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@chark80
Discernment
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2026/07/28/hitl-ers/#ai-ai-oh
As far as I can tell, this dialog between MacArthur prize-winning mathematician Terrence Tao and Chatgpt about "the Jacobian conjecture counterexample" is very impressive:
https://chatgpt.com/share/6a5fdc7a-d6f8-83e8-bbea-8deb42cfed56
Now, the clause "as far as I can tell" is doing a lot of work in that sentence. I am reasonably math literate, up to first-year calculus and a lifetime spent around my father (a mathematician). However, I have never heard of "the Jacobian conjecture," and while I know what all the words in the first paragraph of the relevant Wikipedia entry mean, I can't parse any of the sentences they form:
https://en.wikipedia.org/wiki/Jacobian_conjecture
In other words, I lack the discernment to evaluate the output of the chatbot that Tao exchanged theories with. If you showed me an equally opaque transcript of a "conversation" between a chatbot and a crank with AI psychosis whose math made no sense whatsoever, I couldn't make an a priori judgment about which one was a solid piece of mathematical theorizing and which one was a math-flavored word-salad.
As many skilled programmers can attest, chatbots can produce very useful output – but as even the most ardent AI-assisted coder will admit, chatbot-written code is also full of baffling, obvious errors (and subtle, hard-to-spot ones):
https://pluralistic.net/2025/08/04/bad-vibe-coding/#maximally-codelike-bugs
These errors (which the industry wants us to refer to as "hallucination" – a whimsical, obscuring, anthropomorphizing euphemism) are the reason that reliable AI use requires the discernment that comes from skill and expertise. I use a local chatbot to spellcheck these posts. Chatbots spot all kinds of typos that regular spellcheckers miss:
https://pluralistic.net/2026/02/19/now-we-are-six/#stock-buyback
There's a reactionary group of strangers who seek me out to tell me that I'm a bad person for doing this. These are pointless conversations, mostly because I can barely make out a word over the scraping sounds of all the goalpost-moving these scolding strangers engage in.
They start by insisting that I'm burning down the planet by running a low-CPU load piece of software on my own computer. After I explain that running a chatbot on my machine uses no more carbon than, say, applying a blur effect to an image in my image editor, they tell me I'm unwisely giving my private data to the AI companies. Then I show them the network logs that demonstrate that my local chatbot doesn't send or receive any network data.
Then they turn to the supposed cognitive effects of using a chatbot to find typos in an essay. I explain that I'm not asking an AI to write things for me or explain them to me – I'm asking it to point out where I've forgotten to put a period at the end of a paragraph, or fatfingered a word like "ever" as "every." I even send them the "before" and "after" of an essay after I've corrected some chatbot-identified typos in it:
https://craphound.com/before.txt
https://craphound.com/after.txt
This is when things get increasingly pointless. My interlocutors come up with farcical reasons why it's immoral or dangerous to use this LLM-based spellchecker. They say I'm using too much compute and that I could use a simpler piece of software to do the same thing (which is both untrue and silly – I also run a journaling filesystem on my computer that is vastly overpowered for editing a textfile – who cares?). Or they insist that the mere act of making copies of published works in order to count their elements and the relationships between them is a sin, despite the fact that this standard would kill search engines, the Internet Archive, and the Oxford English Dictionary:
https://pluralistic.net/2023/09/17/how-to-think-about-scraping/
I mean, by all means let's hate the AI companies and work to end their disgusting campaign to pauperize creative workers, but let's not fall into the trap of siding with the media bosses who insist that the salvation of creative labor will arrive when Sam Altman pays David Zaslav for the right to cram the entire Warner catalog into Openai's chatbots:
https://pluralistic.net/2026/03/03/its-a-trap-2/#inheres-at-the-moment-of-fixation
Above all, my interlocutors continue to insist that my LLM-powered, local, open source chatbot spellchecker will make me a worse writer. It's a very strange insistence. My first word processor was a program listing published in a magazine I bought at a corner store and laboriously typed into my Apple ][+. In the 40+ years since, word processors have gotten lots of new features, many of which I thought were useful and many more that I found annoying. There were even some of these features that made the writers who used them worse at writing, in my (expert) judgment.
But from the very start, I knew that you couldn't just trust a spellchecker to correct your documents. I mean, I'm a science fiction writer. I started making up silly words decades before coining "enshittification." I've been telling spellcheckers to fuck off since I learned to type. If you aren't a good writer, spellcheckers are dangerous, and the more "advanced" the spellchecker is, the more dangerous it is.
*turns my attention inwards* mmmmm. no *turns my attention back outwards* oh god
oh no they’re going to start calling democrats the same thing they’ve been calling democrats for 20 years now
“Teachers are often unaware of the gender distribution of talk in their classrooms. They usually consider that they give equal amounts of attention to girls and boys, and it is only when they make a tape recording that they realize that boys are dominating the interactions. Dale Spender, an Australian feminist who has been a strong advocate of female rights in this area, noted that teachers who tried to restore the balance by deliberately ‘favouring’ the girls were astounded to find that despite their efforts they continued to devote more time to the boys in their classrooms. Another study reported that a male science teacher who managed to create an atmosphere in which girls and boys contributed more equally to discussion felt that he was devoting 90 per cent of his attention to the girls. And so did his male pupils. They complained vociferously that the girls were getting too much talking time. In other public contexts, too, such as seminars and debates, when women and men are deliberately given an equal amount of the highly valued talking time, there is often a perception that they are getting more than their fair share. Dale Spender explains this as follows: “The talkativeness of women has been gauged in comparison not with men but with silence. Women have not been judged on the grounds of whether they talk more than men, but of whether they talk more than silent women.” In other words, if women talk at all, this may be perceived as ‘too much’ by men who expect them to provide a silent, decorative background in many social contexts.”
