The Three Graces, (Detail), (c. 1899) by Édouard Bisson (French, 1856 – 1939), oil on canvas, 97 cm (38.1 in) x 130 cm (51.1 in), Private Collection
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The Three Graces, (Detail), (c. 1899) by Édouard Bisson (French, 1856 – 1939), oil on canvas, 97 cm (38.1 in) x 130 cm (51.1 in), Private Collection
Cesar Philipp (German, 1859 - 1930) - Allegory of Spring detail
“blue heron” by Mx Morgan on INPRNT
I took the day off while my car was in the shop and spent the afternoon walking around the mall. It was pretty dead so I went to Nordstrom and walked around the designer fashion floor. I love looking at the pieces, seeing how they're made, what the fabric is like, the newest trends and ideas, even if I could hardly afford anything there.
I went into the Dior boutique and when the saleswoman greeted me I told her I was just looking, I love the pieces. After a while of me looking around she said "You know, it's quiet today and I can tell you love that dress." and she took me to a fitting room and gave me the whole Dior fitting experience! I spent the rest of the afternoon playing dress up in designer gowns!
It was a thrill just to put them on. They are so thoughtfully crafted and there's a sense of history and excellence in the clothes, and the experience of trying them on. I follow runway shows and I'd always wondered what the clothes would look like on my body. I'm tall but definitely not model thin and I think a lot of the garments actually drape better over a fuller figure. I also looked better in those garments, even a simple white button down and black slacks. With certain brands I can really tell they understand a woman's body, how it moves, and how to manipulate fabric to suit it.
My favorite pieces of the day were a gauzy, floaty, translucent linen dress that was pleated neatly at the waist and billowed out. it was elegant and clean- the linen was crisp, yet so soft to the touch and delicate. There was also a Dior "hoodie" made of fine italian wool and silk. Navy blue on the outside and blue and silver grey with the company's logo woven on the inside- a double-sided woven fabric, which is so technically difficult I can begin to understand the $6K price tag. The base of the jacket is tailored like a standard hoodie but it has a sailor's collar embellished with lace as a nod to 18th century rococo. I found it so charming and a delight to wear.
I took so many pictures and even after I changed back to my normal clothes and took the bus back to the mechanic's I felt like a million bucks
the vivid sensory-memory of sucking water out of a washcloth as a child
why are all the actual real human jobs like baker and florist and childcare worker barely paying livable wages but the fake jobs like ai specialist boot licker or marketing campaign dick sucker making six figures
Ccan i hit?
I would parry every blow?
High-Altitude Morning Solitude.
“Grasping Moments,” photographed by Harri Peccinotti for VICE
The Love Letter, (Detail), (1880), by Federico Andreotti (Italian, 1847 – 1930)
“Bird & Arabesque” by Doha Koma on INPRNT
broke my toe!!!!!!!!!!!!!!
Darby enjoying the holidays at home on Bowen Island, BC. [x]
Le Bal de l'Opéra (Masked Ball at the Opera) (1886) by Henri Gervex (French, 1852 – 1929), Signed and dated Iower left: ‘H. Gervex – 86.’, oil on canvas, 85 cm × 63 cm (33.5 x 24.8 in), Musée d'Orsay, Paris
2013-07-24