@theheartoftoast 's character, Siobhan - a revenge attack for artfight!
I haven't been super active this year, but I'm determined to at least try and revenge any attacks I get. (Same username over there)
Lint Roller? I Barely Know Her

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NASA
EXPECTATIONS
Cosmic Funnies

Andulka

blake kathryn
cherry valley forever
🪼

Product Placement

❣ Chile in a Photography ❣
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RMH
2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
Claire Keane
KIROKAZE
PUT YOUR BEARD IN MY MOUTH

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JVL

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@cavesalamander
@theheartoftoast 's character, Siobhan - a revenge attack for artfight!
I haven't been super active this year, but I'm determined to at least try and revenge any attacks I get. (Same username over there)
can you see them love each other? because i can…
God Cult of Takumi route is fucking harrowing
I am not immune to the pop up store designs
I think this is the single funniest artfight rule. Like....I guess?
WHO DID THIS
Takemaru should've been part of the chinese punk collab!!! It really would've completed Hiruko's chinese triad vibe.
adult life is truly just thinking “I NEED TO CLEAN” while dealing with the 17 other things that have a hard deadline
everyone has a ship thats just: theyre perfect. they hate each other. theyre married. they havent spoken in 15 years. they have date nights three times a week. theyre divorced. theyre pining, its unrequited. its requited. theyre starcrossed. theyre meant to be. theyre doomed by the narrative. they love each other. theyve never held hands. they wont stop making out at parties. they cant look each other in the eye
enemies-to-lovers is about power, actually
I think a lot of people misunderstand why enemies to lovers is so popular. It’s quickly become one of the most pervasive tropes in many novels. Is it the banter, the tension? That’s definitely part of it. But if that were true, then friends-to-lovers and literally any romance with good dialogue and characterization would scratch the same itch. For some, it does, but for many…enemies-to-lovers just hits different.
My theory is that it isn’t actually about love, not really. I think it fulfils a fantasy that no other trope can provide: the fantasy of being seen as an equal.
Think about what specifically makes someone an enemy in fiction. It’s not just someone the MC dislikes, it’s someone who can affect them in tangible ways, maybe even have the power to ruin them, challenge their worldview, expose their weaknesses, etc. The relationship begins with conflict because the characters are fundamentally opposed in some way. It doesn’t matter why, but they’re fighting. There is a struggle for dominance.
I would argue that the most impactful enemies-to-lovers moments are never the romantic moments, they’re the scenes where power shifts. They BOTH lose: they’re forced into a position that would have horrified them at the beginning of the story. They end up needing (or wanting) each other.
That’s why I think people are often disappointed when a supposed enemies-to-lovers story turns out to be a milquetoast attempt where they’re just kinda mean to each other for a few pages, and then immediately start making out. Where’s the risk, the actual threat? If the characters aren’t capable of genuinely affecting one another, then the relationship isn’t actually transforming in a satisfying way. The appeal is in the fact that they have power over each other, because the eventual trust they build requires real surrender.
Because here’s the thing about enemies; they pay attention, and usually more attention than anyone else. They notice weaknesses because they’re actively looking for them, they notice strengths because they need to account for them. They notice habits, blind spots, ambitions, fears.
They study the MC with a level of scrutiny that borders (and later crosses) intimate, but unlike friends (or supporting characters in the MC’s corner) they’re not willing to give them the benefit of the doubt, they don’t overlook flaws out of affection. Which is exactly what makes the eventual romance so satisfying. It feels earned.
It’s easy to imagine being loved by someone who sees the best version of you, but it’s an entirely different thing to be loved by someone who has seen you at your worst. That’s why this dynamic often feels more convincing than romances where the characters are immediately into each other.
I imagine there are many who go through life feeling misunderstood, or worse, that the people who love them only love the polished, perfect version they present to the world, almost like impostor syndrome. But what if there was someone who couldn’t be fooled by this carefully constructed image?
When someone more powerful chooses someone, maybe the fantasy is protection. When it’s someone less powerful, the fantasy might be admiration. But if there’s someone intelligent and observant enough to see the MC as an equal, the fantasy there is the most intense and honest validation.
Which means enemies to lovers was never about turning hate/annoyance into love, it was about turning power into vulnerability – which is a terrifying loss of power, which THEN leads to intimacy.
mithrun rediscovers the joy of ragebaiting
your knight's unending loyalty for you is kinda parasocial and lowkey problematic...
005 nozoei
thoughts below
not to gently dunk on you qifrey but your daughter got there like fifteen chapters ago, good of you to finally catch up to her lmao
(her hand covering her mother's face and the emotion conveyed in the gesture of that hand -- guilt, a protectiveness in shielding her from view, longing -- gets me so bad every time. also agott looking so soft and dreamy through coco vision in both iterations lmaoooo. oh coco. you'll figure it out one of these days. just realized that the characters' places in the lineup are roughly consistent between the scenes (in the center richeh and tetia have just switched position and tartah is gone, that tripped me up) -- we're looking at the same thematic scene from two different POVs even more directly than I realized. one of the several reasons qifrey can't see his own place among the crowd is of course uh well. that he's in it. he's the one looking for us. and in true shirahama style she brings that home so cleverly both in the writing, the repetition, and in the direct visual representation, the pov we're taking on as viewers. coco looks even smaller and more vulnerable through his eyes, as well. love that on her side she gives him a little emotional support olly as she fills in the bigger picture ❤️ it's dangerous to go alone master here have a master olly. notably the only two figures who are directly interacting here.
in a real way apart from being limited by qifrey's place in the crowd we DO seem to have lost tartah, custas and dagda & co along the way :') oops.
my dumb ass reading chapter 94 for the first time: waow this is almost like the scene coco drew that one time...
shirahama who has been clearly and patiently spelling it out in big block letters for me: yeah kid it is almost like that huh
finally I think it's easy to downplay because she's so defined by her fierce compassion, but coco is also so intelligent. she catches on to things so quickly, and she gets right to the heart of things like a scalpel.)
man. the living idol ending of cot really is just...a brilliantly horrifying ouroboros of non-consent, huh? (this is a positive statement, the horror is fantastic).
sdr2 Hinata has the vibes of a guy who is lucky to have everything in life going for him though lacking in friends and self confidence, but satisfied enough he'll try to create some bonds and memories. chapter 6/pre-canon Hinata is a guy who is just unlucky enough he wasn't able to reap the rewards of what life had promised to someone like him and bitter about it. Post-canon Hinata is a guy who had been destroyed by some of the worst circumstances, picked up the peices in the process of moving on, and wants to prevent anyone else from going through what he did
i hope every time i draw takumi blob he gets worse
How i see komahinanami (chiaki is aroace to me)