☆
"'Liquor doesn’t make you feel better. Just makes you not so worried about feeling bad.'"
I was expecting an epic sci-fi / space opera, and this book definitely delivered. What it also delivered though, was a healthy dose of horror! I probably should have expected it from the prologue, but I'd almost forgotten about the grossness, so when things got really gross, I was a bit shocked. I'll have to prepare myself if I try the TV adaptation, which is on Netflix!
This is a very solid start to The Expanse series though. Things felt pretty plausible, which I always like in a sci-fi, and although it was quite a complex story - lots of different names, locations and politics to digest - this didn't detract from my enjoyment of the book.
The pacing was good. The chapters were a great length too, and switched between the perspectives of two main characters: Holden, the executive officer of a ship, and Miller, a detective. So, quite often a chapter would end on a cliffhanger, and I would just have to read on to see what happened next. It was also quite interesting to see the events unfold from two different POVs, especially because Holden and Miller often had differing ideas about the best course of action.
My main problem with this book was the weird fixation that one of the guys had on a missing girl. Sometimes his chapters were really creepy to read, especially when he talked about being in love with her (I have a poor memory despite only recently finishing the book, but I'm pretty certain he had that thought at one point), or described her as "his Julie". Ew. I also didn't think another romance included was necessary at all, but there you go.
The best thing about this was the characters, and the crew dynamics were really fun to read. The book reminded me of The Long Way to A Small, Angry Planet in that sense, but with perhaps a more developed and clear plot. Also, apparently we get more female POVs in later books, which I'm very much looking forward to!
Recommended for: people who want to read an awesome start to a space opera series that has a good dose of horror. If you like sci-fi and horror, I'd recommend this book!
Vicious by V. E. Schwab
In three words: dark, captivating, emotional.
My rating: ★★★★☆
"The moments that define lives aren't always obvious. They don't always scream LEDGE, and nine times out of ten there's no rope to duck under, no line to cross, no blood pact, no official letter on fancy paper. They aren't always protracted, heavy with meaning."
I'm happy to say that my first Schwab book didn't disappoint! Vicious is the tale of Victor and Eli, college roommates who try an experiment to give them superpowers that goes terribly wrong, resulting Victor's incarceration. The novel starts as Victor has just broken out of jail, determined to find Eli.
I loved how this book shows so very clearly that evil isn't black or white, and also that gaining supernatural abilities doesn't necessarily make you a hero. As Victor himself says, "If Eli really was a hero, and Victor meant to stop him, did that make him a villain?". Really thought-provoking stuff! Both characters do very questionable things with their powers, but I couldn't help but root for Victor. I think the perspective was more in favour of Victor, with Eli not getting as much 'page time', and I wonder if the sequel will address this imbalance.
The structure of this novel was great to read. It flitted between past and present and several points throughout the last ten years, but in a way that flowed wonderfully and was really engaging to read. Schwab revealed things bit by bit, at a great pace. Another thing I loved was the side characters, especially the developing friendship between Victor, Mitch and Sydney. The ending was perfectly done and has made me very keen to read book two, which I believe is in the works!
Recommended for: people who want to read a deliciously dark novel that will make them think about the line between good and evil and how blurred this line can be.
Son of the Shadows by Juliet Marillier
In three words: heartfelt, dreamy, powerful.
My rating: ★★★★★
"'There's no point in feeling guilty, or worrying about what may come. Put one foot before the other, and follow your path. That's all we can do.'"
When I love the first book of a series, I sometimes worry about whether I'll like the second one as much; we're all familiar with 'second-book syndrome' and it's always a bit disappointing when a sequel ends up falling short of expectations. However, I can safely say that Marillier absolutely delivers with this second book in the Sevenwaters trilogy - I loved it even more than Daughter of the Forest!
Son of the Shadows follows on some years after the end of book one, and it was so delightful to meet some new characters as well as hear from the ones I fell in love with in the first book. While I did love the new characters introduced here, I think my heart was slightly more taken with those in Daughter of the Forest. However, Marillier excels in writing heartfelt romance and she hit me right in the feels with this book. The slow burn of the romance was masterfully done, and a big plus for me was that this book was more action-packed than the first; I instantly felt swept up in the story. Marillier has such an effortless way of writing fantasy - it's truly storytelling of the purest, most powerful form.
Recommended for: people wishing to read an utterly captivating second book in a fantasy series that I'm sure will become a firm favourite of mine. For excellent writing, characters and plot, I'd highly recommend reading Daughter of the Forest and then Son of the Shadows!
Assassin's Fate by Robin Hobb
In three words: ALL. THE. EMOTIONS.
My rating: ★★★★★
"'The problem is not that we forget the past. It is that we recall it too well. Children recall wrongs that enemies did to their grandfathers, and blame the grand-daughters of the old enemies. Children are not born with memories of who insulted their mother or slew their grandfather or stole their land. Those hates are bequeathed to them, taught them, breathed into them. If adults didn't tell children of their hereditary hates, perhaps we would do better.'"
