Not today Justin
occasionally subtle
TVSTRANGERTHINGS
Three Goblin Art
styofa doing anything
One Nice Bug Per Day
Monterey Bay Aquarium

Janaina Medeiros

JVL
2025 on Tumblr: Trends That Defined the Year
Jules of Nature
Cosmic Funnies
Sade Olutola
i don't do bad sauce passes

Origami Around
$LAYYYTER
Sweet Seals For You, Always

JBB: An Artblog!
Alisa U Zemlji Chuda
noise dept.
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@charlinelabonte
Behind a Little House, by Manuel Cosentino
Claude Monet’s water structure and shades.
Giulia Bianchi
"You're safe"
“It’s mortifying to be the one who remembers.”
— Ryan O’Connell (via bnmxfld)
Lockdown Moons, England 2020 | Taken from my bedroom window
Archive - Portrait session, Self Assignment 2014 ,in Cannes 📸Photo by Thomas Laisné
Secret Garden
Some drawings I did for our school exhibition !
I want to talk about that final scene, where the camera rests on Adèle for a long time and we watch her slowly come undone. […] What do you hope that shot leaves the audience with?
Sciamma:
Themselves.
It’s cinema, and it unveils itself as cinema. It’s a reverse shot between the two characters. And at that point, it’s not about the story anymore. It’s about you being in your seat, her being in her theater seat, and you watching. First you’re watching Héloïse, and then you’re watching Adèle Haenel performing, and then you’re watching a film ending, with room for your own love, because you connect with the journey of emotion. And you think, Oh, it’s sad, but suddenly, she lightens. She smiles. And maybe you reconsider your own past love.
I feel angry with you, God. Why are you doing this to me? What do you want?
Thelma (2017, dir. Joachim Trier)
“I give because I know how it feels to want.”
—
Sphynxe, Joseph Urban, 1903
Watercolor, pastel, and crayon on paper 22.38 x 19 cm (8.81 x 7.5 in.) Isabella Stewart Gardner Museum, Boston, MA, USA
“It was like a fun puzzle because there were so many moving pieces,” Shahaub Roudbari said. “It’s like designing a dance performance. It’s a fun ballet of the camera, the stunt performers, and the actors, and they all have to move in sync. That’s the challenge we live for.”