mon petit chou

the grief is never ending, but so is the love.

[prima02]

hey

[zealli]

[ghoooooooooooooooost]

happy aikawa day (june 30)! i'm posting vol 3 of the aikawawawa zine + a version with all 3 vols together along w old pages that (i think) were missing

[ itchio link ]

[patriyoshka]

been awhile,,,, heres amo

[foolsturmoil]

beautiful interaction i saw on the internet today

[smallrituals]

MY OWN THOUGHTS by Helena Minginowicz (Polish, b. 1984)

acrylic on paper towel, 23x48 cm, 2026

[getupthestairs]

everyone says how harry would do numbers on tumblr and ignores how kim would Also absolutely do numbers on tumblr

he said this. in the crime scene. straight up "hitting it". and by "it", haha, well. lets just say. the crime

[zhookotallo]

detective......

Original art by @diz_korall_DB on twitter/X

[dogpuppy]

[shit-kim-kitsuragi-would-say]

Kim Kitsuragi would say this.

[fursonas]

"sorry for party rocking" I don't think you are. I think you're sorry you got caught

[shit-kim-kitsuragi-would-say]

Kim Kitsuragi would say this.

[life-imitates-art-far-more]

Giuseppe Giorgetti (documented 1668-82) “Saint Sebastian” (1671-1672) Marble Located in the Basilica di San Sebastiano fuori le Mura, Rome, Italy

[nuclearfaggot]

im asking you to stay here. i cannot tell you why, i dont have any other reason except i want to see you here. i want to see you as happy as you can be. please, do what you can to stay. to find happiness wherever you can. i know that it is selfish of my to ask this. but i’m asking you anyway. take care of yourself. if not for yourself, then for me

[dct239394cvvd098dffgggp]

the two headed calf smoking twice as many marlboro red core packs as usual

[liusia-piu]

[liusia-piu]

[fandom-trash-goblin]

we've got a life to love living.

[disease]

Eugène-Louis Doyen | Coupe de tronçonnage du poignet, passant par la première rangée des os du carpe | XIX.C.

[diana-andraste]

Tafel 1, Adalbert Goeringer, overdrawn by Oskar Schlemmer, 1928

"Tafel 1 opens her arms and she looks straight at the viewer … she is exposed showing a slight tilt of her pelvis, balance maintained between the rigidity of her left leg and the flexibility of her bent right leg, with most of her weight on her left.

Provocatively displayed, fleshy, as rendered by…Goeringer, she stands on the ground, existing in time and space and vacillating between exposure and mystery."