There isn't really a proper way to review this one, not when it's still so close to my heart (also, talking about specifics would probably make this Spoiler Central, ha). Robin Hobb is incredibly talented at writing characters you can't help but love and Fitz is one of my very favourites. Hobb really puts the poor guy through a lot in her books, and she makes you feel that pain right along with him. SO GOOD. *sobs uncontrollably*
I have a strong suspicion that when I reread this, I will lower my star rating, but for now it deserves all the stars because, quite honestly, I've never had an emotional reaction as strong as when reading Assassin's Fate. The beginning was quite slow and repetitive, but on this first read I actually rather appreciated that, as it meant the story was prolonged! Towards the end though... just. Wow. Things really picked up pace, and I have never cried so much! My heart was being constantly squeezed over the last 100/200 pages and in the final few chapters I had to put the book aside to cry; I just couldn't see the words through my tears!
This is the final book of the Fitz and the Fool trilogy, which is the last(?!) series under the Realm of the Elderlings banner, and so, with fifteen books previous to this one, there are plenty of spoilers for the earlier books and things that won't make sense or won't give you the same emotional reaction as if you'd read the series chronologically. So, I'd recommend this reading order: Farseer, Liveship Traders, Tawny Man, Rain Wild Chronicles, and Fitz and the Fool (all are trilogies except for Rain Wild, which is a quartet).
Recommended for: people who want to find out what happens to the characters in this (possibly? probably?) final book in Robin Hobb's incredible Realm of the Elderlings books, nine of which have been about Fitz's story.
Americanah by Chimamanda Ngozi Adichie
In three words: long, powerful, unexciting.
My rating: ★★★☆☆
"How easy it was to lie to strangers, to create with strangers the versions of our lives that we have imagined."
You know those books that everyone seems to love? Judging by my friends' ratings on Goodreads, Americanah is one of them, so it feels a bit weird to be in the minority and give this 'only' 3 stars!
I really struggled with the lack of plot in this book. There was no real urgency or tension, and so whenever I put it to one side (which I did quite a lot, because I was in a busy period at work), I found it difficult to pick up the threads of the story again. I just wasn't really invested in it or the characters. Speaking of characters, I can't say I really warmed to Ifemelu, the main protagonist. I felt like she was quite a detached person, one who thought she was better than others, and in particular I thought she was even more unlikeable towards the end of the story.
I did enjoy reading Ifemelu's blog posts though, which were interspersed throughout the book - she has the kind of blogger 'voice' that I love to read; one that is personal, punchy and simply written. It kind of makes sense that I enjoyed those parts, as they were a good platform for Adichie to make a lot of her observations (particularly with regard to race) and the points Adichie put across in We Should All Be Feminists were similar in their power. Perhaps this is my biggest bugbear about Americanah - it felt more like an essay trying to be a story, and even though the criticisms and observations throughout were elegantly and powerfully put forward (and eye-opening), I kind of wanted more plot.
Another point I want to mention is the writing. I feel so conflicted here, because I did like it, and even really loved it occasionally, but after a while I couldn't stop noticing all the commas (like the ones in this sentence, ha). Example: I loved "Even the days, sliding one into the other, languorous and limpid, the sun lingering until very late, seemed to be waiting." - I mean, how poetic does that sound?! Especially the slow and ponderous 'languorous and limpid'. But, I then started noticing the commas everywhere, e.g. a typical line might be something like "The first time she took the subway from Brooklyn to Manhattan, her palms sweaty, she walked the streets, watching, absorbing.". After a while, it just got a bit much for me, I guess.
Recommended for: people who want a thought-provoking read about race and identity.
Lost for Words by Stephanie Butland
The Dark Tower by Stephen King
In three words: sad, epic, profound.
My rating: ★★★★☆
"Our greatest moments of triumph are always inarticulate."
What. A. Journey. Looking back over my reviews / Goodreads profile, I see that I started my Dark Tower journey back in September 2016. So, it does feel quite weird to have finished now (though I still have The Wind Through the Keyhole to get to at some point!).
The best thing about these books was, without question, the characters. Seeing how they started out versus where they were in the last book was absolutely amazing, and it was a treat to go on this journey with them. Roland and his ka-tet were so precious and beautiful and ahhhh... I loved them so much! Many of my favourite scenes throughout the series were between Roland and Eddie (popkins!), but Roland's relationships with the others in the tet were incredibly touching as well (I'm thinking of one relationship in particular... <3).
Another thing this series also showed me is that King can write truly epic battle/fight scenes. Standout ones include the shootout in The Drawing of the Three and the battle in Wolves of the Calla. I get chills just thinking about those scenes. Also, any time Roland yelled something like "Gunslingers, to me!"... *shivers*. SO good.
After The Gunslinger, I rated each book 4 stars. I came pretty close to rating The Waste Lands 5 stars (and also The Drawing of the Three, Wolves of the Calla and The Dark Tower, but not as close), as that book was the one I found the least confusing (also: OY!). The fact that this series is so complex is why I didn't feel I could rate any of the books 5 stars. In particular, I thought the complexity became even greater in books six and seven, so much so that although I enjoyed a lot of the scenes, I'm pretty sure there are parts I missed because I was reading despite being tired and therefore not taking everything in. I'm looking forward to rereading these though. And of course I can't wait to watch the movie!
Recommended for: people wishing to read an epic conclusion to an epic series. The Gunslinger was a bit of a wobbly start, but I thought the story got so much better from book two onwards. So, I highly recommend trying at least The Drawing of the Three if you weren't that keen on book one!
Song of Susannah by Stephen King
The Fox and the Star by Coralie Bickford-Smith