—
PBS: Language as Prejudice - Myth #6: Women Talk Too Much (via misandry-mermaid)
Every EVERY women’s studies class I’ve been in has had this problem and failed to address it.
(via iamayoungfeminist)
Emily Wison, whose translation formed the basis for Nolan's version of The Odyssey, is brutal and unrelenting in her review of it.
As they say at the awards shows, I was humbled to learn that Christopher Nolan has read at least the first line of my...
All the food looks horrible!
Wilson also wrote a 14-post thread on Bluesky about it:
1. It's a fun action movie. A line that got cut but sums up some of my overall feelings: This Odyssey is not a rich, satisfying Homeric banquet, but sometimes in the heat, an ice-cold Philly water ice is all you want - even it's mostly sugar and food coloring, and makes no nutritional sense. 2. Adaptations can do whatever the creators want with the source material, and in many cases, the more they diverge from or push back against the original, the better. e.g. I love Wild Sargasso Sea (and I also love Jane Eyre). 3. It's also totally fine to use American actors and a diverse cast. The costumes/ armor/boats are a mess, but who cares? Homer is also a mishmash, and see point #2. 4. It's less fine to waste your expensive diverse cast by terrible screen-writing, giving them zero convincing characterization or attempt to make us care about the relationships, and tokenism. 5. Adaptations are often most successful when they make clear, courageous choices about what to leave out - so, for instance, the movie "The Return" seems to me both a much more radical departure from the original source, and also a more successful film. 6. Nolan tries to pack a lot of Incidents and Big Ideas into this film, but they do not seem to me to hang together coherently on the level of his own plot and the movie's constructed system of values. Instead, it's foisting a didactic point about Our Times onto the plot without integrating it. 7. The film centers Odysseus's guilt over his war crimes, but never shows us the POV of his victims, and instead glorifies the perpetrator for feeling bad about himself. I found this unsatisfying ethically and worse, imaginatively, because Damon's character is given only one moo 7. I liked Nolan's low-budget early films - have seen Memento 3 times - but I think the money is a trap. It's easier to suspend disbelief if the actors are less famous. The huge budget leads him to attempt grand jam-packed epics, when he's better at taut, very premise-y small films. 8. I wish I liked this film more. I tried very hard to like it. I also felt it was valid to write about why it didn't work for me - especially since so much of the coverage has been so very positive, and I'm hardly punching down. 9. By far my favorite thing in the film is Robert Pattinson's hilarious and sexy Antinous. If anyone ever wants to make a spin off TV series with Antinous risen from the dead to mess with other mythical households, I would be so there for it. 10. Whatever one thinks of the film as a work of art, it's doing some good in the world, by generating big conversations, bringing new audiences to the cinema, and new readers to ancient literature. I hope it helps save the humanities. 11. Was I too mean? Or not mean enough? I went through my first draft and tried to take out the snark. To quote the great poet: "Though much is taken, much remains... That which we are, we are." 12. Beyond anything about the film as a film, it was a terrible and entirely unnecessary choice to film the Trojan Horse sequence in occupied Dakhla, Western Sahara, without the consent of the indigenous population. Yes, it is Wide Sargasso Sea and yes, the Tennyson line is “though much is taken, much abides”. Many apologies and thank you for correcting. And thank you to all who read and engaged. I am very happy that some people respectfully disagreed with me, or had different feelings about the film from mine.
The kid next door (talking toddler age) is playing outside and just wiped out in his Fisher Price car, and I just heard the babysitter say, “oh no, your insurance premium is definitely going to go up!” And the kid who had only been mildly sniffling before made the most confused, but startled sound you’ve ever heard.
Just very clearly an attempt at saying, “my what?”
He straight up forgot about his scraped knee and is now worried about whatever the fuck an insurance premium is.
making a collection
Wait I have more
ROSE OF NEVADA (2026)
Fully and utterly obsessed with every single aspect of this scene
#when you’re both gay and one of you is stuck at a family dinner so you plan an elaborate rescue mission
religion is so fucking funny the world is just too beautiful there must be a higher entity behind all this. lets oppress women
This is what the average YouTube thumbnail looks like now
spent too long on this
No gay has all 5:
- A job
- Good relationship with father
- Neurotypical brain
- Ability to top
- Driver’s license
this is a fun post because people will say how many they have in the tags then you get to figure out which ones.
RULES FOR DATING MY DAUGHTER:
my daughter cannot, through action or inaction, harm a human or allow a human to come to harm
a daughter at rest or in constant motion remains at rest or in constant motion unless acted upon by another force
daughters are never created or destroyed, only transformed
always treat every daughter as loaded, even if you know she isn't
you do not talk about my daughter
6. If x and y are my daughters, then there exists a set that has x and y as elements.
7. You can fold my daughter through any two points.
8. I have exactly one daughter parallel to a given line passing through a given point.
9. If my daughter is hung on the wall in the first act, then in the following one she must be fired. Otherwise don't put her there.
10. When two or more daughters are offered for a phenomenon, the simplest daughter is preferable.
11. Any sufficiently advanced daughter is indistinguishable from magic.
12. Without a clear indicator of intent, it is utterly impossible to parody my daughter without someone mistaking it for the genuine article.
13. My daughter is nine-tenths of the law.