I have had a lot of evil people say to me that nothing taste as good as skinny feels and every time im like no im pretty sure food tastes really super good actually
DEAR READER
he wasn't even looking at me and he found me
trying on a metaphor
Alisa U Zemlji Chuda

titsay

@theartofmadeline
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Show & Tell
Three Goblin Art

JBB: An Artblog!
cherry valley forever
hello vonnie
Stranger Things
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Cosimo Galluzzi
we're not kids anymore.
h
RMH
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣
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@cease-cartography
I have had a lot of evil people say to me that nothing taste as good as skinny feels and every time im like no im pretty sure food tastes really super good actually
you do notttt need spiritualism you need class consciousness
Conjunction of Venus and Jupiter, United Kingdom
“character who gained weight to show how they are healthy now” trope my beloved
Edit: Yoru's human is here on tumblr!!
via @p0tato-kn1shes
@bunjywunjy’s tags pass peer review too
Passed the White Pharaoh on the freeway
on participatory art:
Beethoven’s “Hammerklavier” sonata, first published over two hundreds years ago, is notoriously considered one of the most difficult-to-play piano pieces of all time.
In particular, when Beethoven sent it to his publisher in 1818, he allegedly said, “Now you have a sonata that will keep the pianists busy when it is played 50 years hence!”, and much has been made of the fact that it wasn’t publicly performed in its entirety until eighteen years later, by Franz Liszt himself.
Except that’s a bit of a deceptive statistic. See, when Beethoven published Hammerklavier, public solo piano recitals/concerts weren’t really a thing yet. Symphonies, sure; concertos, definitely. But sonatas were “parlor” music—a thing played by amateurs, often skilled amateurs, but amateurs nonetheless, in little sitting-rooms for a bit of entertainment after dinner, or at private salons with a guest list in the low dozens. (And mostly they were meant to be sight-read! The culture of obsessively polishing a piece to make it “performance-ready” wasn’t as much of a thing, back then.) People bought these things the way they bought novels, and, just as someone might buy a copy of Joyce’s Ulysses today and enjoy puzzling over the thing, even if they never read the whole thing or feel like they fully “get” it, well… some folks would enjoy sonatas the same way.
So yeah, Hammerklavier didn’t have its first public performance until Liszt played it in the Salle Érard. But also, Liszt basically invented the format of “star virtuoso pianist hogging the stage for two hours” in order to get a public audience at all.
But in the meantime—I think about how wonderful it must’ve been, tooling around on the piano during that 18-year-span where there was no evidence that thing even was playable, or that, if playable, that the thing even made sense. Beethoven was nearly totally deaf by this point, after all, a fact that was publicly known—had he totally lost it? people had to wonder. And the only way to find out would be… well, trying it out yourself!
It has the sound of a gimmick. And I’ll bet it was, at least a little bit—but just because something’s more interesting to play than listen to doesn’t mean it’s failing in its goal. (Though fwiw it is very interesting to listen to.)
It also has the sound of, like, Dark Souls, to be honest. Proto-video game culture. A new game drops and people are asking each other: can anyone beat this boss? can you beat this boss? do you still consider your time on the game well-spent even if you never 100% it?
Biographies generally agree that Beethoven’s metronome markings (which only appear in his later work, and only *some* of his later work) are preposterous—often borderline-unplayable, and certainly not very musical. I couldn’t find a recording of anyone trying to play Hammerklavier at the marked 138bpm tempo, so I got a computer to do it—and burst out laughing at the result because, yeah, 138bpm is fucking NUTS. But whether intentional or accidental, I love the audacity of its being there, like a taunt: I dare you to do more. I dare you to do better. I dare you to try.
Much has been made of how difficulty’s a way of keeping people out—but it’s also a way of inviting people in, I think. It says: do this hard thing and you will be rewarded. You will be rewarded in the trying. Because the trying is the thing that makes the music live; there is no music without you.
Here’s an old bit from an interview with the game designer Porpentine:
“The purpose of a puzzle [in a game] is to provide resistance. For me, that resistance doesn’t need to be coercive or challenging, just interesting and aesthetic. My mechanics are to be touched. Games are perhaps the most intimate art because the player must remain touching at all times. They must touch or the game does not exist.”
So it goes with these sonatas, too.
the poster that this incredible illustration is based on is extremely striking. but while searching for it, I also found earlier posters for conveying this message along with a corresponding one for summer, and I fucking love them. absolutely lovely graphic design work. (both are from 1924, artist is Austin Cooper)
the one I was looking for originally also has a summer variant. (artist is Frederick Charles Herrick: 'it is warmer below' is from 1927, 'it is cooler below' is 1926)
wind by the east bog
when she touch my thing in a sexual capacity
I do say, this is perhaps the most unsafe happenstance in a work setting I've ever seen.
A colossal Aztec serpent’s head made from volcanic rock. Late Postclassic (1325-1521 CE), now on display at the National Museum of Anthropology in Mexico City.
Thinking about this one day when I was in Chicago and it was so foggy that the buildings turned 2D
Welcome to the jungle, Linda Westin
Don't mind me being sad and salty bc my friends completely forgot it's my birthday
maybe because of your corrective rape kink??
You know as an American born in the late 90s I’ve watched my country blow up foreigners on tv supposedly in the interest of national security since I was a toddler but quite frankly we live on a natural fortress of a continent with friendly nations to our north and south and have been attacked on our own soil literally two times in the past hundred years and we have military bases on every inhabited continent on earth. It’s never made sense to do these things for “national security”. It never will make sense unless you value the shareholders of weapons companies over the lives of children. And apparently a concerning amount of people do.
Dudes healthcare is so fake. My ADHD meds are $940 without insurance. But they gave me a website of "coupons" which straight up looks like a scam website, and I got it today for $60! Just a coupon from a random website and it was $900 cheaper. America, I am confusion!! America explain!!
For all my uninsured judys out there it's for Walgreens only: walgreens.rxsense.com
as a pharmacy technician i can share with you some websites that give you those "coupons" for your meds!
goodrx is the most well known one, but if i'm trying to find the cheapest price for a patient i compare it to scriptcycle, and use whichever is offering the best price. you just type in the medication (PLEASE make sure you're getting the right drug, dosage, and quantity) and your zip code and they will spit out some offers for you
some pharmacies may have their own discount card to compare to as well!
if you are getting a name brand medication, you can also look at the manufacturer's website to see if they offer any evouchers for you to use too
good luck out there 👍
How to Pay Hospital Bills When You’re Flat Broke
another one is singlecare.com, brought my duloxetine from $240 a month to $20
and there are coupons for hrt on there as well :) different options for different pharmacies
dollarfor.org saved my broke ass, it can save urs too
Anyways, time for the real met gala
African Magic Viewers' Choice Awards
wait this seems to be missing some of my favourite looks